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  • My favorite story is Bilem, which is sort of funny because it's not that much of a story.

  • I'm saying that because it has very little dialogue in it.

  • Sometimes chapters go on with no words at all being spoken.

  • It took six years to make, but you can read it in six hours.

  • But then you'll probably miss the point because the story isn't much told in the words.

  • It's told through the journey.

  • I'll try and explain what I mean with that.

  • It's literally just about a guy walking through this giant, never-ending structure.

  • And I'm pretty sure the guy, Achille, which is his name, doesn't really know either what is happening because it's been so long that he's been going through it.

  • And because of the lack of dialogue, you're really forced yourself to figure out the story.

  • And it's also an opportunity to make it your own.

  • Obviously, you're giving a certain frame for it, but it's also why I don't really want to talk about the story too much because I think everyone has their own perception of what it is.

  • Hidetaka Miyazaki, the creator of Dark Souls, said himself that when he was a child, he loved to read, but he wasn't very talented at it, so often he would read passages of text that he couldn't understand.

  • So he would instead allow his imagination to fill in the blanks.

  • This is exactly what Blame is.

  • There's so much empty space for you to fill with your own imagination.

  • And it's almost like you're co-writing the story with the author, which may seem a bit selfish, but it also makes it so much more personal, I guess.

  • The creator of Blame, Tsutomu Nihei, shows that you can tell a story with barely any dialogue, and he does this because he draws it so beautifully.

  • Nihei used to study architecture, and you can definitely tell while reading through it.

  • Some of the scenery is just outstanding, and it really draws you in.

  • And even though it's so dark and so grim, you still feel like you want to be part of it in a really weird and twisted way.

  • Each page is a piece of art, I think at least.

  • I realize I'm talking about it like it's some perfect piece of art, but it's really an action cyberpunk manga.

  • That's it, that's all it is, but it's also so much more.

  • Blame came out on Netflix as a movie, which I guess is surprising because it's pretty old.

  • I didn't really love the movie, but I thought at least now is a good chance for me to talk about it, because it is my favorite manga, and I figure now is a good time as ever to do that.

  • I love Blame because of a lot of small reasons.

  • I love it because the art improves so much just from volume 1 to volume 2.

  • It's so interesting to see the artist grow while making the manga and seeing him improve.

  • I love because it's an 18 plus manga, but it still takes itself seriously enough not to overdo the gore and all the sexual bits, even though I do love anime titties.

  • I love it because for me it's like a friend.

  • It's a friend that you can revisit whenever you feel like it, and you find out something new that you didn't know before, but it's still nice to just revisit.

  • I really love Blame.

  • I don't expect anyone else to really like it.

  • It's really not for everyone at all.

  • I just love talking about it.

  • I really just want to say thank you to Sumoto Nihei for making such a wonderful piece of art.

My favorite story is Bilem, which is sort of funny because it's not that much of a story.

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