Subtitles section Play video Print subtitles - I'm Timmy Turner and I sure wish Cosmo and Wanda were here to help me review some impressions. - I wish I could go inside the internet. - Here doggy doggy. - What was that? Didn't quite catch that. - I'm hardcore. - Hi Vanity Fair, I'm Tara Strong. I'm an actress mostly known for my animated voiceover roles, like Timmy Turner from the Fairly OddParents, Bubbles from the Powerpuff Girls, Twilight Sparkle from My Little Pony, Raven from Teen Titans and Harley Quinn from the DC Universe and today we're gonna hear some people do impressions of my characters. ♪ Obtuse, rubber goose, green moose, guava juice ♪ ♪ Giant snake, birthday cake, large fries, chocolate shake ♪ ♪ Obtuse, rubber goose, green moose, guava juice, ♪ ♪ Giant snake, birthday cake, large fries, chocolate shake ♪ - So that's Megan, she's awesome. I've met her. I let her do her Timmy impersonation in this studio. We shot a little vine video together. - Hi, Timmy Turner. - What are you doing? - Nothing. - I'm Timmy Turner. She's adorable and she's so brilliant and she's probably one day gonna take all my jobs. That impression was pretty close to perfect. I would just say she could go a little bit deeper in her register, 'cause I still hear like a little girly in her voice, but it's not something she can't do. Like if she did that again right now and I said, "Go a little deeper." She could do it. So she's gunning for me, I see you Megan. It's just that in this particular impression, she's thinking a little bit too young and she's doing like a little ♪ Obtuse, rubber goose ♪ It's just a little bit younger, she could probably do a bang on like, baby deal or a young Timmy, but for the Fairly OddParents Timmy still has to sound like a 10 year old boy. So instead of going too cutesy, you think teenage boy. ♪ Obtuse, rubber goose, green moose, guava juice ♪ Get little girl gestures and thought processes out of your mind and really become a little boy. When you think too cutesy, it puts you in that different register, where you can kind of break off into girl territory and we definitely need to know that Timmy is a boy that makes a lot of mistakes like boys do. I wish I was inside the internet. ♪ Obtuse, rubber goose, green moose, guava juice ♪ ♪ Giant snake, birthday cake, large fries, chocolate shake ♪ - I don't believe in luck, but I do subscribe to the theory of horribly inconvenient coincidences. I wish I could go inside the internet. - Maddie, what a great job. She sounds a lot like Timmy Turner, I would say her only flaw was the same as Megan's where it still sounds like a little girl. She rushed it a little bit. So I think if she slowed down and just went a little bit lower in her register and add a little bit more rasp. Timmy has a little bit more rasp than she did in that last impression. When you watch her you can see that she's into it. But she's thinking more of the voice. I want her to think more of the moments. When you think of the Fairly OddParents theme song and you think ♪ Obtuse, rubber goose, green moose, guava juice ♪ Wow, picture all those things. Each word is important. Each syllable in animation is important. And she can get there too. If she was in my studio I'd have her there like that. She's gunning for me too, I can see. He's not stupid, he's my friend and I should have treated him better. - He's not stupid, he's my friend and I should have treated him better. - So she also sounds a lot like Timmy Turner, all these people are so close, I'm so touched that it's inspired all these people to do impressions. She's actually too pinched, too high. So I would say to in her case, relax the rasp a little bit. When you do Timmy Turner, you are pinching your vocal cords, you need to make that raspy sound. But she's doing it so much that it's up here a little bit too much. So again, she's gotta lower her pitch a little bit. There's a rhythm to how boys talk. So she's going a little bit too fast. She needs to slow it down and have a little more highs and lows and not just all appear really fast. And maybe it's a challenge of someone doing something for YouTube as opposed to being in an actual studio and visualizing all those moments. Because if she really took the time to think about those moments, I shouldn't have done that almost act it like you're acting on camera. He was my friend, and that will bring you into those boy moments instead of sort of looking in the camera and saying, "He was my friend, I should have done this." He was my friend, I should have done that. Even if you're speaking higher or faster, if you're imagining those moments, they're gonna translate more and they're gonna get you more into that pocket. So I think the people doing impressions and it may be they're not imagining they're in each of these animated worlds. I'm just as tough as Blossom and Buttercup. I can handle the rough stuff too. - I'm tough, I'm just as tough as they are, I'm hardcore. Hi, I'm Bubbles from the Powerpuff Girls. [indistinct] She's talking to squirrels again. - Oh, my gosh, she's so cute. That is a great Bubbles. It sounds just like her totally. I would say again for her to slow down the acting beats. Bubbles has this funny thing where she pronounces words funny, like picky. So when she's like, I'm just as tough as Blossom or, she needs to slow it down. I'm just as tough as Blossom and Buttercup. Buttercup, see how it got a little bit weird where I put the T. There's little like weird inflections that Bubbles has that would get her from her pretty awesome impression to even greater. So slow it down, imagine all the moments, take every syllable. I'm just as tough as Blossom and Buttercup, I'm hardcore. Even though Bubble's voice lives in a high register, she drops down from it periodically. So that would help to capture her musicality if she didn't always stay up high all the time and she came down a little bit I think it would sound even better, but that's pretty darn close. I'm just as tough and strong and mean as Buttercup and Blossom and I'll prove that I can be hardcore. - I'm just as tough and mean as Blossom and Buttercup, I'm hardcore. - She's great too, it's pretty close too. The only thing I can see she's doing with her mouth is she's making her a little too babyish. Even though Bubbles is super cute, she almost has to fight the baby. It's almost like you can't play her too cutesy or it doesn't work, you almost have to play against the cutesy with a cute sound if that makes any sense. So instead of thinking like this, if you're thinking like this, I'm hardcore. It's naturally gonna kind of take her down, again, she can find a few more places to go a little bit lower, even though it's a high pitch sound. I know this is probably very confusing. Just because Bubbles is small doesn't mean her moments are small. I'm just as mean and tough as everybody else. She still has to have that real determined sound. It's not all baby, it has to have a bunch of different layers, but vocally she's like, and totally pitch wise, she's really close. You have to have highs and lows in your acting to keep the audience engaged and keep the character authentic. When you speak in your own voice, there's a musicality to it. It's like you're singing a song with words. So you wouldn't always speak like this or people would be really bored with you talking to them. So think of how you have highs and lows in your own world and then bring that forth with your character work. I'm still getting his drool off my face. I don't want him anywhere near my brain. Here doggy. Here doggy, doggy. - I'm still getting his drool off my face. I don't want him anywhere near my brain. Here doggy. Here doggy, doggy. - Brizzy is awesome. She's off and running on her own voiceover career so she's doing great. To make Raven even more perfect, it's already pretty perfect, is to not have anything forced or pinched at all. She doesn't have any nasal quality to her. For Raven you actually have to try less than people think you do. That guttural roll isn't always there when she speaks it kind of fluctuates in and out so she does have some highs and lows, way less highs and lows than any other character I do. In fact, Raven's challenge is in high action sequences to maintain the voice because if you get too excited, you can't keep that guttural roll. So I would say less nasal, more natural. Sit back a little bit on the roll and just like let it flow, but you can see like, acting wise, she's in the right pocket. It's super close. She could play Raven. I know this isn't my style, but we just kicked Slade's butt, shouldn't we celebrate or something? - Evil be where we have waffles, azarath metrion zinthos. I know it isn't really my style, but we just kicked Slade's butt, shouldn't we celebrate or something? - It's the same sort of category as Brizzy where it's just a little bit too forced, a little bit too nasal. If you just sit back, it's also a great impression, by the way, but if she just sits back on a little bit and doesn't push so hard or tries so hard. There's no pinch sound when you do Raven. When you do Timmy Turner there's a pinch sound. But when you do Raven, there's no pinch sound. Raven almost needs to sound like it's a chore to speak, it's boring. So if you sound pushed, or you sound like you're trying to be a teenager or you sound upbeat, it's not gonna sound like Raven. And you really have to think about what's gonna get her upset, what's gonna inspire her, what's gonna make her nervous, what's gonna get her to lose control of her magic, every single thing you do in voiceover, like, I can't say it enough is dictated by the acting beats and the moments that you're facing. I would say if they were recasting, which would of course break my heart. I would hope that they were going for something new. If it's an actual impression and you don't have it down, I wouldn't go in because sometimes you don't get a second shot in front of a casting director. Then I would say if you're going to do an impression because there's so many people that want to break into this business, it better be bang on. Good afternoon, my name is Twilight Sparkle. - Good afternoon, my name is Twilight Sparkle. What was that? Didn't quite catch that. - Oh, she's so cute. She tonally really has her down, I would say slow it down a little bit, think of the moments a little bit more bring in a little bit more of her acting abilities. I can see she's got it. I'm sure sometimes people are nervous to put this stuff out there and the thing about animation is you really can't be nervous. And if you are nervous in a callback situation, you have to fake it that you're not because studio time is really expensive. So they wanna make sure that you're going to deliver the performance within the first few takes. So she just needs to slow it down and think about her acting beats more but vocally she's pretty darn close. Spike, take down a note. Dear princess Celestia. - Dear Princess Celestia. Sunshine, sunshine, ladybugs awake. Clip your hooves and do a little shake. Spike. But princess I don't understand, what did I do? - It's a great job because in truth, it's much easier I think for Canadians and Americans to do international accents. It takes a pretty skilled performer to drop a heavy accent to do American or Canadian. So like she's doing a pretty darn good job. You can hear a little bit of her accent which unfortunately hurts the impression but like she could do Twilight wherever she is from for sure, because she has like the essence of her character. It's just a little bit, if I'm gonna beat her up, it's a little bit too pretty and princessy. She needs to add a little more nasal, a little more nerd to her tone, you know, it's sunshine, sunshine, ladybugs awake. It's a little bit more like rough and tumble kid. That clip is actually from when Twilight's a little bit younger so she has to drop sort of the polished sound. This girl by nature has a very polished sound and Twilight isn't quite that refined. Quit squawking bird-brain and remember, I'm only helping you and scarecrow do this to kill B-man. - You'd think after living with Mr. J all this time I'd be used to a little pain. Sweety, my pudding's gonna get ya. Why don't you come over here and I'll give you a nice big kiss. - That was a great job. She could definitely play Harley, it was really good. In terms of the newer stuff, 'cause that was sort of an impression of the series that was voiced by Arlene. So for some of the newer video game stuff, she'd have to get a little darker, less cutesy. It's perfect for that version, but the version that she posted was, the image was from the video game. So she's gonna have to be a little guttural, a little bit lower in her pitch, a little, slow it down, a little bit more power in her, way less cutesy. Even though the character is cutesy, again, we fall into this comfort zone when a character is really cute, to sound really cute, but you have to give them layers of other stuff going on or it's just not believable. She could definitely play Harley, it's a great Harley, but if she's going to play her for video games then she's got to get a little bit more hardcore in her Harley. Harley has to have tons of different layers and places to go 100 percent. She could visualize the moments more. It's really, when people are going too fast and they're not in the pocket, I can see that they're trying to do an impression and really an impression won't make it in this business. There are lots of people that can sound like certain characters, but you have to be able to act with the essence of these characters. You have to encompass them, you have to breathe life into them and become them. When you do that acting wise, the highs and lows will come, you don't have to think "Oh, I have to go higher here, "I have to go lower here." The truth is when you're acting in these moments, those highs and lows will naturally come. I always tell aspiring voice actors to get as many hours in acting classes as you can singing lessons. I still take singing lessons, it's so important. This is a muscle, you have to work it and I always say to take improv classes because often you're in a studio and they'll ask you to do a last minute character. You have to be ready. Do impressions for sure. Create your own characters, whatever you do, I really hate this. So I'm glad this gets a big audience with Vanity Fair. Never, ever pay to audition, that is a total scam and it really pisses me off. There's nobody in my world that paid to audition to get where they are today. Animation voiceover is a very small world, I'm not saying there's not room for more people, but a lot of it is timing. So you wanna be super ready, you wanna feel really confident, which is why you have to take as many acting classes and really practice and after you take regular acting classes, if you can get into a voiceover class with an established voice actor, not someone that just says, "Hey, I wanna do this." Or a casting director that's really smart for them to get to know you. And then after that, you make a demo and then after you make a demo you submit it to agencies. Best shot is if you have a friend at an agency that can hook you up. If not go into the Screen Actors Guild website and look at all the reputable agents in your area and never ever pay to audition. Thank you Vanity Fair. I'm Tara Strong and those are my views of some of the most awesome impressions on the internet that I've seen. Good job, guys. [upbeat music]
B2 timmy raven turner impression doggy sound Tara Strong (Timmy Turner) Reviews Impressions of Her Voices | Vanity Fair 13 0 林宜悉 posted on 2020/10/23 More Share Save Report Video vocabulary