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  • - Hi, Vanity Fair.

  • I'm Tara strong, and I'm an actress,

  • mostly known for my animated voiceover roles.

  • Like Timmy Turner from "The Fairly Odd Parents."

  • And Bubbles from "The Powerpuff Girls."

  • She's hardcore.

  • And Raven from "Teen Titans."

  • And Harley Quinn from DC Universe,

  • and Batgirl too.

  • And Twilight Sparkle from "My Little Pony."

  • I'm here today to break down

  • some of my most famous characters.

  • [funky music]

  • 'Cause I've got fairy godparents.

  • Yeehaw!

  • That's my room.

  • You think you can destroy the elements of harmony,

  • just like that?

  • Dear Trixie Tang,

  • instead of going to the big school dance

  • with somebody handsome and popular,

  • how 'bout going with me, Timmy Turner.

  • Timmy Turner is a 10 year old boy

  • who lives with his mom and dad who are kind of boring

  • and a little neglectful.

  • And he has a super mean babysitter named Vicky.

  • So he gets the privilege of having two awesome

  • fairy godparents, Cosmo, and Wanda,

  • who are not perfect at their jobs.

  • So often things go very wrong

  • and there's all kinds of crazy characters.

  • The art was incredible.

  • The cast was incredible.

  • We were like a family.

  • We would do two episodes back to back

  • in the studio altogether.

  • And that was some of the most hilarious,

  • happy times in my life.

  • "Fairly OddParents" was originally created

  • for a series of short cartoons for a program

  • in Nickelodeon called "Oh Yeah Cartoons"

  • and I was not be original Timmy Turner.

  • Mary Kay Bergman was the first to play the role.

  • She was brilliant and she was just the sweetest woman ever.

  • She passed away before the series got picked up.

  • So I was brought in to replace her at the audition,

  • which was very sad because she was just the loveliest woman.

  • And I adored her and she was so talented.

  • Many of the people going into the audition

  • were playing her on their cassette tapes at the time.

  • And I didn't want to do that.

  • And I went into the director, Butch Hartman.

  • He was also the creator.

  • He's one of these crazy aliens

  • that can draw, write, direct, voice.

  • And I said,

  • "I don't want to copy exactly what she did.

  • I want to make it my own."

  • And he said that that's what booked the part.

  • Taking from her original inspiration

  • and then making Timmy Turner my own.

  • Okay you guys, I wish I was older.

  • [magical music]

  • Well, how do I look?

  • - [Both Fairies] Eww.

  • - You know, at an audition process,

  • you get a drawing of the character,

  • you get a character description,

  • sometimes you get a show bible

  • of what their world looks like.

  • And then you as the voice actor

  • have to try to imagine

  • what the creative team behind it wants that to sound like.

  • And so I wanted it to sound like

  • an authentic ten-year-old boy.

  • I wanted him to be fun and adventurous,

  • but also a little bit nerdy, not so confident.

  • And so all of those factors sort of go into play.

  • And then I imagine those worlds in my mind,

  • anytime I speak,

  • I'm imagining what's happening to my character in my mind.

  • A lot of people say, when you get into animation,

  • "oh, I've got a funny voice, I could do this, right?"

  • Absolutely not.

  • You to have an acting background

  • so that you can bring forth the action

  • with your voice when it's missing

  • from in front of you when you're doing on camera work.

  • So in my mind,

  • I was just imagining I was a 10 year old boy

  • with this amazing opportunity

  • to have any wish I want come true.

  • And then organically, the voice just came out.

  • Wow, she likes me!

  • And I creep her out!

  • Awesome!

  • He's so much fun to voice

  • because although you believe that he's an authentic boy,

  • the shows are so crazy and out there

  • that it can go to all kinds of different levels

  • and you, as the actor, doesn't have to,

  • you don't have to be afraid to be too big

  • or too small in different moments.

  • And there's so many layers and levels of musicality to him.

  • He was really born of the creativity

  • and the authenticity and the organic nature

  • of "The Fairly OddParents."

  • - I'm gonna get ya.

  • - Professor!

  • You turned it down again!

  • I'm just as tough as Blossom and Buttercup,

  • I can handle the rough stuff too!

  • Come on you guys.

  • Turn it up just this once.

  • I'll show you!

  • Bubbles is the sweetest, most authentic,

  • vulnerable kick-ass girl you'd ever want to know.

  • She is your best friend.

  • She is someone that would do anything for a friend.

  • She's content sitting and coloring.

  • She's also quite content saving the day and being badass.

  • She is such a big part of me, of all my characters,

  • I would say I'm mostly like Bubbles.

  • "Powerpuff Girls" was another show

  • that I actually didn't book the original voice of.

  • I wasn't in town.

  • They had originally cast Bubbles as Kath Soucie,

  • unbelievable, brilliant talent,

  • she was Phil and Lil on the "Rugrats",

  • and she was just amazing.

  • It was a pilot called "The Whoop-Ass Girls"

  • created by Craig McCracken, who is an absolute mega genius.

  • He could take over the world if he wanted to.

  • Whatever I did when I went in, they just really liked it.

  • And they felt like

  • it was a good differentiation from the other characters.

  • So Bubbles is so different from E.G. Daily's Buttercup

  • and Cathy Cavadini's Blossom

  • and they're all so different and they're all so important.

  • And I think something in my voice

  • just triggered them to go, "okay, that's Bubbles."

  • And Buttercup was a monster and I played the mayor

  • and Blossom was Ms. Bellum.

  • Then Buttercup wanted to pretend she was Blossom,

  • but Blossom wanted to be Blossom

  • and I wanted to be Bubbles but they told me I couldn't.

  • And no one wants to be me!

  • In the character description,

  • she was described as like

  • the cutest thing you could ever imagine.

  • So even though she's super tough,

  • she had to be super adorable, which is why the show works.

  • These are the cutest little girls ever,

  • but they could kill people.

  • They could destroy towns.

  • So I knew I had to make it super duper adorable.

  • And inspiration came from the drawings, again,

  • they were so incredible.

  • Back then in animation,

  • we didn't have computer generated images.

  • Everything was hand drawn.

  • At sessions they would give us storyboards

  • that were like this thick

  • with every single moment in the action.

  • - Ask him if he knows who did this.

  • [cheeping]

  • [squeaking]

  • - Yes!

  • - Can he take us to them?

  • [cheeping]

  • Come on!

  • - You know, it's funny,

  • all the girls have these weird little powers,

  • like ice breath or talking different languages or whatever.

  • And I don't know why, the writers,

  • Craig decided it would be hilarious

  • if she could talk to squirrels.

  • Bubbles is a huge animal lover so it makes sense.

  • I'm standing in the booth doing my squirrel talk like this.

  • [cheeping]

  • And Tom Kenny,

  • who is of course famously known for SpongeBob.

  • He was also the mayor and the narrator.

  • He like looked at me after my first take

  • and he goes, "Tara!"

  • And I was like, "yeah,"

  • he's like, "is this how you talk to squirrels?"

  • I said, "I guess so."

  • I didn't even realize I was doing that.

  • That's how you talk to squirrels.

  • That's my room.

  • [crashing]

  • Nobody goes in my room.

  • Raven, she's so important.

  • She's so important.

  • When I think about how much she's touched people's lives.

  • You don't know when you book a show like

  • that it's going to be so important to people.

  • When I first went in,

  • I thought I was going to book Starfire

  • because character description for Starfire

  • is she's a grownup Bubbles.

  • Well, I'm a grownup Bubbles.

  • And at the time I was doing something like

  • five different dark, tragic teenage voices.

  • I was Batgirl for the same network.

  • I was Kylie on "Extreme Ghostbusters,"

  • Shareena Wickett,

  • Ingrid from X Middle School from "Fillmore."

  • Like how do I make this girl different?

  • Every single character I create

  • has to be different.

  • They're their own entity.

  • They live in their own universe.

  • They live up in my head when it's their time to play.

  • And I didn't know how I was going to make her different.

  • And at the audition, I just went into my acting mode.

  • I just imagined where she was and her scenarios.

  • And it was very similar to my own voice, which is Batgirl.

  • Again, it's all the same people.

  • So I knew as I was reading it,

  • this probably isn't going to fly because it's just Batgirl.

  • And I left the studio and on my way out,

  • I had this idea and I turned to Andrea Romano,

  • who is absolutely one of the most brilliant voice directors.

  • And I said, "can I try one more thing?"

  • And she said, "yes."

  • And she let me go back in.

  • And I just had this idea to have this weird little roll

  • every time she said anything.

  • It just came out.

  • It was just a god shot.

  • It was just this organic thing that I decided to go with.

  • And that's what booked the part.

  • So like thank you to Andrea for believing in me

  • and giving me that time.

  • And thank you to whatever spirit guide sent me Raven.

  • He was the only person

  • who ever made me feel like I wasn't creepy.

  • And don't try to tell me I'm not.

  • - Okay.

  • - Well, I knew she was half demon.

  • Her father is basically the devil.

  • I mean, he's a horrible, demonic character.

  • And I knew she had that inside of her.

  • So I felt like if it was this deep guttural roll,

  • that was constantly gnawing at her goodness,

  • that if there was this deep inside darkness

  • that she had to fight,

  • that maybe it comes

  • from somewhere so deep down and low

  • that it just is like this constant roll.

  • It's this constant reminder.

  • It's this constant voice in her head to fight for goodness.

  • I know this isn't my style, but we just kicked Slade's butt.

  • Shouldn't we celebrate or something?

  • When I say she's so important, I go to these comic cons.

  • Every time I go,

  • there are hundreds of people cosplaying as her.

  • Babies cosplaying as her.

  • There are old ladies cosplaying as her.

  • There are men, there are women.

  • There are my transgender friends,

  • every age, every color

  • and something about her transcends

  • and makes people feel not alone.

  • I can't tell you how many times I've heard people say,

  • "Raven got me through my parents' divorce.

  • They, got me through a depression.

  • I thought I was completely alone

  • till I watched Raven on "Teen Titans."

  • I had a girl dressed as Raven

  • talking to me at a con and she was talking a lot,

  • like very quickly about how much it meant to her.

  • And she was going on and on and on and on and on and on.

  • This happens a lot.

  • And I look over and I see her mom like crying a lot.

  • And a lot of people cry when they meet me,

  • but this was different.

  • She was visibly very shaken.

  • And I went over to her and I asked her if she was okay.

  • And she said, my daughter is severely autistic

  • and she hasn't spoken in five years.

  • And when she heard you were coming, she didn't shut up.

  • And I was like, wow, like that's what Raven means to people.

  • So thank you, Andrea.

  • And thank you, Glen Murakami

  • and Warner Brothers for trusting me with her.

  • She's very important.

  • [laughing]

  • Sorry!

  • We were supposed to be doing a fun cartoon thing.

  • And now we're all crying.

  • It's okay, girls.

  • I couldn't possibly enjoy myself

  • without my best friends there with me.

  • Twilight Sparkle is the epitome of goodness.

  • Somebody that's always concerned for everyone else

  • way before herself.

  • The thing I love about Twilight is

  • she takes the reigns and she, takes the reigns.

  • She's in control,

  • but she's okay learning from her mistakes.

  • She spends every day of her life, making people feel good.

  • And that's why she's so damn lovable.

  • If my friends can't all go, I don't want to go either.

  • Lauren Faust and I first met on the "Powerpuff Girls."

  • She is married to Craig McCracken.

  • They're the most genius couple ever.

  • She, unbeknownst to me,

  • had started working on "My Little Pony."

  • As a little girl she watched the show,

  • she was fascinated by the characters,

  • but not the storylines.

  • And she said, "hey, can I come over?

  • I want to show you something."

  • And she came over and she showed me the drawings,

  • which I can't draw at all.

  • So the simplest thing blows my mind,

  • but these were the opposite of simple.

  • They were unbelievable works of art.

  • She said, "would you mind voicing three of the characters

  • so I can pitch the show?

  • Like, do you mind?"

  • So we came upstairs right here in my home studio

  • and she had me voice Twilight, Pinkie Pie,

  • and I think the third at the time was Applejack,

  • maybe Rainbow Dash, I honestly can't remember.

  • And she thought in the show,

  • I would book Pinkie because she sort of based

  • Pinkie Pie off Bubbles.

  • She was standing right at the door of my studio,

  • listening to me do Twilight

  • and she said, the second she heard me do Twilight.

  • She's like, "I knew that was my Twi."

  • The princess trusts me completely.

  • In all the years she's been my mentor,

  • she's never once doubted me.

  • I knew that she had to be authentic

  • and conscientious and sweet,

  • but strong and a little bit nerdy.

  • So it was just sort of my voice pinched up a little bit.

  • And also she can get really upset, really fast.

  • So there's all these sort of fast moments and slower moments

  • when she's trying to figure stuff out

  • and she gets stressed out.

  • I just knew she had to be a little bit younger

  • than my own voice and a little bit nerdier.

  • She reads a lot more than I do and I'm not proud of that.

  • I almost forgot.

  • I want to bring

  • the astronomical astronomers almanac

  • to all things astronomy.

  • When we started in "My Little Pony,"

  • I had no idea we would win over fans of all ages

  • from all countries,

  • that it was going to be this mega worldwide phenomenon.

  • No idea.

  • These fans are the cutest, sweetest, most devoted,

  • most giving, incredible fans I've ever witnessed.

  • I've been at cons where some really hot army dude

  • comes over to me and he shows me his arm

  • and he has Twilight tattooed.

  • You know, they paint Pinkie Pie on their tanks

  • to get them through hard times.

  • And I'm looking at him like, "oh, what?"

  • And you know, it's the most joyous,

  • like you just delight in this fandom.

  • That's the most beautiful thing about animation

  • is animation is every color, every age from every country.

  • And "My Little Pony" is the epitome of that.

  • - Where's the bat.

  • - We're handling this.

  • - Oh, that's reassuring.

  • - Don't let that donut dunker get to you.

  • We're going to have this whole thing sewn up

  • before Batman and Superman get back.

  • The first time I got to play Batgirl

  • was in "The New Batman Adventures."

  • I remember the audition.

  • I remember walking to that room

  • and seeing voiceover legends in that room,

  • A-list celebrities.

  • And I was a fan.

  • I collected Batgirl stuff as a kid.

  • My dad had comics from the beginning of time

  • and I really wanted it.

  • And I knew what I was up against.

  • And Bruce Timm, Andrea Romano,

  • like they just saw something in me.

  • And I just was her.

  • When people say do her voice,

  • it's the only thing that, that is my voice.

  • When I booked that role,

  • I freaked out my agent left on my answering machine,

  • "Oh my God, you're her.

  • You're the bat, you're the girls at the bat.

  • You're your Batgirl!"

  • And I was like, "waa!"

  • It was just amazing.

  • And then, you know,

  • being in the studio with Mark Hamill and Kevin Conroy,

  • I'm like what is happening?

  • It was such a magical time.

  • Every guest cast was an extraordinary talent.

  • I don't know what horseshoe I was born under to have played

  • so many extraordinary characters, but she is one of them.

  • And every time I see Batgirl on a script,

  • I'm taken back to those times.

  • I love the "DC Superhero Girls."

  • Playing Batgirl now in this world is so much fun.

  • Playing her back to back with Harley

  • and arguing is insanely fun,

  • but then getting to do things like "The Killing Joke"

  • where it's really dark.

  • My favorite "Batman" iterations are the darker versions.

  • I knew what I was doing, I was on the hunt.

  • Same as you.

  • - No, you were trying to prove something.

  • You let your ego cloud your judgment.

  • You should have listened to me.

  • - I thought we were partners.

  • - We are.

  • - Bruce Timm asked me to come on board for this,

  • and again, he's another person

  • that you say yes to everything to.

  • I had read the comic

  • and you know, they needed to add extra time to the comic

  • and the fact that they made it girl-centric,

  • Batgirl-centric, Batgirl in her power

  • in her womanhood was super interesting to me.

  • You know, I've really grown up with Batgirl.

  • I started her in my early twenties

  • and now I'm a little bit older than that.

  • From where I started as Batgirl,

  • 'cause it was the same cast I got to work with,

  • it was already in my head that it was me

  • just a little bit older.

  • So she's not little girl teenage Batgirl,

  • Barbara Gordon anymore, she's a woman.

  • I didn't have to dig too far deep.

  • It's just really me

  • and I've sort of grown up with her.

  • You know, Harley Quinn.

  • Batman's archenemy.

  • America's screwball sweetheart.

  • So the first time I got to play Harley was in "Arkham City."

  • It was a video game.

  • I of course was completely enamored with Arleen Sorkin.

  • The role was created for her.

  • Inspired by an on-camera role she played on a soap opera.

  • She's extraordinarily talented and beautiful.

  • And I couldn't imagine anyone else ever taking that role.

  • Collette Sunderman called me into do her voice

  • for a video game.

  • They just wanted to try something a little bit different,

  • make it my own, not copy her.

  • Kind of go to different places and levels with her

  • and just explore a new version,

  • which is always terrifying with an existing character.

  • Someone is so well known and so beloved.

  • And so I sat in the studio

  • and was inspired by her brilliance.

  • And of course then making it my own.

  • Really being nervous about it

  • until I heard fans embracing her and my version of her.

  • This is it.

  • Just you, me, and the only thing

  • that can stop this entire place blowing sky high.

  • Every time I get to do Harley,

  • it's like often for a video game.

  • And so when you are voicing an animated series,

  • you're with the other actors, you get breaks.

  • But when you do a video game, it's just you for four hours,

  • it can be vocally taxing.

  • And it is vocally taxing for Harley.

  • There's a lot of screaming, there's a lot of fighting.

  • Sometimes as the voice actor, you might get cranky thinking,

  • "oh, I'm going to be screaming for four hours."

  • Never cranky for Harley.

  • I'm always like, let's get in there.

  • Like she really is my therapy.

  • I get to just take out all my frustrations and all my crazy.

  • And she, she and I, we've become really close.

  • You were supposed to save Mr. J, bat brain.

  • From the moment Joker dies,

  • that's not a spoiler,

  • if you're a fan, you've seen the you've seen him die.

  • I cried when he died in the studio.

  • I imagined that moment.

  • I imagined my love dying.

  • But then from that death, phoenix rises.

  • She's just a force.

  • And I think vocally,

  • that just translates through the action

  • and what she's been through.

  • Harley changes vocally for every single world that she's in.

  • It's a tone thing, it's a vibe thing,

  • it's where she is, it's her age.

  • I've done so many different versions of her

  • and they're all so rewarding to play.

  • When there's a serious Harley moment,

  • we can go back even vocally to Harlene

  • before she got too crazy.

  • In "DC Superhero Girls," she's still a girl.

  • She's crazy and fun and unaffected by the world.

  • - Barbara Gordon! - Harleen Quenzel!

  • - [Both Girl] Besties through and through!

  • - I missed you so much since you moved away, Babbly Boo!

  • There are versions I've done

  • where Harley is darker than the Joker.

  • There are versions I've done where she's just so badass.

  • Every single version is dictated by the writing,

  • the vibe, the feel, where we are, the world that we're in.

  • And I probably, at this point,

  • can't count how many different versions of her

  • in my mind exist.

  • Oh Sebastian, I can't help it.

  • I just love the sea.

  • - Hey!

  • - When I was a little girl,

  • I loved "The Little Mermaid" so much.

  • I would dance around my room.

  • I would do impressions of her.

  • I had a giant poster on my wall.

  • It existed on that wall in my childhood home

  • in Toronto until two years ago,

  • when my father passed away and we sold the house,

  • I have always loved mermaids and unicorns.

  • She was so special to me.

  • Ariel was just, wow,

  • Jodi Benson's voice

  • and this whole world, part of her world,

  • like who wouldn't want to be part of that world?

  • When I got the chance to play her daughter,

  • it was like the biggest dream come true.

  • I could have died the next day.

  • I shook her hand and I burst into tears.

  • She's like, "are you okay, honey?"

  • Like, "I've just loved you for so long."

  • [laughing]

  • My mother wouldn't tell me.

  • She just doesn't understand.

  • Melody came pretty natural to me.

  • I knew she had to be naive, young,

  • but resourceful and curious and brave.

  • I saw the original drawings

  • and was so drawn to her.

  • I mean, as it is,

  • I was already so mermaid crazy

  • that I wanted that part so bad.

  • And so again, vocally,

  • her voice came from the acting moments

  • and from things that I saw and from the drawings that I saw,

  • the characters around her.

  • She's so pure.

  • Like she's just such a pure heart.

  • Originally, I had voiced her

  • in what's called guide tracking,

  • where they bring in a skilled voice actor

  • to lay down all the original vocal tracks

  • and then offer it to an A-list celebrity.

  • Jamie Thomason, who gave me that role,

  • fought for me and said, "this is our Melody."

  • And I got to keep her,

  • which is why most voice actors say yes to guide tracking.

  • 'Cause it happens where you get to keep that role.

  • I just wanted to do it justice.

  • And I didn't want to get replaced by Britney Spears.

  • [laughing]

  • Like I just, no offense to Britney,

  • but I wanted to be the one,

  • I wanted to be the voice of everything.

  • And I think I was nervous until I actually saw it.

  • And I was like,

  • [gasp] it's still me!

  • [babbling]

  • [sneeze]

  • - Oh no, look at him!

  • - So Dil Pickles was another one that I was guide tracking.

  • I first got introduced to the world of "Rugrats"

  • as a character called Timmy McNulty.

  • He was so much fun to play.

  • He was mean to his younger babies, just like Angelica.

  • And they had this sort of little love-hate relationship.

  • You can't play anyways.

  • 'Cause your girls and girls got cooties.

  • And they brought me into guide track Dil.

  • And the original desire was for Madonna to play Baby Dil.

  • My inspiration came from listening

  • to crying babies on planes.

  • I didn't have children at the time.

  • Baby Dil's lines are all

  • for the most part in the beginning in the stage directions.

  • Baby Dil grabs Tommy's toy,

  • Baby hits Angelica, burps, throws up, poops.

  • My script would be soaking wet.

  • And I would just sit there and imagine all these moments

  • and improvise all these moments.

  • And it was like,

  • it's mine!

  • [babbling]

  • Poopy!

  • Whatever it was.

  • And I'd be burbling and doing all kinds of crazy stuff.

  • And that it came time to cry.

  • And they're like Baby Dil wails.

  • And I just start wailing and crying and they stopped tape.

  • And I was like, oh, they don't like me.

  • I really thought "I'm done."

  • And they came out like we had to stop

  • because there's a new mom in the studio

  • and you made her lactate.

  • [laughing]

  • I was like, oh, okay, that's a good thing.

  • And so I got to keep Baby Dil too.

  • You know, I'm your best friend, right?

  • - The bestest.

  • - And you know,

  • I would never stand in the way of your dreams.

  • - Course not.

  • - It's just that, uh, well, your pie, it's a.

  • - What is it Rock-.

  • - It's the worst thing

  • I've ever smelled in the history of the world!

  • So this is another case where I wasn't originally cast.

  • The show was up and running with a different Rocky.

  • And for some reason they decided it wasn't working

  • and they wanted to bring some new people in

  • and they brought me in to audition and they said,

  • "we don't want it to be a soundalike.

  • We want you just to make it your own."

  • June was still alive,

  • but not well enough to play the role.

  • June Foray, who was a trailblazer

  • and originally played Rocky.

  • My callback, I got to work with Brad Norman,

  • who is Bullwinkle, who is brilliant.

  • We clicked right away.

  • We connected right away.

  • Scott Fellows, who is the creator of this version,

  • who I worked with on "Fairly OddParents,"

  • liked it sounding somewhere in between Rocky and Timmy.

  • And that's what we did.

  • I booked the role and it was so much fun.

  • Although immediately in the studio,

  • I was kind of nervous

  • because everyone else was doing a bang on impression.

  • Everyone else sounded exactly like the original,

  • super gifted, talented group.

  • I wasn't completely confident vocally

  • and June passed away, maybe four episodes in.

  • And fifth episode it was like,

  • she jumped in my body and said,

  • "this is how the squirrel is supposed to talk."

  • And I just started doing an impression of her

  • and it really clicked in and it really worked.

  • And I asked Scott,

  • "can we please go back and fix the first five that I did?"

  • And he said, "yeah."

  • And so I really channeled June and did exactly,

  • as I imagined her saying hokey smokes

  • and all these amazing adventures.

  • And it was so much fun.

  • And I think the new "Rocky and Bullwinkle"

  • is one of those amazing,

  • great shows that nobody was watching.

  • It premiered on Amazon.

  • Season two is absolutely, my,

  • it's just so fun to watch.

  • The music is brilliant.

  • We have Weird Al in it.

  • I encourage you to just check it out if you haven't seen it,

  • that art and the colors

  • and it's so politically still hilarious

  • and irreverent and brave.

  • And I really loved doing that show

  • Flying squirrel tail thunder!

  • [explosion]

  • Thank you, Vanity Fair.

  • Those were some of my most famous characters

  • and of course, most dear to my heart.

  • [funky music]

- Hi, Vanity Fair.

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