Well, come on what you love.

Hello.

I'm Francis Coppola and I would like to tell you a little bit about my experience working on what was released as The Godfather, Part three.

The third film, Mario Puzo and I, when we wrote it, had called it The Godfather coda.

The death of Michael Corleone.

That's the way.

Have a problem, I said.

We make him dead.

You give me the order.

Take care of it.

Because of Paramount Pictures, kindness and allowing me to revisit this project, I have re edited it, and I have given it what really is that a new title, but rather the original title.

Koda.

The Death of Michael Coolio Just when I thought I was out, they pull me back in In musical terms of Kota is sort of like an epilogue.

It's a summing up, and that's what we intended the movie to be.

You'll see a film which has a different beginning as a different ending is not personal godfather.

It's only business.

Many scenes throughout have been repositioned, and the picture has been given.

I think a new life, which does, in fact act as an illumination of what the two films meant.

Friends, our business together is done.

So here is the Godfather coda The death of Michael Core Leo.