ItisthetheItisreallytragicforthehumancivilization, I wouldsay, becauseagricultureisreallyrichanditis a partoffhumanhistory, humanculture.
Ifwelosethatpartoffhumanity, itis a biglossforallofus.
Um, I knowthatmanypeopledoesn't reallyno, notreallyfamiliarwithlegalcultureorbigger, um, arts.
ButthemainroleofallthesepeoplewhoaredisappearedinChinesecampsarereallythethepeoplewhoknowsreally a lotabouttheseculturesandwhowerecarryingonandmakingtheseculturalexpressionsalive.
Sointhatsense, itis a biglossforwiggersocietywithyourpeople, anditisalso a biglossforanyoneelse.
Thatis a wonderfulpointyouhavehighlightedbecauseculturesinteractsoeagerculturedoesn't happenjustinitsownecosystem.
Thio, introducemyculture, introducewho I amandmypeople.
Soandthen I wenttothisjourneyoffbeingifthemusicologistand I I sawthatactually, apartfromwhat I learnedintheartinstitute, I likemycultureissodiverse, andthere's somanythingsstillbediscoveredforevenforus, Forsomeonelikemewhoarewhowerestudyingwiggleculture.
Sowithallthisrichnessandthenwithmyownpersonalartisticjourneythat I I hadinEuropeandininintheworld, I startedtothinklikewigger, dancewithmusic.
Theyalsohave, like a verystrong a poweroffexpressingthemselves.
It's notjust a museumpiece, andit's notjust a fixedorcrystallizedforoffartisticexpressionoritdoesn't belongtothepast.
So I wantedittobe a vibrantpartoffcontemporaryart, saying I wantedThiomakeitmoreaccessible, and I wantedtousemyownrootstoexpressmyselfandtellmystories.