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  • - I cannot stop thinking of you.

  • From the mornings you ease, to the evenings you quiet

  • to the dreams you inhabit.

  • My thoughts of you never end.

  • I am yours, Daphne.

  • I have always been yours.

  • (orchestral violin music)

  • - Tell me your name.

  • Your name, sir.

  • - Am I honestly to believe you do not already know my name?

  • - I assure you, I am anything but interested in you.

  • - Good.

  • - Quite.

  • - And I anything but interested in you,

  • the eldest sister of my oldest friend,

  • yet another recent subject of a certain writer,

  • chased, neat, desperate.

  • - I shall have you know-

  • - To marry, that is.

  • Tell me I am wrong.

  • If I were truly courting you, I would not need flowers.

  • Only five minutes alone with you in a drawing room.

  • - Exactly how many horses do you have?

  • Might I have an extra one?

  • Your horses are the prettiest.

  • - Hyacinth, I do believe the Duke has heard enough.

  • - Would a pony do?

  • - I could not fathom.

  • - Now here's the tricky one.

  • (girl and boy laughing)

  • - You do realize it is only made of paper?

  • - Is it?

  • (imitating horse sound)

  • - Your grace, I had no intention.

  • - Of knocking the chap flat out?

  • I must say I'm impressed.

  • - Marry me, Miss Bridgerton.

  • - Now, as far as proposals go,

  • that may be the least romantic of all.

  • Stare into my eyes.

  • (dramatic violin music)

  • Here, closer.

  • If this is to work, we must appear madly in love.

  • - We must continue our ruse until I've found my match.

  • - In the grand battle of the season

  • I am your trusted general marshaling the troupes.

  • - Wellington could only hope for a soldier so brave.

  • - And handsome, must not forget that.

  • How does one manage to make

  • such a terribly unbecoming sound while laughing?

  • Well, now you were just making it look easy.

  • - I will happily restate my intentions

  • with respect to your sister.

  • She's a prize I have long coveted

  • for her beauty, for her grace.

  • - For her powerful right hook.

  • - We should discuss the matter of Daphne's dowry.

  • - There is nothing to discuss.

  • I will not accept one.

  • - I beg your pardon?

  • - I need not be paid to marry Daphne,

  • it is frankly an insulting custom in my judgment.

  • You may place the money in trust for her if you like.

  • But you need not harbor any doubts

  • of my intention to support your sister.

  • Her wellbeing is my responsibility now.

  • I take that duty with the utmost seriousness.

  • The young lady flatters me,

  • but it was not love at first sight for either of us.

  • There was attraction certainly, at least on my part.

  • But Miss Bridgerton thought me presumptuous,

  • arrogant, insincere, all fair really.

  • I thought her a prim young lady

  • barely out of leading strings.

  • Not to mention the sister of my best friend and so romance

  • was entirely out of the question for both of us.

  • But in so removing it we found something far greater,

  • we found friendship.

  • You see, Miss Bridgerton and I have been fooling

  • all of Mayfair for quite some time.

  • We have fooled them into thinking we are courting

  • when really all along,

  • we simply enjoyed each other's company so much

  • we could not stay away from one another.

  • To meet a beautiful woman is one thing,

  • but to meet your best friend and the most beautiful of women

  • is something entire apart.

  • It is with my sincerest apologies,

  • I must say it took the prince coming along for me to realize

  • I did not want Miss Bridgerton to only be my friend,

  • I wanted her to be my wife.

  • I want her to be my wife.

  • I want to show you the bedroom.

  • - Yours or mine?

  • - You truly believe we are to have separate rooms?

  • I should think not.

  • - Stop, she'll see.

  • What ever will they think?

  • - What does it matter?

  • (slow orchestral violin music)

- I cannot stop thinking of you.

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