TheUSfestivalwas a success, despitereportsofviolenceanddrugoverdosesamongsomeaudiencemembers, with a sequelfeaturinggenrethemedaysofnewwave, heavymetalrockandcountrybeingbooked a yearlater, I lookforwardtotherestoftheeighties.
Numbernine.
JohnnyCashatSanQuentin, February 4th 1969 Callthisnextconcert, onethatyou'd lovetoseejustnotunderthesamecircumstances.
Songslike a boynamedSue I WalktheLineandFolsomPrisonBluesfeedoffthegiveandtakebetweentheaudienceandtheperformer.
Justlikegoodlivealbumshould.
WhilethetrackSanQuentinisactuallyperformedtwiceatthecrowdsrequestOh, tobe a flyonthewallatthisgig, I'd liketosay a specialhellotoallthemenhere.
It's a prisonthatarenotwithustonightthattheycouldn't couldn't getfind a keytothedoororsomething.
Theycouldn't let a bunchofthemouthere.
I wisheveryoneofyoucouldhavebeenoutherewithus.
Allyouguysunderstandthey'repipingtheshowintoyou.
NumbereightJamesBrownSavesBostonApril 4th 1968 TheweekfollowingMartinLutherKingJunior's assassinationwasmarkedbyhistoricriotsandunrestinmajorcitiessuchasChicagoandWashington, D C.
HisshowattheBostonGardenwasbroadcaston a localtelevisionstationinanattempttokeeppeopleintheirhomeswhileBrownhimselfgotpersonallyinvolvedwhenfansandpoliceclashedinfrontofthestage.
Wait a minute, wait a minute.
Letmefinish.
Wait a minute, Everybodyelse.
Alrightshowwasnotonlydynamitefrom a musicalandperformanceperspective, butitsculturalsignificanceas a snapshotofAmericanhistorycannotbeoverstated.
Numberseven.
TheconcertinCentralParkSeptember 19th 1981.
Benefitshowsareusually a greatwaytopromoteawarenessorraisemoneyfor a goodcause, butthey'reevenmorespecial.
Whenyoumanagedtoreunite a majorrecordingartistfortheevent, mywordslikesilentraindropsfell.
TheconcertinCentralParkdidjustthatwithSimonandGarfunkel, whowerebookedtoplay a setofhitsfromtheirsolocareersaswellastheiriconic 19 sixtiescollaboration.
However, thistributeshow, held a yearlater, did a greatjobatpromotingAIDSawarenessduring a timewhere a lotofmisinformationstillexistedinthepublicconsciousness.
Yeah, I knowthatthelineupboastedanimpressivemixofactswhoofferedupmusicaltributetoQueenswork, includingMetallicaandDefLeppard, whileQueenthemselvesheadlinedwith a virtualWho's WhoofguestvocalistsThestateGoon, I didn't cryMhm, AxlRose, EltonJohn, RobertPlant, Seal, Annie, Lennox, George, Michaelandmorealljoinedthebandfor a setthatnotonlypaidrespecttoQueen's music, buttoMercury's legacyasRocks.
UndisputedmastershowmanAnybodyNumberfiveAltamontSpeedwayFreeFestival, December 6th 1969 Hey, man, I'd liketomentionthattheHellsAngelsjust a smashedMartyBalloninthefaceandknockedhimoutfor a bit.
Speakingofthehippieideal, a comparativelymoreoptimistictoneisstruckbythenextfestivalonourlist, a threedayprecursortoanotherfamousrockconcertwillbegettingtolater.
YoumademyMontereyPopwas a hubwherebothfansandartistsalikewereexposedtoexcitingnewmusicalvoices, oftenfortheveryfirsttimegroupsasdiverseastheJimiHendrixExperience, OtisRedding, RaviShankar, JeffersonAirplaneandLauraNyroallbroughttheirfolksoulandpsychedelicrockto a receptiveaudience, whileJanisJoplin's performanceofBallandChainwentontobecomethestuffoflegend.
Whoa, whoa, whoa!
Isthatifyou'relookingfor a truedocumentofthepeace, loveandmusiceraofthe 19 sixties, thisis a greatplacetostarttherolloutandthetrouble.
I triedthewholeNumberthreeLiveAidJuly 13th 1985.
Itdoesn't matterwhetherornotyouviewlargescalefundraisingfestivalsas a vehicleforsocialchangeoranexcusetogetoutthereinrock.
NoonecouldignoreLiveAidbackin 1985 anyyoung.
Thefestival's lineupwasjusttoodamnimpressive, withperformancesfromQueen U twoandDavidBowiebeingsimplecastallovertheworld.
Still, there's nodenyingthatliveAidwasn't just a rockconcert.
Itwas a momentintimewhenBobGeldof's globaljukeboxforEthiopianFamineReliefmadejustabouteveryone.
Situpandtakenotice.
MhmNumbertwoWoodstock, August 15thto 18th, 1969 It's thedefactoexampleofanoutdoorrockfestival.
ThefirstthingthatcomestothemindofmanywhentheythinkofthesixtieshippiesandpsychedelicrockWoodstockwentbeyond a merethreedaysofpeace, loveandmusic.
Itbecame a definitivestatementfor a generation, a groupofyoungpeoplewhowereexcitedtobreakawayfromthetraditionsofOldandblaze, a trailforpersonalfreedomsformusic, sexualityandcommunity.
Andtheycouldn't haveaskedfor a bettersoundtrack, withperformancesfromCrosby, Stills, NashandYoung, JimiHendrix, SantanaandJoeCockersettingthestageforwhatwouldbecomeoneofthemostfamousconcertexperiencesofalltime.
No, no, no.
Beforewenameournumberonepick, hereare a fewhonorablementions.
Thisshowwas a landmarkfortheBritishinvasionsinfluenceonAmericanculture, andtheexcitementpresentherebythethrongsofscreamingfansisfeverishtothepointofmadness.