Yourgownwasn't exactlylikewethinkofaddresstodaybecauseitdidn't closeinthefront, itwasmoreoflike a longjacket, thesecondpartofthegown.
Andinordertofastenyourgownoveryourcoursethatyouwouldbewearingwhat's called a stomacherand a stomacheris a stiffenedtriangularpieceoftextilethatyourgownwouldthenbepinnedorsewntotokeepthefrontofyourdressclosed.
Finally, wehavetolookatBell's hair, whichforthistimeperiodismissing a hugecomponent.
Thisis a puff.
Theseextremelytrendyfashionablehairstyleswhichwerecreatedpartiallyby a wigwhichmighthaveanunderstructureofwoodorwireandthenthewhereitsownhairwouldbearrangedaroundthis, theheightofsomeofthesepoufscouldbeoneortwoorthreeftevenlikewesaid, huge.
Belllivedin a provincialtown, mustbemorethanwasherbluedressappropriateforan 18thcenturycommoner.
Thetwomainthingsthatarewrongwithbellslookintownisthatshe's notwearingstockingsandshe's notwearing a hat, sothisisnotaccurateeither.
Now, we'regoingtodraweverylayerofthisdress.
Herunderwearwouldhavealsobeen a Siamese.
Thenextlayerwouldhavebeenstockings.
Regardlessofclass.
Inthe 18thcentury, allwomenworeknitstockings.
Thesewereessentiallylikefihightights, butbecauseelastichadnotbeeninventedyet, youhadtosecurethestockingtoyourlegbytying a ribbonjustabovethekneeandthenthecorset.
Evenworkingclasswomenduringthe 18thcenturywouldhavebeenwearing a corsetandthiswasconsideredproperandmodest.
Inthisparticularimage, wesee a malecorsetmakerfitting a corsettothiswoman.
Thiswouldhaveprobablybeenwhat's called a bumroll, whichwerepattedtubesthatwereworntiedaboutthewaist.
Ontopofthisbumrolewouldhavebeenmultiplepetticoatsandthenthenextlayer, a caracalbeing a shortjacketthattendedtohave a littlefloutsinthebackandthiswouldbepairedwith a skirtoverthegarmentswastheapron.
Oneofthethingsthattheanimatorsabsolutelygotrightwasthefactthatshe's wearing a whiteapronduringthe 18thcenturyclothingandtextilesweretremendouslyexpensive, sotoprotectandcareforyourclothing.
Workingclasswomentendedtowearapronsovertheirtextilesandshewouldhaveworn a hat.
Allwomenworebonnets, capsorhairornamentstodisplayherhairinpublicwas a signalofsexualavailability.
Finally, thelastpiece, thislittlekerchiefaroundhershouldersiscalled a tissuebecausethecourseit's forcedthebreastupandouteveryoncein a while, therewasanoccasionalnipslipandthetissuepreventedthatandprovided a littlebitmoremodesty.
TheDisneyanimatorshavetakendesignandaestheticreferencesspanningseveraldifferentdecadestobasicallycreate a romanticized, fictionalizedhistoricpastandthismixoffilmindeed, a taleasoldastimeandthat's whatBellwouldhavewornifshelivedinhistory.