A sweetstorefromthe 1960s andthewholeshopiscoveredinsweetswitchtobefair.
Probablywon't lastverylongwithmearound.
Andthenhereonthissidewehaveanalleywayfilledwithlotsofpipesandlightingand a kindofscaleramenshopinspiredbytheopeningsceneofBladeRunner, oneofmyfavoritefilms.
And I guessthisentiresetisinspiredbyBladeRunner, thecyberpunkgenreand 19 sixtiesretroJapan.
I'm gonnagiveyouguysthecompletetourin a minutethroughtheeyesofnastycornerandpetenoneofyouhaveseenitandallofwhich I expecttodamagethesetbeyondrepairbeforethat.
Onefactorthat I alwayscomplainaboutisthatthewolvesarereallythinandso I can't reallyfilmvideosaftersevenoreightPMbecausemyneighborscanhearmetalkingand I sureashellcanhearthemaswell.
Notonlythat, butthesizelimitationsmean I'veneverreallybeenabletohaveguestscomeuplikewehadConorcomeupearlierthisyearandweatesomechickenin a roomandthatwas a nightmaretryingtofitbothofusintheshopthoughtobefair, thatmightalsohavehadsomethingtodowiththestaggeringamountchickenweate, butbetweenthesizelimitationsandthenoiselimitations, it's justbeen a bitsillyandatthispointunprofessional.
Likeit's been a realroadblockonmyowncreativity.
Andso I lovefilmingindoors.
I don't wanttospendtherestofmylifefilmingabandonedbuildingsorrappingonthesummitof a volcano.
I wanttocomebackindoorstowhereabroadinJapanbegan.
Sotwomonthsago I startedrentingthestudio.
It's a convertedapartmenthereinSendaiandasyoucanseeit's nothingtoospecial.
Thereis a sofa, there's a table, a whiteboardcoveredinnothingand a disturbinglyunderwhelmingkitchen, which I can't waittofilm a cookingshowinside, eventhoughthecookerdoesn't workbecause I haven't paidthegasbill, probablyshoulddothat.
But I knewthiscouldbethefirstandlasttimethat I gettohave a studioandso I wantedtobuildmydreamset, somethingthat I onlyeverthoughtwouldbepossibleinmyimagination.
So I knewthat I couldn't buildthisset.
I knew I needed a teamofpeoplethatknewwhattheyweredoing.
Soonce I'vesketchedoutsomeideas, I wentto a properfilmsetcompany, thesamecompanythatworkedonnetflixshowslikeAliceinborderland.
Oncetheylearnedthat I wanted a ramenshopwiththecyberpunkkindofvibe.
A sweetshopand a sortof 19 sixtiesjapaneseretrostreet.
TheywentouttravelingaroundJapan, finding a staggeringamountofpropsanditemsfromacrossthecountry.
Oncetheteamoftheprops, theysetaboutbuildingthesetin a warehousedowninTokyoover a periodofseveralweeksbeforeshippingitallupheretoSendaiandassemblingitoverthreedaysnow.
Unsurprisinglyitwasn't cheaptobuild a setlikethis, butunliketraditionalfilmsetsthatarebuiltwith a lotofloveandcareandthentorndownafter a filmshoot, thissetwillhopefullybeherefornotjustweeksandmonthsbutyearslike I hopetofilmsomuchcontenthere.
Soit's kindof a gamblebuildingthisonthefutureofabroadinJapanand I guess I guessmyselftosomedegreeandwhileit's alltechnicallycomplete, I'm stillgoingtobeaddingthingsalongtheway, likethisbrandnewpacmanarcadegamewhichyoucanactuallyplayandloserbeforeweletNowitzkiloosenhereandexplorethestreetstogether.
I justwanttosay a huge, massivethankyoutoeveryonewho's watchedabroadinJapanalltheseyears, it's hardformetobreakcharacterandstopbeingcynicalorsarcastic, butit's beenanextraordinaryyear, notjustgetting a studioand a set, butalsodoingthingslikejourneyacrossJapanwackyweekend, evenmeetingkenWatanabe, I stillcan't believethathappened.
Was I dreamingwasitreal?
It's ridiculous.
Butthat's comingoutlaterthisyearaswelland I can't waittosharethatwithyouguysbecausewecan't covereverythingintoday's video.
I willbeshooting a Q and a videonextweek.
SoifyouhaveanyquestionsaboutthefilmsetaboutbringingJapanaboutwhere I getmyfashionableblackshirtsfrom, I wearineveryvideofarawayinthecommentsand I'llanswerasmanyas I canandnowit's timetoletNowitzkilooseonthesetandprobablydestroyit.
Let's go.
Mhm.
Hereheis.
Themanatthemoment, verymuchhowyoumadsong.
Whatdoyouthink?
Oh, newsmell, Ithas a newsmell, good.
Butanyway, here's yourbitcuand a blindfoldwhichismonthsbecause I couldn't find a realblindfold.