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  • Hello, I'm MIKI.

  • I'm a makeup artist based in Tokyo.

  • Makeup that focuses on artistic design is my forte.

  • Hi, I'm DAKUZAKU.

  • This is what I focus on when I do makeup.

  • I make sure to portray the personality of the person I'm doing makeup for.

  • Hi, I'm Yusuke Saeki, a makeup artist.

  • From nude makeup to chic makeup,

  • my style keeps the person's good qualities intact.

  • An image of fallen sakuras at the waterside.

  • This technique is a first for me.

  • I'll be using paste and lip gloss to produce a 3D effect.

  • I love sakuras in full bloom.

  • I want to capture the beauty of the moment they fall

  • by using "washi" paper to create that feel and 3D effect.

  • The first episode of VOGUE JAPAN's Triple Take.

  • When I think of sakuras, I think of "pink" and "Japanese."

  • So I've decided to incorporate the Kabuki feel into it.

  • Hi there.

  • - I'm DANNI. - My name's DAKUZAKU.

  • Let's get started.

  • - Ready? - Yes.

  • I shall begin now.

  • I'll clean your skin first.

  • I'll reset your complexion now. [L'EAU MICELLAIRE]

  • This step removes any dirt or excess sebum.

  • I'll then follow up with a moisturizer and that keeps the makeup intact longer.

  • I'm using M·A·C today.

  • I'm using a lotion that has some shine in it

  • to create a sunlight reflection feel starting from the base.

  • I'll be painting her white later, so moisturizing first is a must.

  • If not, the makeup will appear dry later.

  • I love using POLA's B.A LOTION.

  • I'm tapping on her skin to cool it down.

  • This lotion is by ACSEINE. [Moistbalance Lotion]

  • I chose a lotion that has mainly ceramides

  • as they're essential to the skin.

  • I wanted to paint her white the traditional way.

  • But I have only an hour today.

  • I'll combine the Western and Japanese ways of doing it.

  • Instead of pomade, I'll be using NIVEA Creme as the base for this.

  • To prevent abrasions, I'm using some cream.

  • I'm massaging them in starting with the bigger muscles.

  • I'm using this common base from Chifure. [UV Liquid Foundation 33]

  • It's really good.

  • For "glowy" makeup, I'd usually go with a matte base,

  • or it would melt easily.

  • This base helps to minimize pores.

  • It's by MAKE UP FOR EVER. [STEP 1 PRIMER PORE MINIMIZER]

  • The theme is "Sakura,"

  • but it's not just about making it Japanese by painting white.

  • I thought of making it more fanciful

  • and was reminded of dry landscape gardens.

  • I'm using protective film that are used on people with metal allergies.

  • I created graphics of these shapes and cut them out after that.

  • Like an art class project.

  • Sorry, it's almost empty.

  • I use this type to cover below the eyes. [2WAY FOUNDATION H 01]

  • It's a matte foundation, but the glow appears once it settles in.

  • So I'm applying to just areas where it's needed.

  • If it looks wet all over, it'd appear sticky.

  • I'm careful to not over apply foundation.

  • Just putting it in places that cast a shadow.

  • Such brushes have been popping up in the makeup world

  • in the past years.

  • I use it often as it blends better

  • than using fingers to do so.

  • I'm applying white paint with a paste texture.

  • Water-based paints are often used for Kabuki,

  • but the one I'm using now is oil-based and easier to apply.

  • The paint used for Kabuki would sometimes get smudged after a while.

  • I'll start by creating a graduation at the eyes.

  • A light shade first and ending with a dark one makes it too dark instantly.

  • This is by M·A·C. [POWDER BLUSH BRIGHT PINK]

  • This color's so "sakura."

  • The initial dark shade can be applied thicker than usual.

  • Followed by a lighter shade to "erase" it.

  • I want to enhance her beautiful almond-shaped eyes.

  • I curled her lashes so that it doesn't cover her pupils.

  • For Asians, our lashes tend to droop easily.

  • So I'm applying a little mascara to the roots at this point to keep them up.

  • The image here is

  • like many sakuras have fallen onto the water.

  • So I went bold instead of drawing one by one.

  • Giving the skin a slight translucent feel.

  • I want to make it look like it's painted in white at the end.

  • My interest in this traditional Japanese makeup was piqued.

  • I found out about how it was actually used.

  • After trying it for shoots, I've learned how to do it.

  • I'll apply the eyeliner now.

  • Her beautiful eyes were what struck me the most.

  • I want to bring out their beauty by putting on eyeliner.

  • This palette is by M·A·C too. [FULL FACE KIT CICERO]

  • I'll add some pink glitter now.

  • This is by MITSUYOSHI stage makeup. [Clown Color Pink]

  • It's a Kabuki-inspired design.

  • Adding a little mascara.

  • This is by NARS. [CLIMAX MASCARA]

  • This vibrant-colored mascara is easy to use and doesn't smudge.

  • Setting her beautiful brows in the right mood while enhancing them.

  • This is a brow-setting gel by M·A·C.

  • It hardens the brow hair a little [BROW SET]

  • and gives the brows shape.

  • There are many variations of red, but this represents Japan best.

  • So I chose to use this.

  • I'm going to paste the "washi" paper now.

  • When I heard about the sakura theme,

  • I wanted to reenact the texture and dimensions of sakuras.

  • I went on a hunt for materials

  • and found that "washi" paper was the best fit.

  • Sakura is also the flower that represents Japan's spring season.

  • I felt that "washi" paper and sakura are like a match made in heaven.

  • So I chose "washi" paper.

  • It's my first time using it for makeup.

  • I want to give it a watery feel to show the image of petals on the water.

  • My first time using this technique.

  • I have a cup here that I'll be using.

  • It's not so difficult that I'd ask you to get excited.

  • Looks like what an artist would use. [PRO PALETTE PAINTSTICK X 12]

  • I'm dabbing on some clear lip gloss from M·A·C.

  • If I mix them evenly, it'll end up as one color.

  • So I'll mix them in different places.

  • Next is the cup.

  • Yes, this is what I'm going to do.

  • Like this.

  • I picked this technique up at an art school.

  • They use this in oil painting.

  • It's like sakuras in full bloom are gradually falling.

  • This texture of the shredded paper is beautiful

  • and I want to make use of it.

  • To give the eyes a sharp look,

  • I'm adding in some black lines in a few areas.

  • Like sakuras falling onto this landscape garden part,

  • I used one color at the initial stage. [BACKSTAGE ROSY GLOW]

  • After that, I wanted to add a little more glow.

  • So I used a highlighter that has a mix of colors

  • to enhance it. [DIOR BACKSTAGE GLOW FACE PALETTE 004]

  • I worked on giving it a "light" look.

  • I'm going to do something innovative again.

  • I'm sorry, this doesn't look good aesthetically.

  • It's like what they use for cake decorations.

  • Piping whip cream and such.

  • I made this using the same M·A·C paint palette and Vaseline.

  • I mixed large amounts and made it safe for facial use.

  • Then I created "sakuras on water" with it.

  • Her lips are very pretty just the way they are.

  • I'm just adding

  • a little color as brush up. [PRECISION LIP LINER 9075 Dusty Mauve]

  • Lipstick's not the main focus for this makeup.

  • So I'll make it subtle,

  • but with a glow.

  • This is a lip gloss from NARS. [AFTERGLOW LIP SHINE SUNRUSH]

  • A pink-gold shade.

  • About a minute more?

  • Time just flew by.

  • Sorry, I can't talk at the same time.

  • Running out of time.

  • Done.

  • Okay, good to go.

  • Yes, completed.

  • Very sakura-like.

  • - Thank you. - You're welcome.

  • Hi, everyone.

  • From inside.

  • Good.

  • Yes, that'll work.

  • This is beautiful.

  • - This one's good. - Agree.

  • - Nice work. - Good job.

  • Nerve-racking.

  • I'm more jittery about speaking than doing.

  • I can't do them at the same time.

  • MIKI, how was it?

  • - I was so nervous. - Really?

  • Absolutely.

  • - I was curious about your designs. - I see.

  • - Couldn't wait to see them. - Right.

  • Wow!

  • - Awesome. - All different.

  • Impressive.

  • - Beautiful. - Looks great.

  • - Totally different. - Yeah.

  • Wow.

  • My image of sakura is that it's very Japanese.

  • So when I found "washi" paper, I thought, "Ah, this is it!"

  • And I went with just "washi."

  • I personally like the "washi" part and also how you drew her eyebrows.

  • - Thank you. - Pretty.

  • What made you choose this shape?

  • - Yeah, she drew one line in the middle. - I'm intrigued.

  • It didn't occur to me to do it this way.

  • Yes, her eyes and eyebrows were captivating to me.

  • I wanted to enhance them.

  • And also I wanted the look to somewhat exude a Japanese feel.

  • So I incorporated that factor in the eyelines and brows.

  • This was my solution to

  • striking a balance with her bare skin.

  • Fabulous.

  • Is this traditional way of painting the face white time-consuming?

  • Um...

  • I mean, it's so flawless.

  • Using the traditional water-based ones would've been much easier.

  • But it'd crack after a while,

  • so I used M·A·C's paste in stick and tube forms.

  • Whoa, how innovative.

  • Then I followed up with the white Kabuki powder on top.

  • - Oh, I see. - Just tap it on.

  • It's a portrayal of a landscape garden.

  • - Right. - I see it.

  • - Promoting the Japanese style. - Yes.

  • Doing the traditional white painting in these circumstances.

  • The technique required must've been pressurizing.

  • I was stressed.

  • While doing it, I was thinking...

  • "Oops, did I make a wrong move?"

  • - Really? - Yeah.

  • But I had to do it.

  • I love weeping sakuras

  • and I wanted to paint them in an artistic manner.

  • The graduation part is like sakuras carpeting the water.

  • - Oh, yes. - I get it.

  • The pink and white portions represent their diffused reflections.

  • I see.

  • The 3D parts on top are the sakuras that fell on them.

  • Three portrayals of the sakuras.

  • It's so modern.

  • I picked this up from oil painting.

  • It's reflected in the texture.

  • Yes, and the different shades of pink change the image.

  • I'm kind of mesmerized.

  • The vibrancy makes it beautiful.

  • Thank you for the compliment.

  • The one-hour time limit was too short.

  • - There was a timer. - Yeah.

  • Just doing the base could've taken an hour.

  • - Possibilities are endless. - Exactly.

  • - I'm glad it's over. - Yeah.

  • - Thank goodness. - It was a tough one.

  • - I can sleep now. - Yeah.

  • Finally, a good night's rest.

Hello, I'm MIKI.

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