theuseandproliferationofnuclearweaponsis a detestableartifactofhumanbeings, seeminglyineradicabledesiretodominateotherhumanbeings.
Nuclearweaponsperhapsmorethananyothermanmadethingrepresentthatuneasydichotomybetweenthebrilliantscientificcreativityof a technologicalachievementandtheconsequencesofitsfunction.
Thenextblast, 104 kilotondetonationatyucaflatNevadadisplaced 12 milliontonsofsoilandresultedin a radioactivedustcloudthatrose 12,000 ftandplumedtowardtheMississippiRiver.
YoucanreadallaboutoperationplowshareintheDepartmentofEnergy's executivesummaryoftheprogram, which I'llputinthedescriptionbelow.
Evennow, theyseemtotalkaboutitwith a kindofwhatcouldhavebeendisappointmentplowshareandthehundredsofothernuclearteststhathavebeendonesinceitsterminationdealinthesuperviolentproductionoffundamentalparticlesthathave a real, almostunbelievableimpactonenvironmentalmakeup.
In 1952 nuclearblastscreatesomuchchangeintheenvironmentthattheirfingerprintcanbefeltinfieldsontheoppositeendoftheacademicspectrum.
In 2000 andeight, itoccurredtoRussianavantgardepaintingexpertElenaBasner, thencuratoroftheRussianmuseuminSaintPetersburg, inundatedwith a boomingforgerymarketthatifscientistschemicallytestedthepaintinsuspiciouscanvases, theymightfindsomethinginitsmakeupwhichdatedthepiecesmoreaccuratelythanothermethods.
Using a massspectrometerBasnerandsomeartisticallymindedscientistswereabletoseethattwoisotopescesium 1 37 andstrontium 90 appearedingreaterconcentrationincanvasesfromafter 1945 whenthefirstnuclearweaponsweredetonated.