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  • - Apple kind of surprised everyone

  • with the iPhone 14 Pro, right?

  • I mean, there had been tons of rumors

  • about the notch turning into a cutout, or two cutouts,

  • but no one was expecting the dynamic island.

  • And while it was getting clearer

  • that Apple would have to follow the rest of the industry

  • and using bigger camera sensors eventually,

  • I certainly wasn't expecting the company

  • to reboot the entire

  • iPhone computational photography system

  • as the Photonic Engine.

  • There's a lot of that sort of thing in the iPhone 14 Pro.

  • Apple's late to having an always on display,

  • but this one's way more on than other phones.

  • In the United States, Apple's going all in on Essen,

  • which no one else is really doing.

  • There's a basic satellite connectivity system,

  • which isn't quite like anything else we've heard about.

  • But Apple's going to ship millions of these phones,

  • with the service coming later this year.

  • All in all, there are more beginnings of big ideas

  • in the new iPhone 14 Pro

  • than we've seen in an iPhone for a long time.

  • That's the easiest way to think about the iPhone 14 pro,

  • it feels like the first step towards a lot of new things

  • for Apple and the iPhone,

  • and maybe the first glimpse

  • of an entirely new kind of iPhone.

  • But that doesn't mean all these things are perfect yet.

  • Let's take a look.

  • (bright music)

  • We have to start with a Dynamic Island, right?

  • The name is ridiculous, but it's fun.

  • Everyone's talking about it, which is not normal

  • for a smartphone status indicator system.

  • That's a win, that's where I live every day.

  • But let's just agree that we're gonna call it the island

  • and move on.

  • So the island replaces Apple's notch.

  • It's where the front camera and the face ID system lives,

  • since they've got to take up someplace

  • in the front of the display.

  • Here's the thing about the notch though,

  • in almost every review,

  • going back to the iPhone 10,

  • I've said, "Hey after a couple minutes,

  • "you don't notice the notch."

  • The island is different.

  • You are supposed to notice it.

  • It's located lower on the screen than the notch.

  • And if you run your phone in light mode, like I do,

  • it's actually a high contrast interface element.

  • It's a black pill shape in the middle of white screen.

  • It's right there.

  • You're going to see it.

  • Especially since it's animating and moving all the time.

  • Now it's better in dark mode.

  • In fact, I would go so far as to say

  • this is the first iPhone

  • you should definitely run in dark mode because of it.

  • So why did Apple go from the notch is there,

  • but you can all but ignore it, to the dynamic island is here

  • and you are going to pay attention to it?

  • Well, it turns out that over the years,

  • there have been like three or four

  • different status indicator systems added on to iOS.

  • Plugging in a charger or flipping the mute switch

  • brings up an overlay.

  • Having a call in the background

  • puts a green pill in the corner.

  • The maps app is a blue pill.

  • Connecting AirPods is another overlay.

  • Some things like timers and music playing in the background

  • haven't really had status indicators at all.

  • The island is Apple's way of replacing and unifying

  • all those older status systems

  • with a new home for system alerts,

  • and making it work for things like music

  • and the new live activities API

  • that's coming to iOS 16 later this year,

  • which will allow apps to share even more background info

  • for things like your flight status or a sports score.

  • The simplest way of understanding the island

  • is that it's basically a new widget system

  • built on top of that live activities API.

  • And the widgets can have three views,

  • the main view, this expanded view,

  • and this ultra minimal icon

  • when you've got two things going at once.

  • Here's a list Apple sent over

  • of all the things that will support the island at launch

  • before live activities arrives

  • and third parties can use it too.

  • So that's the concept.

  • The execution is obviously where the action is.

  • And like all first versions of anything,

  • Apple's made some choices that really work,

  • and some others that, eh.

  • So here's a big choice that really works,

  • and it's just like purely Apple.

  • One of the reasons that it's called the island

  • is that it's meant to float over the rest of the system.

  • It's a layer on top of iOS.

  • It's supposed to feel more like hardware than software,

  • almost like a secondary display

  • that can get bigger or smaller.

  • To get this to feel right,

  • apple's actually using a new

  • dynamic sub-pixel anti-aliasing system

  • that makes the edges of the island up to three times crisper

  • than all the other animations in iOS.

  • Here's a macro shot of the individual RGB sub-pixels

  • of the display being anti-aliased

  • to create a sharp edge for the island.

  • In normal room lighting, this really works.

  • It feels like the cutout on the display

  • is getting bigger and smaller.

  • And the animations like this drop effect

  • for when the island splits in two are super fun.

  • In sunlight or brighter light,

  • yeah, you can see the camera sensors,

  • and the illusion kind of goes away, but it's still cool.

  • Other big thing that works is that

  • moving all these disparate status indicators to the island

  • and making them worth paying attention to

  • is actually pretty great.

  • It's nice having call info right on the screen.

  • It's genuinely useful having your timers right there,

  • making things like Airdrop and Face ID

  • all show up in consistent ways in the same place

  • make those things easier to understand, which is great.

  • The thing that kills me is that in a keynote,

  • and in all the ads, Apple shows the island is a thing

  • that's worth interacting with.

  • It's always moving, and going back and forth

  • between the main view and the expanded view.

  • In reality, it is not like that at all.

  • The island isn't a primary interface element.

  • It sits over whatever app you're actually using.

  • And apps are still very much the main point of the iPhone.

  • In fact, tapping on the island

  • doesn't open that expanded view.

  • It just switches you back

  • to whatever app that controls the widget.

  • To get the expanded view, you have to tap and hold.

  • This feels exactly backwards to me.

  • Now Apple knows I feel this way.

  • The idea apparently

  • is that things should be as simple as possible.

  • And going back to the app is the simplest thing.

  • Nah, I don't know.

  • I think a tap should pop open the widget,

  • and I definitely think

  • you should at least be able to choose.

  • This is kind of the whole tension of the island.

  • It's much more noticeable and useful than the notch,

  • but you're not really supposed to interact with it.

  • It's background information.

  • All those questions about whether

  • you're gonna get fingerprints all over the camera,

  • like, well, as it stands,

  • you don't touch this thing very much at all.

  • But because it's so much more prominent,

  • you're looking at it all the time.

  • I'm using it with a bunch of apps that haven't been updated.

  • So it kind of covers up some content

  • because it sits lower on the display.

  • So right at the second,

  • the trade off between how noticeable it is

  • and how useful it is is a little out of whack.

  • It doesn't quite do enough to always be in the way.

  • Now I think all this might change

  • when that live activities API rolls out later this year,

  • which is the other big thing Apple did right.

  • It made this system available to third party developers.

  • But right now the dynamic island

  • feels like one of those things

  • that needs a year of refinement and developer attention

  • before we really know how important it is.

  • The big feature of the iPhone 14 Pro camera system

  • is the new 48 megapixel main camera sensor.

  • Apple's actually a few years late to this trend.

  • Samsung has used 108 megapixel sensors since 2020,

  • and Google added a 50 megapixel sensor

  • to the Pixel 6 Pro last year.

  • The basic idea is the same all around,

  • to take better photos,

  • you need to collect as much light as possible.

  • And to do that, you need bigger pixels.

  • But at some point making the pixels physically bigger

  • gets hard, so instead you just add a lot more pixels

  • and use software to group them into giant virtual pixels.

  • This whole thing is called pixel bidding.

  • And the math on Apple's bidding is straightforward.

  • It uses four pixels to create a single virtual pixel,

  • which means that 48 megapixel sensor

  • generally shoots 12 megapixel photos.

  • Apple's also reworked its entire photo processing pipeline

  • and rebranded it the Photonic Engine.

  • The big change here is that the deep fusion

  • pixel by pixel analysis that happens

  • in mid and low light now happens earlier

  • in the process on uncompressed data.

  • It's never really been easy to see how much it's doing.

  • And well, it's the same on the iPhone 14 Pro.

  • Honestly the 14 Pro and 13 Pro take really similar photos.

  • Here's Verge video producer, Mariya Abdulkaf

  • in a really dim bar.

  • The 14 Pro is a little cooler,

  • and it captures a tiny bit more detail at 100%,

  • but you really have to go looking for it.

  • These photos of Mariya outside look pretty much the same.

  • But if you zoom in,

  • you can see the 14 Pro is getting a bit more detail,

  • and it has a nicer background blur

  • because of the substantially larger sensor.

  • This is all really nice, but in Instagram sizes,

  • it is not particularly noticeable.

  • Here's that same photo on the Pixel 6 Pro, by the way,

  • you can see it captures even more detail

  • with its Pixel Bend 50 megapixel sensor,

  • along with a wider range of colors.

  • This is about as different as the Pixel

  • and the iPhone have been in a few years.

  • They both grab a lot of detail

  • and have great low light performance,

  • but the pixel six pro makes very different choices

  • about highlights and shadow,

  • while the iPhone is way more willing

  • to let highlights blow out,

  • and even let some natural vignetting creep in.

  • Both of these photos are terrific,

  • and the one you prefer is entirely down to

  • subjective preference.

  • Where the iPhone 14 Pro falls down

  • is really in the details of the processing.

  • Apple's been ramping up the amount of noise reduction

  • and sharpening over the years.

  • And the 14 Pro has the most aggressive sharpening

  • and noise reduction yet.

  • Sometimes it just looks bad.

  • This night skyline shot is kind of an over processed mess

  • compared to the Pixel.

  • Compared to the Samsung S22 Ultra,

  • the iPhone is a little less predictable.

  • The S22 Ultra consistently holds onto more color detail

  • in low light, and it's not as heavy handed

  • with that noise reduction and sharpening.

  • In bright light, the differences between the 14 Pro

  • and the S22 Ultra are more subtle,

  • but Samsung still does a better job with detail.

  • In true Samsung fashion though,

  • you get much punchier and warmer colors

  • compared to the more natural look of the iPhone.

  • I mean, look at these sunset photos.

  • Samsung's color ideas are sometimes

  • from an entirely different planet,

  • but photo for photo, the S22 Ultra is more consistent

  • with better fine detail.

  • Now Apple isn't just pixel bidding its sensor,

  • it's also cropping it to generate what it calls

  • an optical quality 2X zoom.

  • Basically it's just taking the middle 12 megapixels

  • off that 48 megapixel sensor.

  • If you shoot in pro route the full 48 mega pixels,

  • and just cut out the center of the image,

  • you don't get the same photo.

  • You don't get the benefit of pixel bidding in 2X mode,

  • so it gets into a little trouble in lower light situations,

  • but it's nice to have,

  • and it's a really nice middle ground between the standard

  • and the 3X tele.

  • That 2X crop is now the default for portrait mode,

  • which doesn't seem to have improved all that much.

  • Both the S22 Ultra,

  • and even the regular S22 take better portrait photos.

  • Samsung's really nailed cutting the subject

  • out of the background, down to individual strands of hair,

  • and 14 Pro isn't quite there yet.

  • You can also switch the whole camera to ProRAW mode,

  • and shoot in full 48 megapixel glory,

  • which generates massive DNG files

  • anywhere between 50 and 80 megs each.

  • If you're the sort of person who wants to do this,

  • this is incredibly exciting

  • but normal people should probably not shoot

  • 48 megapixel photos on their phone.

  • The other big update is to video, but, you know,

  • I called in the expert for that.

  • - Hmm.

  • I'm just kind having a hard time telling the difference.

  • The iPhone 14 Pro, of course has great video.

  • I mean, colors are punchy, and bold,

  • with just the right amount of sharpness.

  • But all of the same could be said about the iPhone 13 Pro.

  • And outside of a much sharper image

  • in low light from the telephoto,

  • I'm not really seeing a large jump

  • in performance between the two.

  • But Apple has three gimmicks for us this year.

  • First, there's now an active mode

  • that is supposed to provide more stable footage.

  • The Pixel 6 Pro had a similar feature,

  • but I find that video footage from most flagship phones

  • in 2022 is already pretty stable,

  • certainly stable enough for mobile viewing.

  • So I never used it there, and I probably won't use it here.

  • Second, there's this sort of smooth zoom feature

  • that smooths out the transitions

  • when you're switching between lenses.

  • It's cool once you notice it,

  • but I think the most folks won't notice it at all.

  • And lastly, there's 4k cinematic mode.

  • It blurs the background just well enough

  • that I actually found myself always trying that mode first

  • when filming a video of a person's face.

  • With anything else, I mean, plants, signs, forget about it,

  • it's just not that smart yet.

  • But does it matter that it's in 4k?

  • For me, it kind of does,

  • but I'm a person who's gonna take that footage into premier.

  • Anyone else?

  • I don't think it matters.

  • Overall though, the 14 Pro's video is not upgrade worthy

  • if you're coming from an iPhone 13 Pro.

  • And I think it would've been a little bit more beneficial

  • if Apple spent more time attempting to get rid of

  • all of those light reflections at night.

  • And you know, Apple while you're at it,

  • why don't you add a button to your native camera app

  • that allows you to switch between the front facing camera

  • and the rear camera when you're filming a video?

  • I mean, Samsung has had this feature

  • for as long as I can remember.

  • It's time the iPhone gets it too.

  • Okay, back to the review.

  • - Apple's made some other big changes to the iPhone 14 Pro.

  • The phone now has an always on display mode,

  • which Android phones have had always on displays

  • for a long time now.

  • It's fine.

  • The display refresh drops to just one hertz,

  • and the brightness goes super low to say battery life.

  • Apple's done some really nice work here

  • to keep wallpaper colors accurate in the low power mode.

  • But honestly, I've been fooled into thinking

  • my phone is awake one too many times,

  • and I might prefer a much simpler pixel style

  • black and white clock.

  • I hope we see some customization options here in the future.

  • Other than that, the display is slightly brighter

  • than before, it can hit a peak brightness of 1600 nits

  • up from 1200 in 13 Pro.

  • And in bright sunlight,

  • it can go all the way up to 2,000 nits.

  • You all know I think Apple's mobile displays

  • are consistently the best in industry,

  • and it's no different here.

  • This is the part of the video

  • where I'd usually talk about connectivity.

  • But, you know, can we all just admit

  • that the 5G hype balloon basically popped.

  • Like I turn it off and just use LTE

  • because those networks are less congested, sorry.

  • Let me know when the self-driving cars

  • are doing robot surgery or whatever.

  • Anyway, Apple's made a big move to drop SIM trays

  • from iPhones in the United States,

  • which means it's time everyone got used to eSIM,

  • which lets you access mobile networks

  • without needing a physical SIM card.

  • You can sign up for up to eight different networks

  • on the iPhone 14s.

  • It's pretty rad.

  • My iPhone 14 Pro transferred my AT&T account

  • over from my 13, right over Bluetooth.

  • And I added my GoogleFi account with just a handful of taps.

  • Now it's not nearly as easy to move eSIM info

  • from iPhones to Android phones and back again.

  • And carriers are certainly gonna place some

  • weirdo lock-in games here, because they're carriers,

  • and weirdo lock-in games are kind of why they exist.

  • But being able to add new networks

  • quickly and easily to your phone also theoretically means

  • we can all force the carriers to compete a little more.

  • That's definitely a good thing.

  • Speaking of connectivity,

  • Apple's emergency satellite connectivity system

  • isn't rolling out until later this year.

  • But Allison got an early demo on the Apple campus,

  • and it looks pretty slick.

  • The system walks you through a series of questions

  • to help first responders understand your situation.

  • Then it shows you where to point the phone

  • to access satellite.

  • We've got way more on that in her review of the iPhone 14.

  • Speaking of Allison,

  • she's also been testing the iPhone 14 Pro,

  • while Becca and I have tested the iPhone 14 Pro Max.

  • And all three of us sort of feel like the battery runs down

  • a little bit faster than the 13 Pro.

  • Now, to be fair, all three of us were running around

  • taking lots of photos and videos,

  • and generally testing the hell out of these phones

  • for the past week.

  • But you know, we test a lot of phones like that.

  • Apple says the 14 Pro and 14 Pro Max

  • should gets slightly better battery life than the 13 Pros.

  • And yeah, I still got through a full day with a 14 Pro Max.

  • So maybe it was just the always on display taking a toll.

  • But it's something I'll be keeping my eye on in the future.

  • So that's the iPhone 14 Pro.

  • The way I've been thinking about it

  • is that the iPhone 13 Pro

  • was the culmination of a lot of ideas for Apple.

  • It was confident and complete and kind of hard to criticize.

  • The iPhone 14 Pro on the other hand

  • is the clear beginning of lots of new ideas,

  • like the dynamic island, the new camera,

  • even that satellite connectivity system.

  • Because these ideas are new,

  • they're inherently incomplete, so there's lots to criticize.

  • But they're worth criticizing,

  • which is its own kind of victory,

  • and a sign that Apple isn't holding still

  • with the future of the iPhone.

  • I'm into that.

  • What I don't know is if all these new features

  • are worth it yet.

  • If you're the sort of person

  • who's willing to accept some rough edges

  • to be on the bleeding edge,

  • you're gonna have a lot of fun with the iPhone 14 Pro.

  • You'll be figuring it out right alongside Apple.

  • But for everyone else, might be worth holding off of a year.

  • - Look at these clouds.

  • Oh my God.

  • Look at that.

  • Look at those.

  • Oh my God.

  • This stuff over here.

  • Come on.

  • That is just so special.

- Apple kind of surprised everyone

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