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I think the more vocabulary you have, and the more ways you have of expanding on a simple
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idea, the more variety you're going to have in your playing. Introduce the idea of voice
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leading fourth structures. How about one hand going down and one going up. I think of a
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1,2,5,7 shape. There's this, there's this, there's this, and then...Triplets in your
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right hand against quarter notes. I'm utilizing these ideas to change chord quality and move
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stepwise in the internal voices. You know, occasional dissonance, tension and resolution,
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and that's sort of the game.
