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  • (dramatic drumming)

  • (somber classical music)

  • (hooves clopping)

  • - This is Jane Eyre, carriage paid.

  • (tense music)

  • (bell ringing)

  • (coughing)

  • (children chattering)

  • - It's so cold.

  • - Are you new?

  • (coughing)

  • - When is breakfast?

  • - Not for two hours.

  • Are you hungry?

  • You'll be hungry after breakfast, too.

  • - [Jane] Yes.

  • (water splashing)

  • - Burns, you're disgusting.

  • You did not wash your neck.

  • Take the brush and scrub it.

  • Scrub it.

  • Perhaps you won't smell quite so much today, Burns.

  • - Once again, it is my duty to remind you

  • that we are not here to pamper you.

  • You are here because God, in His wisdom,

  • has chosen to make you orphans, and dependent

  • on the charity of others.

  • "If ye suffer hunger or thirst for my sake, happy are ye."

  • Who here is hungry?

  • Who here is thirsty?

  • Oh, surely one of you is hungry.

  • Surely there is one hungry child in the school.

  • Ah, there is one.

  • Step forth.

  • Lets us see who it is.

  • (tense music)

  • Of course.

  • This is the new girl, Jane Eyre.

  • I know this child.

  • She was sent here by her aunt,

  • a benefactress of this school.

  • Bring a stool, so that we may all see her.

  • Come here, girl.

  • Children, it is my duty to warn you against this girl.

  • Her name is Jane Eyre.

  • Shun her.

  • Guard yourselves against her.

  • For I had it from her aunt, who took her in,

  • that she is deceitful and refuses to submit.

  • Look at her face.

  • Does it not show?

  • Fortunately, it's a plain face.

  • Otherwise, who knows what winning ways

  • she would employ against the world.

  • It's our duty to punish her body to save her soul,

  • and make sure that at Lowood, she learns her place.

  • (coughing)

  • (wind rustling)

  • (bell ringing)

  • - [Girls] We have learned in faith

  • and are made by your sheep.

  • We have learned too much and (speaking over each other)

  • in our own hearts.

  • We are ready to be finally yours.

  • (speaking over each other)

  • - [Girl] Help me, please!

  • (screaming)

  • - Please, let me in.

  • Please.

  • I'm cold.

  • Please.

  • - Jane, I'm all right.

  • - Burns?

  • Pushing your way in as usual, Burns?

  • For your pains, you will sit in the corridor.

  • (coughing)

  • - And you, Jane Eyre, may remove that look from your face.

  • (Helen coughing)

  • - [Jane] Helen?

  • - Jane, go to sleep.

  • It's late.

  • - I can't sleep.

  • Are you ill?

  • - No.

  • It's a little cough.

  • I've always had it.

  • - I hate it here.

  • Why is she so cruel to you?

  • - Miss Scatcherd?

  • Oh, she dislikes me.

  • - I hate her.

  • - No.

  • You mustn't hate, Jane.

  • - I do.

  • I hate her more than Mrs. Reed.

  • - Who is she?

  • - My Aunt, who sent me here.

  • (Helen coughing)

  • (dramatic music)

  • Why did my parents have to die?

  • Why?

  • - [Girls] Lannister, York, Tudor, Stewart, and Hannover.

  • - [Teacher] Good, continue.

  • - [Girls] Norman, Plantagenet, Lancaster, Norman.

  • (girls speaking over each other)

  • (speaking in foreign language)

  • - [Girls] William I, William II, Henry I, Stephen.

  • - [Woman] Then the evangelist--

  • - [Girls] William I, William II, Henry I, Stephen.

  • - [Teacher] Read it once more.

  • - [Girls] William I, William II, Henry I, Stephen.

  • - Miss Temple, what child is this?

  • - [Temple] Jane Eyre, Mr. Brocklehurst.

  • - And why, in defiance of every precept and principle

  • of this house, does her hair wave?

  • - It waves naturally, Mr. Brocklehurst.

  • - Come here, Jane Eyre.

  • (speaking in foreign language)

  • - [Teacher] Continue, please.

  • - We are not concerned with nature, here.

  • Scissors, Miss Temple.

  • - No, please.

  • Don't cut my hair!

  • - Scissors.

  • - Oh, no!

  • - You see, Miss Temple,

  • where overindulgence--

  • - No!

  • Please.

  • My hair!

  • - Away with her.

  • It is our duty to mortify in these girls

  • the lusts of the flesh.

  • Take these relics of Satan and see they are burned.

  • - Eyre, you will stand on a stool for half an hour

  • and meditate on the virtues of submission.

  • No one will speak to you for the rest of the day.

  • - Come, Jane.

  • - And for disobeying my orders, Burns,

  • you may stand on a stool, yourself.

  • (dramatic music)

  • No, Burns.

  • You may stand on yours outside.

  • Did I tell you?

  • (bell ringing)

  • (clock ticking)

  • (Helen coughing)

  • (thunder roaring)

  • (Helen coughing)

  • (thunder roaring)

  • (Helen coughing)

  • - The girl is dying rapidly.

  • You know that, of course.

  • - Yes.

  • I've made arrangements for her to go home.

  • - Oh, good.

  • Yes, good.

  • - Helen?

  • Are you awake?

  • - Is it you, Jane?

  • It's past midnight.

  • - I couldn't sleep.

  • I could hear you coughing.

  • I had to come see you.

  • - You came to bid me goodbye, then?

  • - Are you going away?

  • - Yes.

  • They are sending me home to my guardian.

  • (coughs)

  • I'm so pleased you're here.

  • Come in, come in, it's cold.

  • - Oh, Helen, don't stay away long.

  • Come back soon.

  • - I shall.

  • You'll see.

  • When the fall weather comes, and the heather

  • is in bloom on the moors, I'll be back.

  • We shall have long talks again, you and I,

  • just as we used to, long talks.

  • Oh, Jane, I'm so tired.

  • So tired.

  • Stay with me, and be here when I come back.

  • - I shall be here.

  • And I will keep you warm.

  • I will give you strength.

  • You shall have all mine.

  • And we'll stay together.

  • Just you and me, forever.

  • And we'll live forever and ever and ever.

  • (dramatic music)

  • (birds chirping)

  • - Eyre?

  • Jane Eyre?

  • I'm so glad to have come upon you like this.

  • I wanted a word with you.

  • I understand you've applied to a Mrs. Fairfax of Thornfield

  • for the post of governess to a little girl.

  • - Yes.

  • - The Govenors are pleased to give references.

  • - Thank you.

  • - But they would like you to stay on at Lowood as a teacher.

  • This request is something of an honor, Jane.

  • - Then I am sorry that the Governors

  • should have chosen you to make it.

  • I have nothing but respect for them and for all

  • that they have done at Lowood over the past few years.

  • I have none for you, Mr. Brocklehurst.

  • I have neither forgiven nor forgotten.

  • You may tell them that in any case, my mind is made up.

  • I shall leave within the month.

  • (tense music)

  • - [Jane] Is that Thornfield?

  • - [Driver] Aye, that's it.

  • - Does Mrs. Fairfax live alone?

  • - More or less.

  • - With the little girl?

  • - Aye, with her.

  • - Is Mr. Fairfax dead?

  • - Ain't no Mr. Fairfax.

  • - Miss Eyre?

  • We've been expecting you.

  • Will you come this way, please, ma'am?

  • - Ah, how do you do, my dear?

  • What a long journey you've had.

  • You must be cold.

  • Come and sit down by the fire.

  • - It is Mrs. Fairfax, isn't it?

  • - Yes, you are quite right.

  • Won't you take off your bonnet?

  • - Oh, thank you.

  • - I'm so glad you've come.

  • It will be very pleasant to have a companion.

  • Thornfield is a fine old hall, but it can be very lonely.

  • - Should I have the pleasure

  • of meeting Miss Fairfax tonight?

  • - Miss Fairfax?

  • - My pupil.

  • - Oh, you mean Miss Varens.

  • I've asked Sophie to bring her down, just to greet you.

  • - She is not your daughter, then?

  • - Oh, good heavens, no.

  • I've no family.

  • She's Mr. Rochester's ward.

  • - Mr. Rochester?

  • - The owner of Thornfield.

  • - I thought Thornfield belonged to you.

  • - Oh, good heavens, child, what an idea.

  • I'm only the housekeeper.

  • But Mr. Rochester is away most of the time,

  • traveling, so we rarely see him.

  • Ah, here they are.

  • Come, Miss Adele, and meet the lady who is to teach you.

  • This is Miss Eyre.

  • (speaking in foreign language)

  • - But I had no idea that my pupil

  • was to be a little French girl.

  • - Ah, but it's not hard for you.

  • You speak French.

  • Oh, Madame, thank you for my governess.

  • - I hope you'll be very happy and learn a great deal.

  • And now Miss Eyre is tired,

  • and I shall show her to her room.

  • (speaking in foreign language)

  • Eyre, very pleased to meet you.

  • (speaking in foreign language)

  • Adele.

  • We shall meet in the morning.

  • - (chuckles) You'll have no difficulty with her.

  • She's a little vain, I think.

  • But then, she's French.

  • - Is she related to Mr. Rochester?

  • - I don't know, my dear.

  • He brought her back from Paris a few months ago.

  • Her parents, I think, died, or abandoned her.

  • Are you ready?

  • - Yes, indeed.

  • (bell ringing)

  • - Here it is.

  • As you see, it's a fine house, but it

  • needs to be lived in more.

  • Parts of it are very old, indeed.

  • - [Jane] One might see ghosts, then?

  • - (chuckles) None that I have ever heard of.

  • But they do say the Rochesters were a very wild race.

  • Perhaps that's why they now seem tranquil in their graves.

  • Ah, we are this way, my dear.

  • That way leads to the upper floor, but it is seldom used.

  • Most of the bedrooms in this wing are in use.

  • It saves work to keep the rooms together.

  • Uh, you will teach Miss Adele in here,

  • and this is your room.

  • - (gasps) Oh.

  • Oh, it's--

  • - I hope you'll like it.

  • I thought you'd prefer something small and cozy.

  • - It's delightful.

  • - I'll call you when supper's ready.

  • If you need anything, I'll be downstairs.

  • (laughing)

  • - What's that?

  • - Grace Poole, I expect.

  • She works here.

  • She's a little, um, eccentric.

  • (laughing)

  • (tense music)

  • - [Jane] Adele!

  • - For you.

  • For you, Miss Eyre.

  • - (laughs) Why, they're lovely.

  • - I wanted to pick flowers for you.

  • I'm so glad you're 'ere.

  • - Here, huh.

  • - 'Ere.

  • - Ha.

  • Well, come along.

  • Where did you live before you came to Thornfield?

  • - With mama.

  • But she went to the Holy Virgin,

  • so Mr. Rochester put me 'ere.

  • - You knew him before?

  • - Certainment.

  • He was a friend of mama.

  • He brought her pretty things, and me too.

  • But now I do not see him anymore.

  • - But you would like to see him not just

  • for the pretty things he brings you?

  • - Oh, yes.

  • But it is nice that he brings me presents.

  • When shall we begin our lesson?

  • - Now.

  • And now, let's go and look in the garden.

  • - All right.

  • - Not just the flowers, but some of the animals

  • that live in the soil.

  • You see, some of the animals destroy the flowers

  • and some of them help them grow.

  • (bell ringing)

  • What sort of man is Mr. Rochester?

  • - What sort?

  • - Do you like him?

  • - I've no cause to do otherwise, my dear.

  • He's a good master.

  • - What manner of man is he?

  • - He's, um, unexpected.

  • Some think him, perhaps, peculiar.

  • - In what way?

  • - It's hard to say.

  • - He's traveled the world a good deal and seen many things.

  • (sighs) He's a hard man to understand.

  • - And what of Grace Poole?

  • Why does he keep her on here?

  • - I've no idea.

  • (peaceful music)

  • (horse galloping)

  • (horse whinnying)

  • (screaming)

  • - Ah!

  • Confound it, woman.

  • What the devil do you think you're doing?

  • - I was trying to move out of your way.

  • Can I help you, sir?

  • - You might fetch my horse.

  • - Whoa.

  • Whoa, boy.

  • (horse whinnying)

  • - Steady.

  • What is it you do to horses?

  • Come on, come on.

  • (grunting)

  • You should be home.

  • Where do you come from?

  • - Thornfield, sir.

  • - Thornfield?

  • Not a guest, I'd think.

  • - No, sir, though it's clever of you

  • to suppose that just from looking at me.

  • I'm the governess.

  • - Hmm.

  • You'd better get back before the dark comes.

  • (dog barking)

  • (bell ringing)

  • - He's here my dear.

  • He's here.

  • He's come home while you were out.

  • - Who?

  • Who has, Mrs. Fairfax?

  • - Why, the master, Mr. Rochester, without a word of warning.

  • He's in the drawing room.

  • I'm to take you in.

  • Some fool, it seems, frightened his horse and made him fall.

  • This way, my dear.

  • Here is Miss Eyre, sir.

  • She has just returned.

  • - Let Miss Eyre be seated.

  • - Is it true, monsieur,

  • that you brought a new, pretty cadeaux for me and Miss Eyre?

  • - Who talks of cadeaux?

  • Did you expect a present, Miss Eyre?

  • - No, sir.

  • - Are you not fond of presents, then?

  • - I hardly know, sir.

  • I've had little experience of them.

  • - Huh.

  • You'd do better here to be more like Adele.

  • She demands her presents.

  • You beat about the bush.

  • - I have less confidence in my desserts, sir, than she has.

  • - Generally, Miss Eyre, or in this instance?

  • - In this instance, sir.

  • Generally, I know what to expect.

  • - You've, been here, uh, six weeks?

  • - Yes, sir.

  • - And you came from, uh--

  • - Lowood, sir, a charitable institution.

  • - [Edward] How long were you there?

  • - Ten years.

  • - Ten years.

  • You must be tenacious of life.

  • But then, you have the look of another world in your face.

  • Who were your parents?

  • - I never knew them, sir.

  • - And who recommended you here?

  • - I advertised.

  • Mrs. Fairfax answered my advertisement.

  • - And very glad, I am, that I did so, sir.

  • Miss Eyre has proved invaluable.

  • - Flattery will not bias me, Mrs. Fairfax.

  • I shall judge for myself.

  • She began by felling my horse.

  • Well, (clears throat)

  • what did you learn at Lowood?

  • Music?

  • Do you play?

  • - A little, sir.

  • - Of course.

  • They all play a little.

  • Well, go to the piano.

  • Play something.

  • (upbeat classical piano music)

  • - Enough, enough.

  • You do, indeed, play a little.

  • - I was not wrong, then, in my assessment.

  • - You're very cool.

  • An orphan child of low degree.

  • Where do you find such coolness?

  • - Out of my head, sir.

  • - The one I see on your shoulders?

  • - Yes, sir.

  • - And has it other furniture of the same kind, within?

  • - It is well stocked, I hope, sir.

  • (clock chiming)

  • - Well, what are you about, Miss Eyre, to let Adele

  • sit up so late?

  • Take her to bed.

  • - And my cadeaux, monsieur?

  • - It will be here.

  • It will be here.

  • (tense music)

  • - Miss Eyre?

  • He doesn't mean to be rude.

  • It's partly his nature, and partly--

  • - Partly what, Mrs. Fairfax?

  • - Oh, doubtless he has painful thoughts to harass him.

  • You must not take offense.

  • - I did not.

  • Nor will I, though that will be

  • of little consequence to him.

  • - It is of consequence to me, my dear.

  • Goodnight.

  • - Goodnight.

  • - We must drain the field.

  • - It's too costly, sir.

  • - Tenets can't farm on land that's flooded with water.

  • They lose crops, and we lose rates.

  • It's forced economy.

  • - But I've been into the figures.

  • - Well, go into them again.

  • I want the field drained.

  • (sighing)

  • (poker rattling)

  • (knocking)

  • - Come in.

  • - My cadeaux!

  • My cadeaux!

  • - Very well.

  • Take it, you genuine daughter of Paris.

  • You see, Miss Eyre, how you women, uh, value us?

  • Leave her.

  • She's happy.

  • Take it to your room, Adele, and, uh, gloat over it there.

  • - Oh, monsieur (speaking in foreign language).

  • - Let her go.

  • Believe me, she has no need of you for a while.

  • You examine me, Miss Eyre.

  • Do you find me handsome?

  • - No, sir.

  • - (laughs) Mark my word, you are blunt.

  • What will you say next?

  • That I am lame?

  • Well, you're no prettier than I am handsome,

  • but you are nothing if not honest,

  • and you know that already.

  • Sit down.

  • Sit down.

  • If you please.

  • You must allow me to give orders, Miss Eyre,

  • if for no other reason than that I am 20 years older.

  • Would you not agree?

  • - Surely, sir, that depends on

  • what use you made of your time.

  • - By God, you have a point.

  • Well, then, have I no right to hector you?

  • I'm in a hectoring mood.

  • - Of course, sir.

  • Your claim wins on the grounds that I am employed here,

  • and you are not.

  • - Money.

  • Still, I like your bluntness.

  • It's unusual in a woman.

  • Though I dare say, in truth,

  • you are no different from the rest.

  • Yes, you're right.

  • Neither am I.

  • Well, talk to me, Miss Eyre.

  • Don't just sit there.

  • - About what, sir?

  • - About what?

  • About anything.

  • Can't you see that I'm a mood to talk?

  • Tell me how you get your peace of mind.

  • Ah, remorse is the poison of life.

  • Dread it, if ever you are temped to err.

  • But then, what could ever tempt you?

  • Where are you going?

  • - To put Adele to bed, sir.

  • - Never mind Adele.

  • She is happy, as her mother was.

  • You saw how she took possession of that box.

  • So her mother took possession of me.

  • I have been green, too.

  • Aye, grass green.

  • - Is Adele your child, sir?

  • - No, she is not, although her mother presented her

  • to me as such.

  • Uh, not that green, by God, Miss Eyre.

  • No.

  • Not that green.

  • - No.

  • She is the daughter of an itinerant musician with whom

  • her mother finally ran off, clutching in her little hand

  • the pieces of jewelry that I had, uh, given her.

  • She left the child in Paris.

  • I brought her here a year ago when

  • I'd heard her mother had died.

  • The child is, of course, illegitimate.

  • And knowing her antecedents, you will no doubt

  • think less of your protege now?

  • - The child cannot be blamed for her mother's faults.

  • - Confound it.

  • Have you none of your own?

  • (plate crashing)

  • Well, good night.

  • (tense music)

  • (dog panting)

  • I see you also paint a little.

  • - Yes, sir.

  • - A little more than you play.

  • You see, I'm in a more encouraging mood today.

  • - A little more, sir.

  • - Do you never laugh?

  • - Frequently.

  • - Then I do not amuse you?

  • (laughs) By God, you amuse me, Miss Eyre.

  • Though you may, uh, take tea with me later.

  • Cheer me up.

  • - It's a new role, for me, sir, that of court jester.

  • But if it cheers you up, I'm happy.

  • - [Woman] Ah.

  • [KNOCKING]

  • - Who's there?

  • (woman moaning)

  • - Who is it?

  • (laughing)

  • (tense music)

  • (fire roaring) (Jane gasping)

  • - Mr. Rochester!

  • Mr. Rochester, please wake up.

  • You must.

  • (water hissing)

  • Get up.

  • Please!

  • - Fire.

  • (grunting)

  • - I'll get the candle.

  • (coughing)

  • I heard a sound outside my door.

  • And, and laughter.

  • I came out into the passage and,

  • shall I fetch Mrs. Fairfax?

  • - No, no.

  • Let her sleep.

  • Say nothing.

  • I want no one to know what you've heard.

  • - Was it Grace Poole, sir?

  • - Yes, I think so.

  • - Why does she remain?

  • - I can't explain.

  • (dramatic music)

  • You saved my life.

  • - Well, goodnight, sir.

  • - I knew you would do me good.

  • I felt it always.

  • There's something about you, Jane.

  • - Well, goodnight, sir.

  • (sighing)

  • (upbeat organ music)

  • - Oh, my dear, what an escape we had last night.

  • Mr. Rochester was near burned in his bed.

  • - Indeed, Mrs. Fairfax?

  • - He fell asleep, leaving the candle alight.

  • Why, it's a wonder you didn't hear something

  • or smell burning.

  • - Not a thing.

  • But then, I'm a sound sleeper.

  • Mr. Rochester, I trust, has suffered no ill effects?

  • - Oh, no, no.

  • He was hale this morning when he left.

  • - Left?

  • - Yes, he went after breakfast.

  • He's gone to Mr. Eshington's place.

  • A very brilliant party is assembled there.

  • And but of course Blanche Ingram, too.

  • She's a great beauty here abouts,

  • and they do say that she and Mr. Rochester.

  • Well, excuse me, my dear.

  • (tense music)

  • - [Adele] When will Mr. Rochester come back?

  • - I don't know.

  • - It is nearly three weeks.

  • It is long, n'est-ce pas?

  • Perhaps Miss Ingram will not let him go.

  • Perhaps he is her prisoner.

  • They say she's beautiful.

  • Don't you wish you were beautiful, Miss Eyre?

  • - Flowers can be beautiful, Adele.

  • See how delicate the petals are?

  • The shade of the blue where it joins the stem.

  • Now, let's start again, shall we?

  • And I shouldn't bother to sign it.

  • If you can do a little better.

  • (dramatic music)

  • - Mrs. Fairfax?

  • Mrs. Fairfax!

  • Mrs. Fairfax, confound it.

  • We have guests.

  • Ah-- they'll be staying for, uh, quite awhile.

  • (laughing)

  • - Yes, come right in, please.

  • We'll go right into the drawing room

  • for my best refreshments.

  • - You're very kind. - I believe I will.

  • - Come along.

  • (crowd chattering)

  • Go right ahead.

  • - Come.

  • (upbeat classical music)

  • - Thornfield is magnificent, but I

  • should arrange it differently.

  • - Oh?

  • How?

  • - I should have all the furniture French.

  • - Ah.

  • And me?

  • Would you, uh, rearrange me, too?

  • - You?

  • Oh, you, I should leave like an old, well-loved oak chest.

  • (laughing)

  • - We are being observed.

  • - By whom?

  • - A little French poppy.

  • - Hmm, she's a mystery, that one.

  • - Well, she's the daughter of an enigma.

  • - Do you think?

  • He says she's his ward.

  • - (laughs) Wouldn't you?

  • (laughing)

  • - Adele?

  • Adele?

  • This is very naughty to be out of bed.

  • - Oh, she's beautiful, Miss Blanche.

  • She is like a princess.

  • Oh, I do hope she will marry Mr. Rochester.

  • Don't you, Miss Eyre?

  • - You must come along,

  • and you're not to get out of bed again.

  • - Adele has been captured by her governess

  • and, uh, led away.

  • - Oh, there's a plain little thing.

  • - I think she's pretty.

  • - (laughs) No.

  • I mean the governess.

  • - Oh.

  • (sighing)

  • (clapping)

  • - [Man] Bravo, bravo!

  • (crowd chattering)

  • (gentle, light classical music)

  • - Mm.

  • (laughing)

  • - I'll not go back, Edward.

  • Not till you keep your promise and show me

  • your boyhood hiding place.

  • - I warn you, we shall be utterly alone.

  • - (laughs) Your threats are mere promises.

  • (laughing)

  • - Ah, there you are.

  • They're just about to come out of the dining room.

  • - I'll take Adele into the drawing room.

  • Perhaps he'll ask Sophie to come for her.

  • - But Mr. Rochester expressly asked

  • that you remain, my dear.

  • - Very well.

  • Come, Adele.

  • (crowd chattering)

  • Now, perhaps you'd better sit over here.

  • You may greet them when they come in.

  • - [Blanche] I love the maids in the country,

  • far superior to anything I've seen in London.

  • (crowd chattering)

  • - I thought, Edward, you were not fond of children.

  • - Nor am I.

  • - Then what induced you to take charge

  • of such a little doll?

  • - (laughs) I picked her up in a fit of absence of mind.

  • - (laughs) You should send her to school.

  • - She has a governess.

  • - Oh, the little thing I've seen with her.

  • You should hear mama on the subject of governesses.

  • - [Lady Ingram] My dearest lily flower,

  • don't mention governesses.

  • I've suffered a martyrdom from them.

  • Take my advice, Mr. Rochester.

  • Send the little girl to school.

  • - I will consider it, Lady Ingram.

  • - And now, Senior Eduardo, furbish up your lungs,

  • as they are wanted in my royal service.

  • We shall sing a romantic song.

  • Know that I dote on romance, so you must sing con spirito.

  • (gentle, elegant piano music)

  • Youth, the season made for joys

  • Love is then our duty

  • She alone who that employees well deserves her beauty

  • Lets be gay while we may

  • Beauty's a flower despised in decay

  • Youth's the season made for joys

  • Love is then our duty

  • Let us drink and sport today

  • Ours is not tomorrow

  • Love with youth flies swift away

  • Age is naught but sorrow

  • Dance and sing

  • Time's on the wing

  • Life never knows the return of spring

  • Let us drink and sport today

  • Ours is not tomorrow. ♪

  • (applauding)

  • - [Man] Ah, Major Caparal.

  • (upbeat classical piano music)

  • - Jane.

  • Where are you going?

  • - To bed, sir.

  • I'll send Sophie for Adele.

  • - Look at me.

  • You're depressed.

  • What about?

  • - Nothing, sir.

  • Nothing, I am not depressed.

  • - But you are.

  • There are tears in your eye.

  • You see?

  • One has slipped from the lash, and fallen.

  • Very well.

  • I excuse you, tonight.

  • - Sir.

  • (applauding)

  • (crowd chattering)

  • (laughing)

  • - The queen of hearts.

  • - Ah.

  • No mystery there, sir.

  • We all know what that means.

  • - True, true.

  • (laughing)

  • What?

  • A joker?

  • A fool, sir?

  • Me, sir?

  • - No, sir.

  • Not you, sir.

  • - And on the other hand, that, uh, could mean a journey.

  • - A honeymoon?

  • (laughing)

  • - The ten of diamonds.

  • Now that's fire.

  • Fire everywhere.

  • Now, that worries me.

  • - It's the fire in your heart, Edward.

  • (laughing)

  • - There is someone to see you, sir, in the morning room.

  • - At this hour?

  • - He says it's very important, sir.

  • He's come a long way, from the West Indies.

  • - Ha.

  • There.

  • The joker was a journey, Edward.

  • The ace of spades?

  • And what does that mean?

  • - Well, only that life's an idiot.

  • (tense music)

  • Is his name Mason?

  • - Yes, sir.

  • What is wrong, sir?

  • - He'll destroy me.

  • He'll destroy my hopes, anyway.

  • My dreams.

  • Jane, what would you do if all shunned me?

  • - I should not shun you, sir.

  • - Could you dare censure for my sake?

  • - What is it?

  • Tell me.

  • - (sighing) Go to bed.

  • Think no more of it.

  • Go.

  • Hello, Mason.

  • (dramatic music)

  • (sighs)

  • - [Man] Ah, Rochester!

  • (screaming)

  • - Bless my soul, what was that?

  • - Appalling noise?

  • - You, sir?

  • Mr. Rochester?

  • (crowd chattering)

  • - My dear.

  • - What was that?

  • - A scream.

  • - [Man] Outside.

  • - He's not in his room.

  • (crowd chattering)

  • - [Woman] Don't they know nothing at all?

  • - [Man] Where the devil is Rochester?

  • - We heard it. - I haven't seen him.

  • - [Man] Mr. Rochester?

  • - [Edward] I'm here, I'm here.

  • - [Woman] What's happened?

  • (crowd chattering)

  • - [Man] What is this all about?

  • - A servant, uh, had a nightmare.

  • He's nervous and excitable and he took it upon himself

  • to finish the port you gentlemen so carelessly left out.

  • (laughing)

  • So should our consciences trouble us all.

  • (laughing)

  • Go back to your rooms.

  • It was nothing, really.

  • (crowd chattering)

  • - Goodnight, sir.

  • - [Edward] Do you have a sponger in your room

  • and some smelling salts?

  • - Yes, sir.

  • - [Edward] Fetch them.

  • (tense music)

  • Good night.

  • - Charles. - Goodnight.

  • - Goodnight. - Goodnight.

  • - Sleep well.

  • - [Man] Good night, my darling.

  • - [Man] Good night.

  • - Come on.

  • Wait here.

  • (woman muttering)

  • Go in.

  • Go in!

  • (woman screaming)

  • Come in, close the door.

  • And no questions.

  • Not now.

  • Please.

  • Give me the sponge.

  • You don't turn sick at the sight of blood?

  • - I think not, sir.

  • (gasps) Oh!

  • - Leave it.

  • I'm sorry.

  • But I had to see her.

  • Couldn't you have waited?

  • Here.

  • Hold the sponge.

  • The wound isn't too much.

  • I'll be back in a moment.

  • - She bit me.

  • The knife fell from her hand, and she bit me.

  • (woman muttering)

  • (shattering)

  • (tense music)

  • - Go ahead of me.

  • See that no one is in the hall.

  • (dramatic music)

  • (dog barking)

  • (wagon creaking)

  • Ha.

  • Get up.

  • (wagon creaking)

  • - Still awake?

  • - I could not sleep until I knew you were safe.

  • How is Mr. Mason?

  • - He will be all right.

  • He's with the doctor.

  • - And the danger you thought you were in last night,

  • is that passed?

  • - I can't vouch for that until Mason

  • is out of England, which will be soon, I hope.

  • - He did not seem a man willfully to injure you.

  • - No.

  • But unintentionally, he might.

  • Sit down.

  • - And what of Grace Poole?

  • Why do you keep her on here?

  • - I have no choice.

  • - But surely--

  • - No.

  • Bear with me for a while.

  • Don't pressure me for answers.

  • I, I count on you, more than you know.

  • (sighing)

  • Advise me, Jane.

  • I'll put a case to you, of a boy, a young man, spoiled

  • and indulged from youth, who commits a capital error.

  • I don't say crime, but error.

  • The consequences are dreadful.

  • The only escape is exile and senseless pleasure.

  • And then he meets a woman, a fine woman,

  • with qualities he has not met in 20 years.

  • He has a chance of living like a human being again.

  • Only convention stands in the way.

  • Can he ask her to defy?

  • - You talk of yourself, Mr. Rochester.

  • - Yes.

  • - We are each responsible to God for our actions.

  • I, I do not think we can ask others to share the burden.

  • Least of all Miss Ingram.

  • - (laughs) Don't you think if I married her,

  • she would regenerate me with a vengeance?

  • - Since you asked me, sir, no, I do not.

  • - You do not like her?

  • Come, be honest.

  • - I do not think she is for you.

  • - Uh-huh.

  • Presumption.

  • And who is for me, then?

  • Have you seen someone you can recommend?

  • (sighs)

  • You have grown attached to Thornfield?

  • - I have been happy here.

  • - Would it grieve you to leave it?

  • - Leave it?

  • - [Edward] When I marry, I should not want to live here.

  • - Of course.

  • Adele will go to school.

  • I will find another post.

  • I must go in, sir.

  • I'm cold.

  • - Jane.

  • - Please let me go, sir.

  • - Wait.

  • - Let me go.

  • - Jane.

  • - Why do you confide in me like this?

  • What are you and she to me?

  • Do you think that because I am poor and plain,

  • I have no feelings?

  • I promise you, if God had gifted me with wealth and beauty,

  • I should make it as hard for you to leave me now,

  • as it is for me to leave you.

  • But he did not.

  • Yett my spirit can address yours,

  • as if both have passed through the grave

  • and stood before him, equal.

  • - Jane.

  • - Let me go, sir.

  • - I love you.

  • I love you.

  • - Please, don't make me foolish.

  • - Foolish?

  • I need you.

  • What is Blanche to me?

  • I know what I am to her,

  • money to manure her father's lands with.

  • Marry me, Jane.

  • Say you'll marry me.

  • - You mean it?

  • (sighs)

  • - You torture me with your doubts.

  • Say yes.

  • Say yes.

  • God forgive me.

  • And let no man meddle with me.

  • I will keep her.

  • Keep her.

  • Pardon me.

  • You won't mind, uh, leaving Thornfield for this?

  • - How should I mind if you are here?

  • - And we'll travel, too.

  • Do you know, ten years ago, I flew through Europe,

  • half mad in disgust and rage.

  • But now, I'll return with an angel as my guide.

  • (laughs)

  • - I'm not an angel.

  • Don't expect it of me.

  • - What do you expect of me?

  • - For awhile, you'll be as you are now.

  • Then you'll turn cool, and capricious, and then stern,

  • and I'll have much ado to please you.

  • But when you're well-used to me, perhaps you'll

  • like me once again.

  • (tense music)

  • (soft moaning)

  • (groaning)

  • (gasping)

  • (wagon creaking)

  • (bell ringing)

  • - I'd like to see Mr. Rochester.

  • - He's at the church, sir.

  • The master's getting married today.

  • - Have you the ring?

  • Edward Fairfax Rochester, wilt thou

  • have this woman for thy lawful wedded wife,

  • for better or worse, for richer or for poorer, in sickness

  • or in health, until death you do part?

  • - I will.

  • - And wilt thou, Jane Eyre, have this man

  • for thy lawful wedded husband, for better or--

  • - [Mason] Reverend, stop!

  • I, I carry insistence of an impediment.

  • - Proceed.

  • - [Mason] I can prove my allegation.

  • An insuperable impediment exists.

  • - Go on.

  • - Mr. Rochester, I cannot go on.

  • What is the nature of this impediment?

  • - Mr. Rochester has a wife now living.

  • She's at Thornfield hall.

  • - [Reverend] Impossible.

  • I would know of it.

  • - I saw her there last April.

  • She's my sister!

  • (dramatic music)

  • I'm sorry, Rochester, but it is not right!

  • - And by God, it is my right.

  • Only right to condemn a man to eternal hell.

  • You shall see my wife, Wood.

  • I owe you that much.

  • And this girl, we shall see her, too, Jane.

  • I insist.

  • (dramatic music)

  • (hooves clopping)

  • Ha!

  • Get up!

  • (tense, eerie music)

  • - This is my wife.

  • Such is the sole conjugal embrace I am ever to know.

  • And how are we today, Mrs. Poole?

  • - We're tolerable, thank you, sir.

  • Snappish, but not outrageous.

  • (Bertha grunting)

  • (sighing)

  • (tense, eerie music)

  • - Bertha Mason Rochester.

  • Mad through three generations, although I in my naivete

  • was never told, who even tried to murder me

  • on our wedding night.

  • Look at her, Jane.

  • Look at her.

  • But I loved her once, as I love you now.

  • What should I do with her?

  • Tell me.

  • Confine her to an asylum for the care

  • of strangers, where they will beat her

  • and throw cold water on her?

  • Have you ever been in an asylum?

  • Well, Bertha,

  • what shall we do tonight?

  • Shall I play for you?

  • And sing?

  • Will you sit with me and tell me the story of your day?

  • Shall you hold my head on your breast, whilst I sleep?

  • Shall you?

  • Shall you?

  • So.

  • You've come out at last?

  • You shut yourself in your room, and grieve alone.

  • Not one word of reproach?

  • Nothing?

  • Is that to be my punishment?

  • I didn't mean to wound you like this.

  • Do you believe that?

  • I wouldn't hurt you.

  • Not for the world.

  • What was I to do?

  • Confess everything?

  • I should have lost you.

  • I might as well have lost my life.

  • - You have lost me, Edward.

  • And I have lost you.

  • - No.

  • Why do you say that to me?

  • To punish me a little longer?

  • Jane, I have been through...(sighs)

  • For the first time,

  • I have found what I can truly love.

  • Don't take it away from me.

  • - I must leave you.

  • - Jane, will you listen?

  • - I will not live as your mistress.

  • - Is that all that's important to you?

  • To be Mrs. Edward Rochester?

  • - Can you really believe I think that?

  • - What am I supposed to believe?

  • You say you love me.

  • How can you think of leaving me, then?

  • - Edward, what would I be as your mistress?

  • A hanger-on, a dependent with, with no place of my own.

  • No right to be here.

  • All rights would be on your side, and none on mine.

  • - Rights.

  • You talk like a lawyer.

  • Everything that's mine is yours.

  • What more can I give you?

  • - I want nothing.

  • Nothing.

  • Only you.

  • - Then stay, Jane.

  • - When I come to you, Edward, I come to you as an equal.

  • I will not be less, even for the man I love.

  • - (sighs) You mean to go one way in the world,

  • and let me go another?

  • - [Jane] Yes.

  • - This is wicked.

  • Who in the world will care what we do?

  • - I care.

  • You have a wife still living.

  • - Living?

  • Ha!

  • - She still lives.

  • In whatever state God has seen fit to visit on her,

  • she still lives.

  • She cannot help what she is.

  • I will not slip past her slyly in the night

  • to take my place in your bed.

  • - You fling me back, then?

  • Of all the life I lived before.

  • - You need no more choose that than I.

  • We are born to strive and endure.

  • You will forget me before I forget you.

  • - You make a liar of me with such language.

  • Go, then, go, if that's all I seem to you.

  • Jane, wait.

  • Wait.

  • (dramatic music)

  • Don't decide too soon.

  • Wait a while.

  • Wait just a while.

  • Jane?

  • Jane?

  • Jane?

  • Jane!

  • (dramatic music)

  • Jane!

  • Jane!

  • Jane!

  • Jane?

  • Jane!

  • Jane!

  • (hooves clopping)

  • Jane, wait.

  • Just wait.

  • Jane, wait a while.

  • Wait just a while.

  • (thunder roaring)

  • - [Mary] Who can she be?

  • - [Diana] She's not from around here,

  • do you think, St. John?

  • - I've never seen her.

  • You collapsed on the moors.

  • Who are you?

  • Can we send for someone you know?

  • - [Mary] I wonder who she is.

  • - [Diana] She looks refined, not a working woman.

  • I wonder where she was going?

  • - Oh, God.

  • - You know, it does get very dull, here.

  • St. John often remarks, though what

  • he should have to complain about,

  • I'm sure I don't know know, for he's never here.

  • - He works very hard.

  • He's devoted to the church.

  • - Yes, he wants to go to India.

  • Doesn't he, Di?

  • As a missionary.

  • (door creaking)

  • - We are recovered, I see.

  • - Yes, Mr. Rivers.

  • Thanks to all of you.

  • - Her name is Jane Eyre.

  • She's a governess.

  • She left her last post for reasons

  • that are personal and private, and she

  • doesn't wish to answer any questions.

  • - She wants to find work, and she's

  • to stay here till she does.

  • - Naturally, we said that you would help her.

  • - Naturally.

  • My sisters seem to have everything arranged.

  • I'll do what I can.

  • - Thank,

  • thank you.

  • - Now, if you'll excuse me, I have some reading to do.

  • (tense music)

  • - [Diana] No, he just stood there,

  • stuttering, getting quite red in the face.

  • - Oh, promises settled.

  • He just likes you.

  • (soft chattering)

  • Well, you come and sit here

  • and you can help me with some of these.

  • (laughing)

  • - [Diana] Have you seen him staring

  • at you in church?

  • - [Mary] Diana, you go from one extreme to the other.

  • (chattering)

  • - Good morning.

  • - I thought we might go for a walk,

  • all of us.

  • - [Mary] Don't you think you walk enough miles

  • in this parish, St. John?

  • - I'd like very much to go.

  • (dramatic music)

  • - I've, uh, found you some work.

  • I doubt you'll like it, though.

  • - I'll be the better judge of that

  • when you tell me what it is.

  • (bell ringing)

  • Lovely church.

  • It must give you pleasure to work here.

  • - [St. John] A duty is wearying unto death.

  • Does that shock you?

  • - Your sisters told me you wanted to go to India.

  • - You disapprove?

  • - One can serve God in many ways.

  • - I need to serve in a large way.

  • I have to, I have to serve my savior.

  • I have to serve my savior.

  • Do you understand?

  • And I shall do it with all my power and all my strength,

  • and who comes with me on that road must do the same.

  • You're not married?

  • - No.

  • - Were you fleeing from an entanglement?

  • - I have been loved.

  • - Let me show you something.

  • I have had it in mind for some time

  • to open a school here, for the village children.

  • They have no access to education,

  • and therefore no hope for progress.

  • You have a need to serve, too, I think.

  • That's the only reason I offer it to you.

  • The pay is poor-,30 pounds a year,

  • but you can live with us.

  • - I accept.

  • (dramatic music)

  • (chattering)

  • Music by a check, the rules of our houses,

  • shapes, the paneling you've seen in church.

  • All right, children.

  • You can go and play for ten minutes.

  • - [Children] Hooray!

  • (children laughing)

  • - Jane.

  • (sighs)

  • What is it?

  • I wanted only to know.

  • (dramatic classical piano music)

  • (applauding)

  • - That was lovely, Jane.

  • - Yes.

  • You play very well.

  • - No.

  • I play a little.

  • - I don't agree.

  • You play well.

  • Please continue.

  • - I'm very tired.

  • If you'll excuse me, I think I'll go to bed.

  • - Yes, it's hard work

  • teaching the children all day, St. John.

  • I think it's time we all went to bed.

  • - Very well.

  • Since I'm to be in a minority.

  • Goodnight, Mary.

  • - Goodnight. - Diana.

  • - Goodnight.

  • Jane, thank you for playing.

  • - Goodnight.

  • - Oh, kiss Jane, too, St. John.

  • - Goodnight.

  • - Goodnight.

  • (door creaking)

  • - Oh, Jane, he likes you.

  • - (sighs) Goodnight.

  • Goodnight, Mary.

  • - Goodnight, Jane.

  • - [Student] To go back is nothing but death.

  • To go forward is fear of death,

  • and life everlasting beyond it.

  • - I will go forward.

  • - [Student] So Mistrust and Timorous ran down the hill,

  • and Christian went on his way.

  • - All right, children.

  • You can bring me the book, and go home now.

  • - [Children] Good afternoon.

  • - Good afternoon. - Good afternoon.

  • - Good afternoon. - Good afternoon.

  • - Thank you, Mary.

  • - Good afternoon. - Good afternoon, sir.

  • - Good afternoon.

  • I can see you're enjoying yourself.

  • - Yes.

  • Yes, I am.

  • - Surely, you find it dull.

  • The largest portion of your mind, you can't use here.

  • What will you do with all your accomplishments?

  • - Save them till they are wanted.

  • They will keep.

  • - Have you ever thought they maybe

  • wanted now, at this minute,

  • in some corner of the world where

  • God's voice is not heard at all?

  • Has that never occurred to you?

  • - A school is enough for me.

  • - Is it?

  • Is it really, Jane?

  • Have you ever looked into your heart

  • and asked yourself if you can't do more?

  • I did.

  • And the moment I did, I knew that my whole life until then

  • had been a waste.

  • A desert.

  • I knew, at that moment, that I had been chosen,

  • that God had an errand for me that

  • would take me far away, carrying his light

  • into the regions of darkness.

  • It was as if someone had lit a lamp that I never realized

  • was there.

  • - And what of love, St. John?

  • - Of men?

  • - Of woman.

  • I was thinking of you.

  • - It has its place, but we must all bow to a higher love.

  • - Can we love one without the other?

  • - You place too much importance on human love.

  • Oh, there are more ways to happiness

  • than through the flesh.

  • It often seems strange to me that so few discover

  • this in the course of their lives.

  • But clearly, clearly, we are not all made of the same thing.

  • There are some who have been given a strength

  • far beyond their needs.

  • I urge them to know that strength,

  • what it is and why it was given.

  • I bring an offer straight from God

  • to take their place in the ranks of his chosen.

  • I say, come with me.

  • I claim you for my sovereign's service.

  • I claim you for this great work.

  • Join me and have no fear.

  • God will protect you,

  • for it is his work you have undertaken.

  • Jane, I leave for India in six weeks.

  • Come with me.

  • God intended you to serve as he intended me.

  • Think what you could do there.

  • You could run schools, help in hospitals.

  • It would be glorious work.

  • - I'm not fit for it.

  • I've no vocation.

  • - But you have.

  • You don't realize it yet, but you have, as much as I.

  • I've watched you day after day and seen it grow and develop.

  • Don't you see?

  • God sent you here for a purpose,

  • to join with me in this great work.

  • I know it must seem strange to you at first,

  • but you'll see what impetus you'll draw from our marriage.

  • - Marriage?

  • - Marry me.

  • Together, our strength will more than double

  • what we each have,

  • and we'll give it all to God.

  • This will fill an empty place for you.

  • I know it.

  • Work is the best balm, the best healer.

  • Wrench your heart away and fix it on your maker.

  • - But if we don't love each other.

  • - We can learn.

  • Jane, we'll work.

  • We'll spend ourselves in the service of God, you and I,

  • together in some foreign land, loving God;

  • and, who knows, finding we love each other.

  • Isn't that the best way?

  • Isn't it?

  • Say yes, Jane.

  • Say yes.

  • - No.

  • - I need you as I've never needed anyone.

  • Help me.

  • Help me, Jane.

  • Help me.

  • Give me your strength, as well, for I need it.

  • - [Edward] Jane.

  • (tense music)

  • Jane.

  • Jane.

  • - No.

  • I can't marry you.

  • I could never marry you.

  • - Jane.

  • - You say you need me.

  • The one thing I could give you means nothing to you.

  • Nothing.

  • You ask me to marry you

  • and speak no word of love between us?

  • Oh, god.

  • Better to shut me in a tomb and let me die.

  • For I have been loved, St. John.

  • Loved.

  • Oh, dear heaven, I have been loved.

  • I must go to him.

  • It may be too late, but I must go.

  • - You're rejecting God.

  • - No.

  • I'm finding him, and his people, and the love

  • they have for each other.

  • Each other, St. John.

  • Each other.

  • You cannot love just God alone.

  • (dark, foreboding music)

  • - Miss Eyre?

  • - John.

  • What happened?

  • - She burnt it.

  • Set light to it.

  • It was terrible, Miss Eyre.

  • She got away from Grace Poole and she climbed onto the roof,

  • and stood there, shouting.

  • Mr. Rochester tried to reach her, but she jumped.

  • She killed herself on the stones, there.

  • - And Mr. Rochester?

  • - The floor gave way beneath him, and he fell through.

  • He's not dead, Miss Eyre, but--

  • - Where is he?

  • - At Ferndean, with Mrs. Fairfax.

  • Miss Eyre?

  • A burning timber fell across his face.

  • He's blind,

  • stone blind.

  • (peaceful music)

  • - Who is there?

  • Mrs. Fairfax, is that you?

  • Is anyone there?

  • Well,

  • there boy.

  • (sighs)

  • There's no one there.

  • Whom did you think it was, hmm?

  • Is anyone there, I say?

  • Who is it?

  • - It is I.

  • - Jane?

  • - Yes.

  • - Jane?

  • - Yes.

  • Yes.

  • - You mock me.

  • Is it you, Jane?

  • Is it really you?

  • Have you come to visit me?

  • Didn't think to find me like this, hmm? (chuckles)

  • What?

  • Crying?

  • No need for tears.

  • How long can you stay?

  • An hour or two?

  • Stay a little while.

  • Or, or do you have some fretting husband

  • waiting for you?

  • - No.

  • - No husband yet?

  • Well, that's bad, Jane.

  • You're not pretty, you know.

  • You, you can't be choosy.

  • - No, sir.

  • - Still, I'm surprised you've not been asked.

  • - I didn't say I'd not been asked, sir.

  • - I see.

  • That's, that's good, Jane.

  • You should be married.

  • - Yes, sir, I think so.

  • And so should you.

  • You can't be choosy, sir, any more than I.

  • - (laughs) Perhaps not.

  • Well, when is this wedding of yours?

  • I'll, uh, bring Adele home from school.

  • - Wedding, sir?

  • - Well, devil take it, didn't you say

  • you were getting married?

  • - No, sir.

  • - Ah.

  • Well, I'm sure some fool will find you soon enough.

  • - I hope so, sir.

  • Some fool

  • that found me once before.

  • I've come home, Edward.

  • Let me stay.

  • (dramatic classical music)

(dramatic drumming)

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