Placeholder Image

Subtitles section Play video

  • Everybody welcome back to the program

  • I am very excited because one of my favorite singer songwriters musicians is here in the vinyl pad from the UK

  • Jacob aka Puma blue. Thank you so much for coming

  • Did you approach this any differently than your debut? Yeah, hugely. Okay, the first one was almost about like

  • Getting away from what I'd been doing on the EPS a little bit and trying to show a different side, but it was still this kind of idea of I

  • Wanted to kind of make like a headphone. Listen, like a

  • Intimate project. Yeah, and then I ended up writing it largely before the pandemic but recording and producing a lot of it in the pandemic, so I think something I really missed was live shows and yeah, I feel like my favorite thing about

  • This project is playing with the guys in the band

  • So for this one, it was more about taking it out of the laptop and into the studio a bit so I wrote a bunch of

  • Songs and recorded demos for them rather than finishing them and actually took it to the band and now that's great

  • It was cool

  • It was like the first time we've ever been so involved with each other in at that point in the process

  • So like we would rearrange some of my demos together or like writing completely new songs out like jams and oh, that's amazing

  • So like maybe a third of the songs were like written

  • Between the four of us or the five of us because my friend Luke was there as well. So yeah, it's a lot more live

  • It's a lot more collaborative. I feel like the energy was very different. I mean

  • First of all, it made me it's like less self-conscious of this album because oh

  • It's not just a reflection of of me. Yeah, it's like a family

  • Photograph. So even if I'm pulling a weird face, I'm like, oh, I love this photo of like us. Yeah. Yeah, that makes sense

  • And I love the fact that this this is included. Yeah, I wanted to like yeah open the book

  • Yeah, and just feel kind of transported to I don't know the process and ever everyone was just so important

  • Yeah

  • I kind of wanted to honor that but also there was this like bouncing off of each other thing that is what I wanted to capture because that's what happens live like

  • These songs exist and and we keep the structures largely the same

  • But I've always encouraged the band to like really improvise and express themselves live

  • Yeah, but obviously that that isn't allowed to happen when

  • I've just like made a beat and finish the song on my computer and like that's it

  • So right this was cool because a lot of the moments that are my favorite moments just happened

  • Spontaneously like just the chemistry in the room or whatever. So

  • Yeah, I mean, I know I'm just describing

  • Like how a lot of albums are made, but it was just new

  • Yeah, I just hadn't made music that way strangely before right because like if we even go back to some of your earlier stuff

  • I mean, it's just it's just you and your computer. Yeah, which is funny because I don't know

  • I mean, we're just not a band, you know, and we we are and now more than ever a band, but

  • That's that's not been the approach. It's been this kind of like solo artist thing. Yeah, so

  • Yeah, this was just the first record where I really embraced the fact that we kind of are a band a little bit and I

  • Yeah, I'm so proud of it because it's like all of their magic as well as my contributions so I can kind of just listen and be like

  • Enjoying their playing. Yeah, rather than cringing at my own

  • It's not all on you. Yeah, exactly

  • Darkside was a huge influence on this record

  • And it kind of interesting always been an important album to me because it's like

  • One of the first albums I like had on my mp3 player that my dad like showed me

  • Age six or seven. Wow, but um, so you are you were a cool kid, man

  • I don't know. I was honestly not a cool kid, but I we had good taste. I loved music

  • Yeah, you know, I really did love music

  • But it was cool coming back to it

  • More recently and I don't know there was there's something about the feeling of that album and like the

  • The color of it. Mm-hmm that I wanted to emulate on on this a bit

  • I

  • Like the way it flowed seamlessly. I did that nowhere near as

  • Geniusly, if that's a word as they did it's not as thought through perhaps

  • But that was just a conscious decision to have it kind of flowing

  • Honestly, um that song

  • Us and them was like pretty much the reason there's sax and pink blue

  • Yeah, oh my goodness

  • But yeah that that was a big it was a big one some of the backing vocals. Mm-hmm. I was listening to yeah

  • Yeah, I love you and it feels like it was more of that on here. Yeah, I feel like I was trying to

  • Use my voice as a more important instrument on this record than the last one

  • I was kind of burying my voice on the last one. Mm-hmm. And this time I was like leaning into the vocal diva thing a bit more

  • Just letting it all kind of hang out. And yeah, it was fun to sing. I'd I like really expressed myself and

  • Some of the vocal arrangements. I like spent a lot of time on

  • And

  • Yeah, I'm proud of it. I get a real strong feeling from your music just in total like obviously there's certain songs that like

  • Especially on this I think it's a second song but there's like a quiet confidence but also like a melancholy but like more of like

  • Remembering sweet moments in life versus like super sad if that me. I mean, that's what I'm getting

  • I love I think music's so powerful because everyone kind of interprets it. Yeah on their own, right?

  • and

  • You can get help, you know, you can like research what the artist meant by it or you can ask your friends or whoever like

  • What what their

  • Takeaway was and you can kind of analyze it

  • But I think the most beautiful part is that you often come away with your own understanding. So

  • I'm trying to explain myself like less and less honestly, but yeah people get their own meaning and and feelings from it and which is

  • Really beautiful. I mean, I think yeah, I think it's a push not a push and pull, but I think it's a little bit of

  • You created it and now and now it's theirs right a little bit and like obviously

  • You steer the conversation with what you wrote and with the lyrics

  • Because like it's always a funny thing like so many people think every breath you take right is romantic. Yeah, but then it's like well

  • And also I was just talking about weird

  • Yeah, and then the shape of your heart or shape of my heart or whatever another stinks like that

  • I love that too. That too is not like I was actually thinking of that song

  • Oh, really when I was writing the last track on this album

  • I just and that's the other thing to like the incorporation of

  • Just the blending the blending of your music is thank you. That's really sweet. I

  • Mean I and two guys in the band. Yeah, we just listened to

  • So much stuff. Yeah, and

  • A lot of it doesn't really sound

  • You know, you wouldn't think

  • Based on the music that we put out that that's what we listen to some of it you might

  • Write a little black Sabbath a little honestly. Yeah

  • Like burial is like a huge one for me and I love burial. Yeah, I think that's coming out more and more

  • Yes wearing it on my sleeve. But yeah, I think I think I've always wanted to make music. It was just kind of an amalgamation of my favorite music and

  • Yeah, actually the better I get writing and the more I'm able to access

  • Authenticity. Oh, yeah, the less I'm able to even hold back from

  • My influence is kind of coming out. So

  • Even even in places where I'm like, you know

  • Like in the song epitaph. Mm-hmm. I was like singing this vocal melody before I had the lyrics I thought this is reminding me of

  • Anthony Kiedis

  • But I was like, there's nothing I can do about that

  • I just did I just grew up on Chili's and they mean so much to me

  • Even if that's like not what you would pair in your mind necessarily with my music

  • Yeah, I was like, I'm just gonna like lean into this because that's beautiful. That is like very true to me

  • You know way, you know, you like being out in Atlanta. I love that area you do. Yeah, I mean like

  • Yeah. Wow. Wow, you've really just thought of everything

  • Yeah, I got I immediately saw the Jeff yeah, I saw

  • Julie London Donnie and I love Julie. Yeah. Yeah. Well, I she was a good find because at the time I was very influenced by

  • Jazz singers. Yeah

  • But I was more listening to people like Billy and oh, right, right, you know, first of all, she's just got an incredible

  • Vocal like full stop, but she also has this raspiness that I don't have really at all

  • I don't know like Billy was really inspiring, but I think finding Julie was encouraging because she has such a like

  • Soft little voice. Yeah, that is mostly projected with the microphone

  • Whereas Billy sounds like she could just sing. Yeah in a dry room and it would sound like perfect

  • So, yeah, she was really inspiring

  • Just like a smoky quality. Yeah, it's beautiful

  • I think it's awesome that your your tastes are so varied

  • You wouldn't think the style that comes out of those records you're influenced by these other bands

  • But I like that because that keeps it from getting to like specific or to like derivative of some. Yeah

  • You know what? I mean the more you listen to you the more that you're gonna subconsciously channel and

  • Yeah, I think I think it just adds more to the palette and like you said it it's less derivative that way

  • Yeah, just listen to like

  • One band, you know, and then you're gonna sound like that band because that's all the information you have

  • You've dipped into classical as well. Like you enjoy love classical music. Yeah. Yeah my parents of they were like more they had better knowledge of classical music than

  • Anyone I kind of knew growing up and I

  • Wasn't really interested

  • For a long time. I just didn't it just didn't speak to me and

  • Then maybe when I was like 14 15, I found a few pieces that really spoke to me. I think it was like rock man enough and like Beethoven's Moonlight Sonata and

  • Some of the more like famous stuff. Yeah, and I realized there was

  • Something worth exploring

  • Obviously, but I just didn't know that and now I'm

  • You know a geek. I love like scrabin and Ravel and

  • Shostakovich and

  • Yeah, there's a there's so much great stuff that I wasn't aware of. I still love rock man enough as well

  • Yeah, I feel like a lot of it is present in the music in some way

  • Even if it's just the emotions or like sense of harmony that I'm hearing I try and

  • Emulate that but it's it's so hard. I mean, I'm not classically trained

  • Yeah, probably never will be we'll see. I was gonna ask actually have you thought about perhaps given the opportunity?

  • To score a film. Yeah, it's it's been a lifelong ambition to be honest amazing

  • Film is pretty much the next thing

  • Aside from music that I care the most about and I you know

  • I've made little short films and oh no, I would love to be on that side of it. Honestly, like writing a screenplay or directing something

  • But honestly even the opportunity to score a film or God even if I was just

  • Being given the role of like music supervisor right and like picking the tracks

  • Yeah that like already exist I think I'd have so much fun and right put so much like love into it so yeah, I'm really just um waiting for a good opportunity to

  • To do that and hopefully one will come and if not, I believe just you know, make it happen for myself. Yeah

  • But yeah God doing a film school would be amazing

  • It's it'd be a cool opportunity to do something that you know, it doesn't really sound like myself at all it wouldn't be thinking about like my

  • Artistic identity I'd just be like serving the film right?

  • So that would be a cool challenge your name

  • Where what's the origin of that? I was just going by Jacob Allen for a while

  • You know just using my name to play shows and

  • Back when I was like

  • Being put on like random bills with other people

  • Showcase type game, right? Right, right. I was kind of getting put on with a lot of like acoustic pop stuff I think because I was just using

  • My name and I didn't have any music out probably

  • Sounded like oh, it's another like folky poppy singer-songwriter type. Gotcha. Okay, so

  • I wanted a name I think because I wanted

  • People to picture something else

  • Not a band but like

  • Some kind of artist project. I suppose there were a few people that were like using like aliases

  • Like flying Lotus. I was just like yeah, that's a that's a good choice for that project so

  • The inspiration was like Delta Blues musicians like oh, yeah

  • I love this like double-barreled superhero name thing

  • Because it sounded like it could almost be their real name in some kind of mythical

  • Way muddy waters or like Howlin' Wolf

  • Lead belly I was like and I want a name

  • That sort of is in tribute to

  • That sort of is in tribute to these guys because they kind of like invented what I've

  • You know way down the line. What what I'm doing in a way

  • So that was the initial inspiration I was just trying to think in my myth, like what would my name be and I

  • Think I had blue written down on a on a

  • Piece of paper like a hundred times and I was just writing other words next to it

  • Yeah, and nothing really fit or made me feel anything so I was gonna move on and then

  • One day, I think I was watching a nature documentary and it could have even been a David Assembly one

  • Someone in the voiceover was describing a puma. Yeah, it's just like sleek blonde

  • Mysterious thing and I was like, that's like what I am trying to do. Yeah emulate if blue is the kind of like dark

  • Metacolic side the other the other side is this kind of sexiness or like?

  • Something you know because the the two kind of main points of reference for me have always been like Jeff Buckley and D'Angelo

  • But it especially was back then that was like very much

  • Me trying to make something in the middle

  • So yeah, Puma blue just kind of became that double-barreled alias and

  • That was really how it happened. Just like

  • Blues yeah, that's blues name almost. I don't know if I would even still pick the name now

  • Interesting that's kind of not the point it you know, I just needed a name. Yeah now I have one

  • It's my it's probably my name forever. You know what I mean? Yeah, like

  • I just don't think about it. It's just what I'm called. Yeah, I'm so excited for you

  • I mean, I thank you so much. It's so cool to see you continue to make music and like see your your numbers climb

  • I mean, I know that's not exactly why you do it

  • But it's I for me for me. I see it as this is how you

  • Get to sustain your art exactly. I'm so grateful to just yeah be doing this. Honestly. Yeah, I'm too

  • Oh

  • For me, yeah

  • Yeah, I dreamt about this as a child it sounds so cheesy, but it's beautiful I really did and yeah, I am I just wanted to do it well and I think

  • Be doing it now already feels like such a success just because I'm doing it. I feel like so grateful

  • Yeah, but if I can continue to do it and make music

  • For a job. Yeah for a long time, then that would be amazing. So yeah. Yeah, I know what you're saying

  • The numbers kind of do matter

  • They matter a little bit. Yeah. Well, thank you. Thank you so much for

  • Yeah, I appreciate it a lot. It's a chat. It's lovely to meet you. And yeah, yeah you as well. Yeah

  • Yeah, thank you all so much for watching. I am your vinyl geek and I'll catch you on the flip side

  • You

  • You

Everybody welcome back to the program

Subtitles and vocabulary

Click the word to look it up Click the word to find further inforamtion about it