Theproductionteamwasshortofstaffand I wasrushingalloverthebuilding, takingmessagestovariouspeopleandfetchingthings.
Ofcourse, I didn't knowmywayaround, so I keptendingupinsomestoreroomorsomewhereinsteadofthestudio I wasmeanttobein.
Or I mistooksomeimportantvisitorfor a colleaguebecause I didn't knowwhoanyonewas.
Then, afterthat, thingssortofcalmeddown, sosometimes I washangingaboutuntilsomeonedecidedtogiveme a chore.
But I had a pieceofluckattheendoftheweekbecausetheygot a newbitofequipmentwhichwasthesameaswehaveintheeditingsuitehere, and I knewhowtouseit, whichnoneofthemdid.
Sothatgaveme a bitofstatus.
Unfortunately, itmeant I spentthenextthreedaysstuckintheeditingsuite.
Butbytheend, I'd shown I wasn't just a sillystudent.
Sothen, whentheseniorreporterneededsomeonetogooutwithhimwhenhewenttointerview a juniorminister, I gottogoalongbecauseheknew I couldhandlethetechnicalside.
Well, that's good.
Yes.
Well, I know I needtolearnfrommymistakes.
I mean, basically, I needtothinkmoreaboutforwardplanning.
Butontheotherhand, I feelmuchmoreconfidentnow.
I didsurvive.
I didn't ruinanything.
I didactuallymake a contribution, accordingtotheproducer.
Onething I wanttotakeforwardtomyfinalassignment, though, issomereflectionsonethics.
Yes?
I had a bitofanargumentwithoneoftheseniorpresenters.
HisSpanish-styleelectricguitar, knownas a FenderBroadcaster, had a bolt-onneck, andwasinitiallycriticizedbycompetitorsasbeingverysimpleandlackingincraftsmanship, yetitwasimmediatelysuccessfulandwasparticularlysuitedtomassproduction, spurringotherguitarcompaniestofollowFender's lead.
In 1951, LeoFenderrevolutionizedthemusicworldyetagainwhenheproducedanelectricbassguitar.
Thiswasthefirstcommerciallysuccessfulbassmodeltobeplayedlike a guitar.