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  • Hey.

  • Hey.

  • Sambuca Margarita?

  • Is that a real thing?

  • Well, we only had Sambuca, so it is now.

  • Listen, uh, Joe, I I need to I need to talk to you about something.

  • What's up?

  • It's it's about Kathy.

  • Um, uh, I like her, I like her a lot, actually.

  • You do?

  • Yeah.

  • Well, your timing couldn't be better, she's not my girlfriend anymore.

  • What?

  • Yeah, she broke up with me.

  • Oh, uh, when?

  • Just now, after acting class, at first, I thought she was doing some kind of scene, that's why I let people watch.

  • Man, I am so sorry.

  • Are you are you okay?

  • I've been better, but I'm all right.

  • So you like her, huh?

  • Yes, but I I I don't have to.

  • No, no, no, no, it's uh, it's okay.

  • Yeah?

  • Yeah.

  • You know why? Because you came to me first.

  • Well, I thought that would be the best thing to do.

  • Hey, listen, so you know, you might have your work cut out for you, because when I talked to her, I kind of got the feeling she's into some other guy, so.

  • See, uh, that's that's actually what I wanted to talk to you about.

  • I I think I know who the other guy is.

  • Who?

  • It's me, I'm the other guy.

  • What?

  • Yeah, I mean, when you were late last night, Kathy and I got to talking and one thing led to another and.

  • And what? Did you sleep with her?

  • No, no, no, I just kissed her.

  • What?

  • That's even worse.

  • How is that worse?

  • I don't know, but it's the same.

  • Look, I'm sorry, but there's nothing I could do, I think I'm in love with her.

  • Who cares? You went behind my back?

  • I would never do that to you.

  • You're right, I have no excuses, I was totally over the line.

  • Over the line? You you you you're so far past the line that you can't even see the line, the line is a dot to you.

  • Yes, yes, right, and I feel horrible.

  • You have to believe me.

  • Oh my God, is that why you bought all this stuff?

  • Well, you know what? I will not watch your TV, I will not listen to your stereo, and there's a cinnamon raisin loaf in the new bread maker that I'm not going to eat.

  • You know why?

  • Probably because.

  • Because it's all tainted with your betrayal.

  • From now on, this apartment is empty to me.

  • I'm not happy about you either.

  • Oh, and just so you know, I made that bread for you.

Hey.

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