Name: 拍攝福島核災難 (Photographing the Nuclear Disaster in Fukushima)
Uploaded: 2021-01-14T05:37:13.000Z
Duration: 13 min 2 s
Description: 【看影片學英語】數萬部 YouTube 影片，搭配英漢字典即點即查，輕鬆掌握單字發音與用法，長久累積看電影不必再看字幕。

But I'm not really interested in a picture.

There's a difference between pictures of something and

And I wanted to make pictures about something.

Because I really am interested in this idea of science being

And I was kind of in a dark place then, a few weeks ago.

And it said, it looks like our terrible world

So there was definitely a compelling urge to do this.

And I thought, if I do not go do this, I should just leave

When I was about 14 years old, my dad bought me a camera.

I'm not sure why he got me the camera, maybe as a birthday

But I do remember that I loved it when I first

At the same time, I think magazines were probably in

I mean, everybody talks about a golden age of magazines.

But for me, it was really the late '80s, early '90s.

And as a kid, my family, they subscribed to "Time,"

And I remember opening up, and these big huge photographs.

This idea of history being created or made, and then the

idea that somebody actually has to go out there and

I got a summer job at a tabloid, the "Toronto Sun." I

All my friends were kind of turning their noses, oh, how

could you work "The Sun?" You know, it's a tabloid.

But it was the best-- one of the greatest

And this idea of getting paid for it was really

And then I kind of had this brainstorm that, wow, there

are other newspapers and magazines in the world.

And I ended up working a lot for "The New York Times," and

for some German publications, which was great.

So at first, when I started at "The Globe," it was Toronto

And then as I got more experience and more clients,

The only thing I could do was listen to the radio.

And I remember early May of '86 lying in my bed.

And there was a news report that came on about this place

called Chernobyl and a massive nuclear accident.

So since then, I got kind of fascinated, I guess.

And I had met some police officers in a small town.

And I would hang out with the criminals and such.

And at that time, then the work kind of split off into

One was this idea of power and the acquisition of power.

But then also, out of my, again, trying to save my

Everybody thinks Chernobyl is three-headed babies, and

monsters, and mutant catfish, and such like that.

And when I got up there, I was really pleasantly surprised

that it had completely smashed any expectation that I had.

And that's when I knew, that OK, I've got to come back and

There was a man I met named Nikolai who said, oh, come

And it was one of my first sort of experiences in a

And the whole custom of meeting somebody and being

And his friend Victor came over, Victor Popovichenko, who

I ended up photographing a few months later.

And that photograph I guess was my key moment where things

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拍攝福島核災難 (Photographing the Nuclear Disaster in Fukushima)

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