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  • YOU HAVE MADE IT NOW.

  • YOU'RE AT THE TOP OF YOUR GAME, AT THE TOP OF YOUR PROFESSION.

  • BOTH YOU, BUT BOTH YOU AN I ARE SORT OF.

  • >> WE'RE DOING GOOD.

  • >> Stephen: WE'RE DOING GOOD.

  • WE'RE TOP NOTCH ACTORS, YOU KNOW N A WAY.

  • I'M AN ACKER IN MY OWN WAY.

  • YOU'RE AN ACTOR.

  • >> YEAH.

  • YEAH.

  • >> Stephen: YOU'VE GOT A BUNCH OF OS CARS FOR YOUR WORK.

  • >> THANK YOU (CHEERS AND APPLAUSE).

  • >> Stephen: AND I'VE GOT A BUNCH OF EMMYS FOR MY WORK.

  • >> BRAFO.

  • (CHEERS AND APPLAUSE).

  • >> Stephen: THEY'RE BASICALLY, BASICALLY THE SAME THING.

  • >> NO, THEY ARE NOT, SIR.

  • THEY ARE NOT.

  • >> Stephen: THEY ARE THE SAME.

  • >> THERE IS A BIG DIFFERENCE BETWEEN THE TWO, MY FRIEND,

  • YEAH, YEAH, HUGE DIFFERENCE.

  • >> Stephen: THE POINT IS YOU HAVE TWO OS CARS, SO BETWEEN THE

  • TWO OF US THAT AVERAGES OUT TO ONE OSCAR A PIECE.

  • AND IT IS RARE THAT TWO ACTORS OF OUR CALIBER, YOU KNOW, ARE

  • TOGETHER LIKE THIS.

  • I THINK WE SHOULD TAKE A ZEN RIGHT NOW JUST FOR THE ASPIRING

  • ACTORS OUT THERE WATCHING THIS, WE COULD OFFER ACTING TIPS TO

  • HELP THEM GET UP TO OUR LEVEL.

  • >> GREAT IDEA.

  • LET'S HELP THE KIDS.

  • >> Stephen: GREAT.

  • >> JUST TO BE CLEAR, WE'RE ON THE SAME LEVEL?

  • >> Stephen: YOU SAID IT, TOM.

  • (APPLAUSE).

  • >> Stephen: GREAT.

  • >> IT WAS A QUESTION.

  • >> Stephen: SO ALL YOU AMATEUR ACTORS, LISTEN UP, BECAUSE IT'S

  • TIME FOR ON YOUR MARK, GET SET, ACT, WITH TOM HANKS AND STEPHEN

  • KOL BELTER-- COLBERT.

  • FIRST TIP.

  • CRYING SCENES ARE TOUGH, PERSONALLY ONIONS MAKE ME CRY,

  • SO WHEN I HAVE TO CRY, I THINK OF A DEAD ONION.

  • (LAUGHTER).

  • >> Stephen: IF YOU'RE HAVING TROUBLE INHABITING A CHARACTER,

  • JUST ASK IMPORTANT CHARACTER QUESTIONS LIKE WHAT'S MY

  • CHARACTER'S NAME.

  • WHAT IS THE MOVIE ABOUT.

  • AND IS MY CHARACTER IN IT?

  • (LAUGHTER) >> TO KEEP YOUR EYES FROM

  • SHIFTING AROUND, FOCUS ON JUST ONE OBJECT.

  • UNLESS YOUR CHARACTER NEEDS TO LOOK SHIFTY.

  • IN WHICH CASE MAKE SURE THAT ONE OBJECT, A FLY.

  • >> Stephen: NEVER WORK WITH CHILDREN OR ANIMALS.

  • ONE EXCEPTION, BABY WEREWOLVES.

  • BOX OFFICE GOLD.

  • (LAUGHTER) >> NEVER READ BAD REVIEWS.

  • INSTEAD, KIDNAP THE CRITIC AT GUNPOINT.

  • (LAUGHTER) I FIND THEY'RE MUCH LESS LIKELY

  • TO TELL YOU YOU SUCK AT GUNPOINT.

  • (APPLAUSE).

  • >> Stephen: ALL THE BEST ACTORS KNOW THAT EMOTIONS LIVE

  • IN THE ARMS.

  • IF YOU ARE SCARED, FLAIL YOUR ARMS AROUND IN TERROR.

  • IF YOU ARE SAD, FLAIL YOUR ARMS AROUND SADLY.

  • (LAUGHTER) >> IF YOU ARE DOING A LOVE

  • SCENE, MAKE SURE THE DIRECTER AND THE CAMERAS ARE THERE.

  • (LAUGHTER) (CHEERS AND APPLAUSE)

  • OTHERWISE YOU'RE JUST HAVING SEX.

  • (LAUGHTER).

  • >> Stephen: THAT'S A ROOKIE MISTAKE.

  • >> AMATEURS, YEAH.

  • >> THE MOST IMPORTANT PART OF ACTING IS LISTENING.

  • SO ALWAYS ACT LIKE YOU'RE LISTENING.

  • TILT YOUR HEAD AND SAY THINGS LIKE HMMMM, YES, I UNDERSTAND

  • BECAUSE I'M LISTENING TO YOU.

  • >> SOMETIMES IT'S HARD TO REMEMBER ALL THOSE WORDS.

  • AND HERE'S WHAT YOU DO.

  • YOU GET A DOG AND YOU NAME THE DOG LINE.

  • THEN YOU SHAVE THE WORDS YOU'RE SUPPOSED TO SAY IN TO THE SIDE

  • OF THE DOG THAT THE CAMERA CANNOT SEE.

  • THEN IF YOU FORGET WHAT ARE YOU SUPPOSED TO SAY, CALL LINE.

  • HE RUNS UP TO YOU, AND YOU CAN READ IT RIGHT OFF THE SIDE OF

  • YOUR DOG.

  • I LEARNED THAT ONE FROM MARLON BRANDO.

  • HE TOLL ME.

  • >> Stephen: WELL, TOM, THANKS SO MUCH.

  • THAT WAS REALLY-- (CHEERS AND APPLAUSE)

  • >> YEAH?

  • >> Stephen: LINE?

  • (LAUGHTER) GREAT ADVICE.

  • >> WELL, THANK YOU-- THANK YOU-- LINE.

  • STEPHEN, IT'S BEEN GREAT.

  • A.

  • >> Stephen: A HOLOGRAM FOR THE KING IS IN THEATERS TOMORROW.

  • TOM HANKS, EVERYBODY, WE'LL BE RIGHT BACK

YOU HAVE MADE IT NOW.

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