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  • I've assembled for your pleasure here 7 deadly sins of speaking. First: Gossip. Speaking

  • ill of somebody who's not present. Second: Judging. We know people who are like this

  • in conversation and it's very hard to listen to somebody if you know that you're being

  • judged. Third, negativity. And another form of negativity: Complaining. But actually,

  • complaining is viral misery. Excuses. We've all met this guy, maybe we've all been this

  • guy. Some people have a blame thrower. Penultimate, the 6th of the seven: Exaggeration. It demeans

  • our language actually sometimes. For example, if I see something that really is awesome,

  • what do I call it? And finally, dogmatism. The confusion of facts with opinions. I'd

  • like to suggest that there are four really powerful cornerstones, foundations... The

  • word is HAIL. So what do they stand for? The H: Honesty of course. Being true in what you

  • say. Being straight and clear. The A is Authenticity. Just being yourself. The I is Integrity - being

  • your word. Actually doing what you say. And the L is love. I don't mean romantic love,

  • but I do mean wishing people well. Also, now that's what you say and it's like the old

  • song, it is what you say, it's also the way that you say it. You have an amazing toolbox,

  • this instrument is incredible. Register for example. Now, falsetto register may not be

  • very useful most of the time. So if I talk up here in the nose, you can hear the difference

  • if I go down here in my throat. But, if you want weight, you need to go down here to the

  • chest. Cause we associate depth with power. And we have timbre - it's the way your voice

  • feels. Again the research shows that we prefer voices that are rich, smooth. There are amazing

  • things you can do with breathing, posture, to improve the timbre. Then prosody, this

  • is the sing-song, the metalanguage that we use in order to impart meaning. People who

  • speak all on one note are really quite hard to listen to if they don't have any prosody

  • at all. Pace - I can get very very excited by saying something really really quickly

  • or I can slow right down. Of course pitch often goes along with pace to indicate arousal

  • but you can do it just with pitch. "Where did you leave my keys?!" And finally volume.

  • I can get really excited or I can have you really pay attention by getting very quiet.

  • What would the world be like if we were speaking powerfully to people who were listening consciously

  • in environments which were actually fit for purpose? That would be a world that does sound

  • beautiful and one where understanding would be the norm. Thank you.

I've assembled for your pleasure here 7 deadly sins of speaking. First: Gossip. Speaking

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