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  • I WANT YOU TO KNOW YOU'RE

  • LOOKING AT A NEWMAN.

  • A MAN THAT'S HAPPY TO BE HERE.

  • EXCELLENT.

  • VERY EASY TO WORK WITH.

  • YOU'RE GOING TO PLAY THE SET LIST?

  • HAPPY TO.

  • EVEN THOUGH I DON'T THINK ANYONE

  • CARES WHAT I PLAY.

  • IF BY ANYONE YOU MEAN ANYONEOTHER THAN ME,

  • THAT WOULD BE CORRECT.

  • I care and I don't want to hear the free jazz

  • RIGHT.

  • OKAY.

  • ALTHOUGH, I THOUGHT IN THIS TOWN

  • IT WORKED ON A SORT OF

  • ONE FOR YOU, ONE FOR ME BASIS TYPE SYSTEM.

  • HOW ABOUT TWO FOR YOU, ONE FOR ME?

  • HOW ABOUT -- ALL FOR YOU AND NONE FOR ME?

  • THAT'S PERFECT, YES.

  • GREAT.

  • OKAY.

  • OKAY, MUTUAL DECISION THEN.

  • RIGHT, MADE BY ME.

  • RIGHT.

  • AND I SIGN OFF ON IT.

  • WHATEVER.

  • TELL YOURSELF WHAT YOU WANT TO KNOW

  • Jimmy: THAT IS "LALA LAND."

  • I MENTIONED, AND I DO MEAN IT,

  • YOU DID A GREAT JOB.

  • EMMA STONE IS FANTASTIC IN THE MOVIE.

  • THE WHOLE MOVIE IS JUST REALLY,

  • REALLY, REALLY GOOD.

  • THANK YOU, JIMMY.

  • Jimmy: YOUR PIANO PLAYING IN

  • THE MOVIE, I WAS WATCHING YOU,

  • I FELT LIKE IT MUST BE A TRICK.

  • AS FAR AS I KNEW YOU DIDN'T PLAY

  • THE PIANO BUT YOU'RE REALLY

  • PLACE IT IN THE MOVIE.

  • >> YEP.

  • >> Jimmy: WELL.

  • THANK YOU.

  • Jimmy: YOU'RE WELCOME.

  • BUT THAT IS -- I DON'T KNOW WHY

  • I FIND THAT MIND-BOGGLING.

  • BUT YOU SHOULDN'T BE LIKE -- YOU

  • SHOULDN'T LOOK LIKE THIS AND BE

  • ABLE TO DO THAT.

  • IT'S TOO MUCH.

  • IT'S TOO MUCH, YOU'VE GONE TOO FAR.

  • I'M SORRY.

  • Jimmy: HOW HARD DID YOU PRACTICE?

  • I MEAN, WAS IT NONSTOP?

  • IT'S NOT JUST

  • Jimmy: IT'S GOOD PIANO PLAYING.

  • THE DIRECTOR WANTED TO SHOOT

  • ALL OF THE -- IN THE TRADITION

  • OF THE OLD MUSICALS, FRED AND

  • GINGER, GENE KELLY, THAT STYLE,

  • THEY WOULD DO ALL THEIR NUMBERS

  • IN ONE SHOT GENERALLY OR TRY TO.

  • IT GIVES YOU A FEELING AS AN

  • AUDIENCE LIKE YOU'RE WATCHING A

  • HIGH WIRE ACT.

  • THIS COULD GO SOUTH AT ANY SECOND.

  • THERE'S NO FANCY EDITING.

  • IT INVESTS YOU IN A DIFFERENT WAY.

  • Jimmy: THERE'S LITERALLY NO EDITING.

  • IF YOU WANT TO SHOOT ALL

  • THESE THINGS IN ONE SHOT.

  • A FEW OF THOSE, WE DID DANCE

  • NUMBERS IN ONE SHOT,

  • BUT THE ONE THING FOR ME WAS THAT I HAD TO

  • PLAY THE WHOLE THEME OF THE MOVIE

  • ON THE PIANO IN ONE TAKE.

  • Jimmy: WITHOUT SCREWING UP.

  • WITHOUT MESSING UP.

  • Jimmy: IS THAT A TREMENDOUS

  • AMOUNT OF PRESSURE?

  • I THINK --

  • BECAUSE IT WAS MY FIRST DAY?

  • YES.

  • Jimmy: YOUR VERY FIRST DAY OF SHOOTING

  • YES.

  • Jimmy: YOU HAD TO DO THAT

  • YEAH.

  • Jimmy: THAT IS CRAZY.

  • I WOULD HAVE SCREWED THAT UP SO

  • MANY TIMES.

  • THEY WOULD HAVE JUST FIRED ME.

I WANT YOU TO KNOW YOU'RE

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