There’s a typeofunder-confidencethatarises, specifically, whenwegrowtooattachedtoourowndignityandbecomeanxiousaroundanysituationthatmightseemtothreatenit.
Lookinglike a prick, makingblunders, anddoingbizarrethingsinthenightdoesn’t renderusunfitforsociety.
Itjustmakesus a bitmorelikethegreatestscholarofthenorthernEuropeanRenaissance.
There’s a similarlyupliftingmessagetobepulledfromtheworkofPieterBrueghel; hiscentralwork, "TheDutchProverbs", presents a comicallydisenchantedviewofhumannature.
Everyone, hesuggests, isprettymuchderanged.
Here’s a manthrowinghismoneyintotheriver.
There’s a soldiersquattingonthefireandburninghistrousers.
Someoneisintentlybashinghisheadagainst a brickwall.
Someoneelseisbiting a pillar.
Importantly, thepaintingisnotanattackonjust a fewunusuallyawfulpeople; it’s a pictureofpartsofallofus.
We’d get a kiss, we’d make a friend, we’d get a raise.
Theroadtogreaterconfidencebeginswith a ritualoftellingoneselfsolemnlyeverymorningbeforeheadingoutfortheday, thatoneis a muttonhead, a cretin, a dumbbell, andanimbecile.