AND "INGLOURIOUS BASTARDS."

SHE NOW STARS IN THE PSYCHOLOGICAL THRILLER,

"DISORDER."

PLEASE WELCOME DIANE KRUGER.

♪ ♪ ♪ ( APPLAUSE )

♪ YEAH DIANE ♪ >> HELLO.

>> Stephen: THANK YOU FOR BEING HERE.

>> I'M SO HAPPY TO BE HERE.

I'M A HUGE FAN.

>> Stephen: REALLY?

I'M A HUGE FAN, TOO.

THE THE INTERESTING THING ABOUT YOU, YOU'RE A BIG STAR IN THE

UNITED STATES, WE KNOW YOU FROM "TROY," "INGLOURIOUS BASTARDS,"

"NATIONAL TREASURE."

BUT IN EUROPE YOU PROBABLY CAN'T WALK DOWN THE STREET YOU'RE SO

FAMOUS BECAUSE YOU'VE DONE SO MANY MOVIES OVER THERE, RIGHT.

>> I LIVE PART TIME IN FRANCE AND STARTED OUT IN FRANCE,

ACTUALLY, SO I'VE DONE MORE FRENCH MUCHS THAN AMERICAN.

I JUST AM COMING BACK FROM FRANCE.

I DID A MOVIE WITH KATHERINE DENEUVE.

YOU WERE BORN IN GERMANY AND YOUR CAREER WAS IN FRANCE.

>> I STARTED AS A MODEL, SO I WENT TO PARIS AND LIVED THERE AS

A MODEL.

>> Stephen: WAS THAT FUN BEING A MODEL?

>> IT WAS... IT WAS, UM, EDUCATIONAL.

( LAUGHTER ).

>> Stephen: MODELS ARE ALWAYS SUPPOSED TO BE LIKE, "WE'RE

LIVING SUCH A GREAT LIFE, EVEN WE'RE NOT IMPRESSED BY IT."

YOU KNOW WHAT I MEAN?

IT'S SUPPOSED TO BE-- IT'S THE HIGH LIFE, IT'S THE GLAMOUR

LIFE.

>> JUST IMAGINE BEING IN A HOUSE WITH 16-YEAR-OLDS, AN ENTIRE

HOUSE OF HOT GIRLS WHO ARE 16 LIVING IN A HOUSE WITHOUT

SUPERVISION.

>> Stephen: LET ME THINK ABOUT THAT.

>> EXACTLY.

>> Stephen: ACTUALLY, ON CBS, I DON'T THINK I'M ALLOWED TO

THINK ABOUT THAT.

>> DURING THE COMMERCIAL BREAK.

>> Stephen: DURING COMMERCIAL BREAK, WE'LL THINK ABOUT IT.

SINCE I'VE GOT YOU HERE, YOU WERE HAVING A BEER BACKSTAGE.

>> I WAS.

>> Stephen: I WAS SO JEALOUS OF YOU.

I FOUND OUT THAT THERE'S A DIFFERENCE BETWEEN AMERICAN

MOVIE MAKING AND EUROPEAN MOVIE MAKING.

YOU GET TO HAVE A LITTLE BIT OF WINE ON SERKT DON'T YOU?

>> IT'S UNION LAW, BELIEVE IT OR NOT.

I KNOW.

I MEAN, I DON'T KNOW WHY IT'S NOT HERE FIRST OF ALL, YOU ONLY

WORK 10 HOURS, 10 HOURS.

>> Stephen: 10 HOURS A DAY, THAT'S IT.

>> THAT'S IT.

AND YOU HAVE LUNCH BREAK, AND IT'S UNION LAW, WHETHER YOU WANT

IT OR NOT, THERE HAS TO BE A BOTTLE OF WINE ON EACH TABLE.

PEOPLE LIKE -- >> I HEARD ABOUT THAT, SO I

THOUGHT MAYBE WE'D HAVE A LITTLE--

>> OH, THANKS I WOULD LOVE A GLASS OF ROSE.

>> Stephen: IT'S A FRIDAY SHOW AND I FIGURE--

>> WHY NOT.

>> Stephen: EUROPEAN. DO YOU LIKE TO DRINK.

>> Stephen: I LOVE IT, I DO LOVE IT.

>> SO NICE.

>> Stephen: ESPECIALLY RIGHT BEFORE THE WEEKEND.

>> I JUST CAME BACK FROM SRI LANKA.

>> Stephen: IT'S A NICE LIFE.

>> IT IS, BUT IT WAS A LONG TRIP BACK, YOU KNOW,.

>> Stephen: THERE ARE ACTUALLY SOME PHOTOS HERE OF YOU IN SRI

LANKA.

THAT'S YOU ON A TRAIN IN SRI LANKA.

THIS IS YOU MAKING THE UNIVERSAL "I'M DRINKING OUT OF A COCONUT"

FACE.

AND THEN THIS-- THIS-- YOU'RE USING A LOT OF FILTERS HERE.

ARE YOU NEW TO INSTAGRAM?

( LAUGHTER ) >> YOU KNOW, IT'S-- I NEED A

COUPLE OF FILTERS.

>> Stephen: I LIKE THIS ONE BECAUSE THIS IS YOU IN-- WHAT'S

THIS CALLED.

>> A TUK-TUK.

I HAD TO DRIVE IT IN A COMMERCIAL AND IT DRIVES LIKE A

MOTORCYCLE, WHICH I DID NOT KNOW HOW TO DRIVE, AND THAT

EXPRESSION IS ME FINALLY NOT KILLING SOMEBODY.

>> Stephen: I LIKE THE FILTER HERE.

I THINK YOU'RE USING THE THUMB FILTER UP HERE.

>> NO, THAT'S THE OWNER OF THE TUK-TUK, WHO WAS SO STRESSED OUT

SEEK ME DRIVE.

>> Stephen: HE WAS WORRIED YOU MIGHT BREAK IT?

>> YEAH, THEY'RE HARD TO DRIVE.

YOU CAN'T BREAK LIKE THIS.

YOU HAVE TO PUMP IT.

IMAGINE YOU'RE DRIVING A MOTORCYCLE YOU'VE NEVER DRIVEN,

AND YOU HAVE TO PUMP TO STOP.

>> Stephen: WERE YOU EVER WORRIED YOU WERE GOING TO DRIVE

IT OFF A CLIFF OR SOMETHING?

>> I WAS WORRIED DRIVING INTO THE TRAIN.

>> Stephen: THE TRAIN WAS RIGHT THERE.

>> THE TRAIN WAS COMING AND I WAS DRIVING IT ACROSS THE TRAIN

RAILS.

>> Stephen: HERE'S TO YOU SURVIVING.

>> I KNOW.

>> Stephen: WHAT WERE YOU COMMERCIALIZING OVER THERE?

WHAT WERE YOU ADVERTISING?

ARE YOU ALLOWED TO SAY?

>> NO.

>> Stephen: SO SMALL ARMS OR SOMETHING LIKE THAT?

SOME WEAPONS SYSTEM OR SOMETHING LIKE THAT?

LET ME ASK YOU-- OKAY, MMM.

>> CHEERS.

TO FRIDAY.

( LAUGHTER ) THAT'S REALLY NICE ROSE.

>> Stephen: THAT IS, THAT IS.

>> YOU KNOW, IT'S OWNED BY WRAD PITT THIS.

>> Stephen: THIS?

>> I'M NOT KIDDING.

>> Stephen: WE'RE SUPER FANCY.

I FEEL MORE HANDSOME RIGHT AWAY.

( LAUGHTER ) THAT'S REALLY NICE.

SO BRAD AND ANGELINA OWN THIS.

>> YEAH.

THEY NEEDED A LITTLE MORE MONEY, SO --

>> EXACTLY, WHY NOT?

DO YOU HANG OUT WITH FANCY PEOPLE?

DO YOU HAVE, LIKE, A NORMAL LIFE WHEN YOU'RE NOT BEING A FANCY

PERSON ON STAGE LIKE NOW OR DOING YOUR COMMERCIALS WITH

TUK-TUK.

>> DESCRIBE A NORMAL LIFE.

>> Stephen: DO YOU GO TO PARTIES?

>> I HOST -- >> YOU HOST A LOT OF PARTIES?

>> >> Stephen: CAN I COME TO ONE

OF YOUR PARTIES?

>> IF YOU WANT TO.

>> Stephen: WHERE DO THEY TAKE PLACE?

>> AT MY HOUSE.

>> Stephen: WHERE IS THAT?

I'LL JUST-- YOU KNOW WHAT I MEAN?

IS IT IN NEW YORK?

IS IT IN LOS ANGELES?

IS IT IN PARIS.

>> IT'S ALL THREE.

I GET TO PICK.

I LOVE IT.

>> Stephen: WHAT?

IT'S REALLY NICE.

>> IT'S REALLY NOT A NORMAL LIFE BUT IT'S A GREAT LIFE.

>> Stephen: SO CONGRATULATIONS.

LET ME ASK YOU ABOUT EUROPE FOR A SECOND.

DOES EUROPE HAVE A VERSION OF DONALD TRUMP?

( LAUGHTER ).

>> YEAH, BETTER HAIR, UM, THEY HAVE MARIAN LEPEN IN FERENCE.

>> Stephen: WHAT'S THE NAME OF THEIR PARTY, THE FRONT.

>> THE FRONT NASHINAL.

IT SOUNDS SO MUCH BETTER BUT IT'S NOT.

>> Stephen: CAN YOU SAY DONALD TRUMP WITH AN ACCENT?

>> DONALD TRUMP.

IS SOUNDS BETTER IN FRENCH.

IT SOUNDS LIKE, YOU KNOW, DONALD DUCK.

>> Stephen: DONALD DUCK.

SO YOU GREW UP SPEAKING GERMAN.

DO YOU SPEAK FRENCH?

>> YES.

>> Stephen: AND ENGLISH PROFESSIONALLY.

DO YOU, LIKE, USE DIFFERENT ACCENTS AT DIFFERENT TIMES TO

PROJECT A DIFFERENT IMAGE?

LIKE OUT IN THE WORLD WOULD YOU USE--

>> ALL TIME.

I GET PULLED OVER, I'M FRENCH.

YOU KNOW, LIKE -- >> I'D LIKE TO TRY THAT.

LET ME TRY THAT.

I'LL START WITH THAT ONE, OKAY?

DECIDE WHETHER TO USE ENGLISH, FRENCH OR GERMAN ACCENT FOR THE

FOLLOWING SITUATIONS, OKAY?

>> OKAY.

>> Stephen: YOU GET PULLED OVER.

"CAN I SEE YOUR LICENSE OR REGISTRATION, PLEASE?"

>> I'M SOR SORRY, I DON'T UNDERSTAND.

I'M NOT FROM THE COUNTRY.

I DIDN'T SEE THE RED LIGHT.

( LAUGHTER ).

>> Stephen: "I'M GOING TO LET YOU OFF THIS TIME."

>> IT'S WORKED BEFORE.

>> Stephen: IT'S WORKED BEFORE.

HOW ABOUT THIS?

( APPLAUSE ) YOU'RE HAVING TROUBLE GETTING

SERVICE AT AN ELECTRONICS STORE.

>> WHAT THE ( BLEEP )!

I WANT THE INTERNET.

OH, MY GOD.

I JUST TOTALLY CURSED!

OH, MY GOD!

I'M SO SORRY!

( LAUGHTER ) ( APPLAUSE )

>> Stephen: IT'S GOING TO BE FINE.

IT'S GOING TO BE FINE.

WE'RE OPPOSITE THE OLYMPICS RIGHT NOW.

NO ONE SAW THAT.

OKAY.

YOU TRIED TO GET-- ALL RIGHT.

I DON'T THINK WE'RE GOING TO TOP THAT.

I DON'T THINK WE'RE GOING TO TOP THAT.

YOU'RE TRYING TO GET UPGRADED ON A FLIGHT.

>> OH, FRENCH.

PLEASE, I'M SO TIRED.

I WAS WORKING ALL DAY.

PLEASE -- >> "WE ALL WORK ALL DAY, MA'AM."

>> I KNOW, BUT MY FEET ARE SWOLLEN, SEE?

>> Stephen: "I'M GOING TO LET YOU ON THIS TIME."

( APPLAUSE ) THAT'S GOOD.

THAT'S GOOD.

>> I HAVE IT DOWN, MAN.

>> Stephen: THAT'S GOOD.

THE REAL-- THE REAL DEAL.

IT REALLY PUTS IT'S FRENCH ACCENT PUTS A HOOK INTO OUR

HEARTS OVER HERE IN AMERICA.

>> I KNOW IT DOES.

IT'S GREAT.

>> Stephen: SO MANIPULATIVE.

BUT AS AN ACTRESS, YOU MANIPULATE PEOPLE'S EMOTIONS FOR

A LIVING.

>> AND MY OWN, AND MY OWN.

>> Stephen: OH, YOU MANIPULATE-- THAT'S HOW YOU

MANIPULATE OUR EMOTIONS?

>> I GUESS, YOU KNOW, YEAH.

IT'S A LITTLE -- >> THIS MOVIE HAS GOT TO BE

CHALLENGING BECAUSE IT IS, IT'S A PSYCHOLOGICAL THRILLER ABOUT--

IT'S A MOVIE-- CORRECT ME IF I'M WRONG-- THERE IS A WAR VETERAN

WHO HAS P.T.S.D., AND HAS WHAT YOU BELIEVE ARE PARANOID

FANTASIES.

>> HE HAS THAT BEEPING SOUND -- >> LIKE TINNITUS.

>> AND HE'S GETTING PARANOID AND HE'S THERE TO PROTECT ME AND MY

HUSBAND AND THINGS JUST GO AWFULLY WRONG.

SO IT'S -- >> IT'S DIRECTED BY A FEMALE

DIRECTOR.

YOU WORKED WITH SOME OF THE GREAT MALE DIRECTORS.

IS THERE A DIFFERENCE BETWEEN A WOMAN WHO DIRECTS YOU OR THINGS

THEY CAN ASK OF YOU THAT A MALE DIRECTOR CAN'T?

>> I THINK SO.

>> Stephen: DO YOU THINK THERE'S AN INTIMACY DIFFERENCE?

>> THERE'S A CORRECTNESS BETWEEN WOMEN.

I DON'T HAVE TO CHARM HER.

>> Stephen: YOU DON'T HAVE TO USE THE ACCENT ON HER.

>> YEAH, NO, YEAH.

SO THAT-- THEY'RE USUALLY A PAIN IN THE ASS, I WILL SAY.

>> Stephen: WOMEN DIRECTORS ARE A PAIN IN THE ASS?

>> THEY'RE VERY TOUGH.

I'VE DONE MAYBE FIVE FILMS WITH WOMEN AND THEY'RE VERY TOUGH AND

VERY DEMANDING AND THERE'S NO TIMING THEM.

THE ACCENT DOESN'T WORK.

NO TIGHT SKIRTS -- >> NICE TRY.

LEARN YOUR LINES.

>> LESS MAKEUP, LESS HAIR.

>> Stephen: THEY WANT YOU TO DO LESS MAKEUP AND HERE.

THEY WANT YOU TO BE LESS ATTRACTIVE.

>> JUST MORE REAL.

I FEEL MEN, WHETHER THEY WOULD ADMIT TO THAT OR NOT HAVE A

FANTASY ABOUT WOMEN -- >> SOMETIMES, SOMETIMES.

( LAUGHTER ) ESPECIALLY WITH THE FRENCH

ACCENT.

THAT HELPS, TOO.

>> WHAT ABOUT THE GERMAN ACCENT?

>> Stephen: WHAT DID YOU SAY?

>> NO GERMAN ACCENT FANTASY?

>> Stephen: FOR MINE?

DO I HAVE A GERMAN ACCENT?

>> YOU FANTASIZE ABOUT, THE GERMAN DOESN'T COME TO PLAY.

>> Stephen: SURE, IT IS, THEY'RE A-- THEY'RE A-- MORE--

>> HOW DO YOU GET OUT OF THAT HOLE?

NO PUN INTENDED.

( LAUGHTER ).

>> Stephen: LET'S MOVE ON.