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  • Well, that's just adorable.

  • That actually looks like an original one.

  • That doesn't look new.

  • No, that's the beautiful thing about it is that it's so worn.

  • You know, our story takes place obviously

  • when Christopher Robin is my age.

  • Yes.

  • Which is older than seven.

  • [LAUGHTER]

  • So he's older now, Pooh.

  • And he's got a little bit of wear

  • on him, wear and tear, which I think is lovely.

  • It is lovely.

  • I love that.

  • So do you just walk around with this

  • all the time now, whether you're promoting the movie or not?

  • Yes.

  • I've got quite a big booster seat in my car

  • so he can ride around with me.

  • Oh, good.

  • You can get in the carpool lane that way.

  • That's great.

  • [LAUGHTER]

  • That's right.

  • Very clever.

  • I have him around me.

  • I got very used to seeing him every day at work

  • over 4 and 1/2 months, and I'm rather fond of him.

  • I'm fond of him too.

  • I love his little eyes.

  • I love the way it looks and very, very vintagey.

  • Yeah.

  • Very, very cool, cute, adorable.

  • It's good to see you.

  • It's been several years since you've been here.

  • No, it wasn't personal.

  • I didn't mean it.

  • I don't know why--

  • I take it personally though.

  • But you mustn't.

  • Because it wasn't my doing.

  • I don't know why--

  • Then I won't.

  • Because you're working so much probably.

  • And you don't live here, do you?

  • I do.

  • Yes, I do.

  • Well then, what is it?

  • I haven't got that excuse.

  • No.

  • Since I've seen you, congratulations.

  • You won a Golden Globe for Fargo.

  • Thank you.

  • I mean--

  • [CHEERS]

  • Two different characters.

  • Was that fun?

  • It was so fun.

  • I loved it so much.

  • I loved it so much.

  • I like working up in Calgary where we shoot it.

  • Super cold, and the crew--

  • I was just there.

  • It is very-- it's lovely there.

  • I like that town a lot.

  • Yeah.

  • And I loved working on such great writing

  • with such great actors and Noah Hawley puts together

  • some very interesting series.

  • And I just love the writing.

  • It's great to work on such good writing.

  • And double the work.

  • [INTERPOSING VOICES]

  • Yeah, it's the chance to work--

  • Is that double the paycheck too if you're doing two characters?

  • No.

  • I can't complain.

  • I can't complain.

  • My wage was fine.

  • But no, they don't pay you twice.

  • Oh.

  • But I realized the one thing I hadn't thought about

  • was having to learn two leading character's words, like I was

  • just never not learning lines.

  • I was either shooting one brother,

  • or I was learning lines for another one, learning lines

  • and--

  • [INTERPOSING VOICES]

  • And then to not mix them up that you're

  • doing the lines for the wrong character or something.

  • Right.

  • And often-- well not often, but sometimes playing both brothers

  • in the same scene, you know, where you--

  • and we did it cleverly.

  • We would always shoot one brother, all

  • his coverage first.

  • And then we'd turn around and say--

  • I didn't have to sort of go back and forward.

  • And I never got that confused.

  • I was either very much in the mind of one brother

  • or the other, so it was good.

  • Very impressive, though,

  • Oh, thank you.

  • Very impressive.

  • I enjoyed it.

Well, that's just adorable.

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