Sowhileyoumaythinkyou'resimultaneouslywatchingthisvideoandlookingatpicturesofcats – which I didaskyouverynicelynottodo – yourcomputerisactuallyjustjumpingbackandforthbetweeneach.
Butyourbrainisnotgoodatdoingthis, whichiswhywhenyouswitchyourattentionfromonetasktoanother, youincur a cognitiveswitchingpenalty.
Andthiscantakequite a while, bothbecauseourbrainssimplytaketimetotrulyfocuson a taskinthefirstplace, butalsobecauseswitchingfromonetasktoanothercreatesattentionresidue.
AstheauthorCalNewportexplainsinhisbookDeepWork: "...whenyouswitchfromsomeTask A toanotherTask B, yourattentiondoesn't immediatelyfollow— a residueofyourattentionremainsstuckthinkingabouttheoriginaltask."
Thisalsohappenswhenyouswitchfromthetaskyou'resupposedtobefocusingonoverto a distraction, andthengobacktothetaskafter a fewminutes.
Andevenifyoudon't doit, itwon't bebecauseyou'resittingtheretryingtodecidebetweendoing a setofpull-upsanddoingyourlaundry.
A lotofgreatartistsunderstandthis, andtheydeliberatelyfindorcreatespacesthatareonlyforwork.
Somechoosetoworkincafes, likeNicholson's CafeinEdinburgh, where J.K. Rowlingwrotemuchofherfirstbook, andsomecreateisolatedworkspacesintheirownhomes, liketheauthorStevenPressfield.
Thoseexampleshighlightanotherimportantpoint, actually – thereisnoformulafor a perfectstudyspot.
Itwouldseemlike a silent, totallyisolateddeskinthebasementof a librarywouldputtheleastamountofstrainonthoseinhibitorymechanisms, butas J.K. Rowlingcanattest, somepeopleactuallyworkbetterin a noisycoffeeshop.
Soyoumightneedtoexperiment a bitbeforeyoufindthecontextthatworksbestforyou.
Andthismeansthateverytimeyougiveintothatcravingfor a distraction, you'reingrainingthatdecisionas a habit.
Luckily, youcanalsotraintheoppositebehavior.
Byacknowledging a cravingfornovelty, andthendeliberatelyignoringitandgettingbacktowork, youstarttobuild a toleranceforboredomandweanyourselfoffofthatneedforconstantstimulation.