Placeholder Image

Subtitles section Play video

  • Marcel Proust was an early 20th century French writer responsible for what's officially the longest novel in the world:

  • "A la recherche du temps perdu" (In search of Lost Time).

  • which has 1.2 million words in it, double those in "War and Peace" .

  • The book was published in French in 7 volumes over 14 years,

  • and was immediately recognized to be a masterpiece, ranked by many as the greatest novel of the century,

  • or, simply, of all time.

  • What makes it so special is that it isn't just a novel in the straight narrative sense.

  • it's a work that intersperses genius level descriptions of people and places

  • with the whole philosophy of life. The clue is in the title:

  • "In search of lost time". The book tells the story of one man

  • a thinly disguised version of Proust himself, in his ongoing search for the meaning and purpose of life

  • it recounts his quest to stop wasting time

  • and to start to appreciate existence

  • Marcel Proust wanted his book to help us above all

  • His father, Adrien Proust, had been one of the great doctors of his age

  • responsible for wiping out cholera in France

  • towards the end of his life, his frail, indolent son Marcel, who had lived on his inheritance

  • and had disappointed his family by never taking up a regular job

  • told his housekeeper Celeste

  • if only I could to humanity as much good with my books

  • as my father did with his work

  • the good news is that he amply succeeded

  • Proust's novel charts the narrator's systematic exploration of three possible sources of the meaning of life.

  • the first is social success

  • Proust was born into a comparable bourgeois household,

  • but from his teens, he began to think that the meaning of life

  • might lie in joining high society, which in his day meant, the world of aristocrats, of dukes, duchesses and princes.

  • but if you convert this to the present day, that would mean celebrities.

  • For years, the narrator devotes his energies to working his way up the social hierarchy

  • and because he's charming and erudite, he eventually becomes friends with lynchpins of Parisian high society

  • the Duke and Duchesse de Guermantes

  • But a troubling realisation soon dawns on him

  • These people are not the extraordinary paragons he imagined they would be

  • The Duc's conversation is boring and crass

  • The Duchesse, though well mannered, is cruel and vain

  • Marcel tires of them and their circle

  • He realises that virtues and vices are scattered throughout the population without regard to income or renown

  • He grows free to devote himself to a wider range of people

  • Though Proust spends many pages lampooning social snobbery

  • it's in a spirit of understanding and underlying sympathy

  • it's a highly natural error, especially when one is young.

  • to suspect that there might be a class of superior people somewhere out there in the world

  • and that our lives might be dull principally

  • because we don't have the right contacts.

  • But Proust's novel offers us definitive reassurance: life is not going on elsewhere

  • there is no party where the perfect people are

  • The second thing that Proust's narrator investigates in his quest for the meaning of life

  • is love

  • In the second volume of the novel

  • the narrator goes off to the seaside with his grandmother

  • to the voguish resort of Cabourg (the Barbados of the times)

  • There he develops an overwhelming crush on a beautiful teenage girl called Albertine

  • She has short hair, a boyish smile and a charming, casual way of speaking

  • For about 300 pages, all the narrator can think about is Albertine

  • The meaning of life surely must lie in loving her

  • But with time, here too, there's disappointment

  • The moment comes when the narrator is finally allowed to kiss Albertine

  • Man, a creature clearly less rudimentary than the sea-urchin or even the whale

  • nevertheless lacks a certain number of essential organs

  • and particularly possesses none that will serve for kissing

  • For this absent organ, he substitutes his lips

  • and perhaps he thereby achieves a result slightly more satisfying

  • than caressing his beloved with a horny tusk

  • The ultimate promise of love, in Proust's eyes

  • is that we can stop being alone and properly fuse our life with that of another person

  • who will understand every part of us

  • But the novel comes to darker conclusions

  • no one can fully understand anyone

  • Loneliness is endemic

  • We're awkwardly, lonely pilgrims trying to give each other tusk-kisses in the dark

  • This brings us to the third and only successful candidate for the meaning of life:

  • ART

  • For Proust, the great artists deserve acclaim

  • because they show us the world in a way that is fresh, appreciative, and alive

  • The opposite of art for Proust is something he calls habit

  • For Proust, much of life is ruined for us by a blanket or shroud of familiarity

  • that descends between us and everything that matters

  • habit dulls our senses and stops us appreciating everything

  • from the beauty of a sunset to our work and our friends

  • Children don't suffer from habit

  • which is why they get excited by some very key but simple things

  • like puddles, jumping on the bed, sand or fresh bread

  • But we adults get spoilt about everthing

  • which is why we seek ever more powerful stimulants (like fame and love)

  • The trick, in Proust's eyes

  • is to recover the powers of appreciation of a child in adulthood

  • to strip the veil of habit and therefore

  • to start to appreciate daily life with a new sensitivity

  • This for Proust is what one group in the population does all the time

  • artists

  • Artists are people who know how to strip habit away

  • and return life to its true deserved glory

  • for example, when they show us water lilies or service stations or buildings in a new light

  • Proust's goal isn't that we should necessarily make art

  • or be someone who hangs out in museums all the time

  • the idea is to get us to look at the world, our world

  • with some of the same generosity as an artist

  • which would mean taking pleasure in simple things

  • like water, the sky or a shaft of light on a piece of paper

  • It's no coincidence that Proust's favourite painter was Vermeer

  • a painter who knew how to bring out the charm and the value of the everyday

  • the spirit of Vermeer hangs over his novel

  • it too is committed to the project of reconciling us to the ordinary circumstances of life

  • and some of Proust's most compelling pieces of writing

  • describe the charm with the everyday like reading in a train

  • driving at night, smelling the flowers in spring time

  • and looking at the changing light of the sun on the sea

  • Proust is famous for having written about the dainty little cakes the French call 'madeleines'

  • The reason has to do with his thesis about art and habit

  • Early on in the novel, the narrator tells us

  • that he'd been feeling depressed and sad for a long while

  • when one day he had a cup of herbal tea and a madeleine

  • and suddenly the taste carried him powerfully back

  • (in the way that flavours sometimes can)

  • to years in his childhood when as a small boy

  • he spent his summers in his aunt's house in french countryside

  • A stream of memories comes back to him, and fills him with hope and gratitude

  • Thanks to the madeleine

  • Proust's narrator has what has since become known as

  • A PROUSTIAN MOMENT

  • a moment of sudden involuntary and intense remembering

  • when the past promptly emerges unbidden from a smell, a taste or a texture

  • Through its rich evocative power

  • what the Proustian moment teaches us is that life isn't necessarily dull and without excitement

  • it's just one forgets to look at it in the right way

  • we forget what being alive

  • fully alive, actually feels like.

  • The moment with the tea is pivotal in the novel

  • because it demonstrates everything Proust wants to teach us

  • about appreciating life with greater intensity

  • it helps as narrator to realize that it isn't his life which has been mediocre

  • so much as the image of it he possessed in normal, that is voluntary memory

  • Proust writes

  • The reason why life may be judged to be trivial

  • although at certain moments it seems to us so beautiful

  • is that we form our judgment ordinarily not on the evidence of life itself

  • but in its quite different images

  • which preserve nothing of life

  • and therefore we judge it disparagingly

  • that's why artists are so important

  • Their work is like one long Proustian moment

  • they remind us that life truly is beautiful, fascinating and complex

  • and thereby they dispel our boredom and our ingratitude.

  • Proust's philosophy of art is delivered in a book

  • which is itself exemplary of what he's saying

  • It's a work of art that brings the beauty and interest of the world back to life

  • Reading it, your senses are reawakened

  • a thousand things you normally forget to notice are brought to your attention

  • he makes you for a time, as clever and as sensitive as he was

  • and for this reason alone, we should be sure to read him

  • and 1.2 million words he assembled for us

  • thereby learn to appreciate existence before it's too late.

Marcel Proust was an early 20th century French writer responsible for what's officially the longest novel in the world:

Subtitles and vocabulary

Click the word to look it up Click the word to find further inforamtion about it