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  • I've been working for, you know,

  • 15 years as a stunt performer on

  • a variety of sets all over the world.

  • Majority of the day is you're fighting and falling.

  • "Atomic Blonde"...

  • I am so proud of that movie.

  • So, we had this stairwell scene, this fight,

  • that in the script was, she shoots two guys.

  • But, you know, we were talking to Dave and we were like,

  • "Hey, you know, what if we do this epic fight scene?"

  • We actually went to the stairwell and we shot it

  • how we would shoot it on set.

  • So, we call this a previs, a stunt previs,

  • and then we have Charlize go in and

  • shoot the first section until it was good,

  • sometimes 15 to 20 takes for each section,

  • because it had to be perfect.

  • They put me in when it was the -

  • you know, throwing -

  • getting thrown down the stairs,

  • and getting thrown into the wall,

  • and then back to Charlize's section.

  • I'm so proud of that sequence.

  • I think we really accomplished something incredible.

  • She's beautiful, but she is tough.

  • She wants to be good.

  • She wants to do everything.

  • And she was there, all the time, in the gym with us,

  • and you know, the Tom Cruises and the Angelina Jolies

  • and Charlize and Keanu, like,

  • they're all very athletic and very talented.

  • The problem is they can't do all their own stunts

  • because of liability, and, you know, you can't -

  • just can't do that.

  • I get excited, but I'm not nervous, I don't fear the stunt.

  • And I just go through the stunt in my mind.

  • I make sure everything - all the rigging looks good.

  • And then you just go, "Okay, cool, call action."

  • Like, "I'm ready, let's do this."

  • So, I probably worked for 10 years without my family

  • really knowing what I was doing.

  • Now my mom works in film, though, so she sees everything.

  • She once brought me my grenade launcher.

  • That was pretty hilarious.

  • Like, "Mom, I need my grenade launcher!"

  • My story is I was modeling,

  • and so, all the models were taking acting classes,

  • and they were, you know, being extras on set

  • to make extra money.

  • And I saw this girl roll down some stairs,

  • and shoot some guns, and beat up some dudes,

  • and I was like, "I want to do that."

  • You know, most of my training was in the park by myself,

  • running and falling

  • over and over and over again

  • until it felt natural.

  • I have probably fallen thousands of times.

  • Sometimes I am the only woman in the room.

  • There's definitely a lack of female leadership

  • in our stunt industry.

  • So, you know, you're falling,

  • but you're falling in a skirt all the time.

  • You know, I go into the costumes, and I go,

  • "No skirts. We're going to do pants now."

  • But I think it's changing, and I was the first

  • female stunt coordinator that Marvel has hired.

  • As a stunt coordinator, you're taking on the responsibility

  • of designing all the action, the stunt action,

  • making sure it's as safe as possible,

  • and then coming up with some really creative way

  • to tell the story through action.

  • The riskiest stunt, I think, that I've done is in -

  • we were shooting in Bulgaria,

  • and I was driving a two-horse chariot at a full gallop.

  • I had to jump from the chariot to the horse

  • and it was just me in the chariot.

  • That one got me going like, "Whew, okay."

  • As soon as they call action, you just, you have to commit.

I've been working for, you know,

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