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  • - Hello and welcome to part two in our ongoing series

  • of let's learn how to use the lensmeter.

  • (upbeat music)

  • From this point forward, in this particular series,

  • you're gonna be working with our Learn the Lensmeter kit.

  • The kit is available online at the OpticianWorks website.

  • You'll get a box.

  • Inside the box, there are gonna be

  • nine pieces and this booklet.

  • The booklet starts with a review of what's in the kit.

  • It'll give you some tips on using it.

  • It'll give you two single-vision lenses

  • where you'll just learn how to move a lens around

  • and what you see when you look in the lensmeter.

  • You can start learning how to use the power drum.

  • Then we'll jump into some job order forms

  • and actually look at a single-vision lens,

  • a line bifocal, and a progressive, loose lenses.

  • Then we'll get into mounted pairs

  • where we were doin' some verification,

  • final inspection kind of work.

  • And then last, we'll wrap up with three examples

  • of actual layout work for those of you

  • that are interested in finishing.

  • We're gonna do a really brief whiteboard session

  • because honestly, if you've never seen

  • what's inside the lensmeter,

  • you've never worked with a lens, first time,

  • it really helps us to kinda get the big picture of things.

  • Two housekeeping items before we move on.

  • Remember that a manual lensmeter is a subjective tool.

  • As long as there is a human involved

  • and I can turn knobs and I can turn power drums,

  • it's a little subjective.

  • You're gonna get in those situations

  • when you get into your first job

  • and you're gonna have Bob the optician come say,

  • oh, no, no, that's off power,

  • and then Sue's gonna come in behind him, go,

  • no, it's not, it's fine, just keep going.

  • There is a certain amount of subjective

  • measure to a manual lensmeter.

  • So, just always keep that in the back of your mind.

  • Number two I already talked about,

  • if you go for your practical exam,

  • you've been preparing, it's stressful,

  • it costs a lotta money, you drove 65 miles to get there,

  • you're taking your practical exam,

  • you wanna get your optician's license,

  • if you do not do your focus for individual use

  • before you jump into your layout or verification work,

  • you will fail, don't do that.

  • Make sure you watch the video before this,

  • so you know how to do that and do it before you begin.

  • There are four things we're gonna talk about.

  • We're gonna talk about the reticle.

  • We're gonna talk about sphere lines.

  • We're gonna talk about cylinder lines.

  • And we're gonna talk about the target.

  • The reticle you've already seen

  • when you watched that first video piece,

  • and it's a grid of three, four, five concentric circles.

  • It does depend on the lensmeter.

  • They don't move.

  • They'll always be in the same position

  • when you look into the lensmeter.

  • They're not gonna shift up or down.

  • It's a fixed graph.

  • The one line here that goes across, you can move

  • when you move the chrome knurled sleeve,

  • this will swing around,

  • but it can only move in the zero 180 plane.

  • It doesn't move anywhere in this direction.

  • If you go ahead, turn on your lensmeter,

  • put your eye up against the eye cup,

  • rotate the power drum till you see that pattern.

  • You should see three thin lines and three thick lines.

  • They should be in focus and if your lensmeter

  • is calibrated correctly, everything was working right,

  • your PCD is in the correct position,

  • this center grid pattern,

  • this perfect center point

  • should be in the perfect center of this smallest ring,

  • which I like to call the target

  • because your goal 99% of the time

  • is going to be to get this on target in here,

  • perfectly split on these lines,

  • perfectly split on that line.

  • Your three thin lines of this pattern are your sphere lines.

  • They indicate the sphere power

  • of the lens that you're reading.

  • The three bars or three thicker lines

  • are your cylinder lines.

  • They are going to be in focus when you are

  • at the full power of the combination

  • of the sphere and the cylinder value together.

  • Unlike the reticle, which is fixed,

  • if I have a lens in the lensmeter, as I move

  • the lens around, this is gonna move all over the place.

  • This can go anywhere.

  • It can also rotate around.

  • If you take your axis wheel right now

  • and spin the axis wheel, you'll see this spin around.

  • By pulling back my lens holder a little bit,

  • grabbing my lens and moving it around,

  • this will shift within here.

  • We're gonna look at that in just a minute with lens one,

  • so that you have an idea what I'm talking about.

  • Last point I wanna make before

  • we go to actually using the lensmeter.

  • There are times if you have a spherocylinder lens,

  • any lens with a sphere, a cylinder, and axis,

  • where only the sphere power lines will be in focus.

  • You're only gonna have those three

  • beautiful, crisp, straight, thin lines.

  • You're gonna rotate your power drum or to

  • depending on plus or minus cylinder,

  • the value of your cylinder.

  • And then you're gonna get your cylinder bars in focus.

  • You may be able to see them kinda in the background,

  • a little hazy, out of focus,

  • but they will not be crisp and clear.

  • All right, lens one, it says, and you can read along

  • because you have this in your hand as well,

  • is a basic loose single-vision spherical lens.

  • A spherical lens has the same power across the entire lens.

  • We're gonna use lens one to learn to identify

  • what we will see inside the lensmeter

  • when you look through the eye piece.

  • So, let's grab lens one, let's unwrap lens one,

  • and somewhere on that lens if you look,

  • you'll see an engraved mark for one.

  • So, make sure that somebody put them right,

  • back in the right bags.

  • You should already have watched the previous video.

  • You should already have the lensmeter set up

  • so it's comfortable for you.

  • It should already be dialed in to your particular eyesight.

  • I'm gonna take my number one lens here.

  • I'm gonna rest it against the lens top,

  • and I'm gonna slowly and gently release

  • my lens holder against the front of the lens.

  • To get started, your power drum can be anywhere.

  • I do want your axis wheel to be at zero.

  • So, rotate that around if you need to,

  • so that you're reading, you're looking through that little

  • magnifying glass and you've got a nice, straight zero.

  • That will make sure that what you're seeing

  • and what I'm talking about are both the same.

  • What we're gonna do here is use this lens

  • to practice two things.

  • One is simply getting the lens in focus

  • and two is getting that grid pattern,

  • the cross over between the cylinder and the sphere lines

  • in that perfect center of the target.

  • We've got a 150 lens here.

  • What I did was give you just enough power

  • that you can move the lens around, then see movement.

  • As power goes up, getting it centered and getting it perfect

  • becomes more and more difficult.

  • Wait to you get to your first minus seven or plus seven.

  • It's gonna be a whole lot harder.

  • That's why I want you to practice, practice, practice.

  • That's all this, number one, lens number one,

  • this first lesson is about.

  • Let's practice just bringing the lens into focus.

  • Look in through the eye piece, your center cross

  • where the sphere and the cylinder lines come together.

  • It may be displaced.

  • It may not be perfectly centered.

  • It might be up and over or down, it's all right.

  • Let's just practice bringing it into focus.

  • Rest your eye on the eye piece

  • and simply rotate the power drum towards you,

  • away from you, towards you, and you will see eventually

  • where that lens is gonna come in to focus.

  • And simply practice that.

  • Practice so you get a feel for the drum.

  • Watch what happens when you're looking inside.

  • See how the lines come into focus.

  • Go back out, come back in.

  • Practice, practice.

  • And one more time, let's bring that into focus and stop.

  • To bring a lens into target,

  • I have no idea where your lens is in your lensmeter,

  • so I can't predict perfectly what you're gonna see,

  • but it's gonna be something pretty close

  • to what you see here on the screen.

  • You're gonna take your lens and you're gonna be holding it

  • like this and this is kind of important because it

  • allows you to move the lens around in multiple directions.

  • You're not gonna take your lens holder off.

  • You're simply gonna use your finger

  • to relive a little bit of the tension that the lens holder

  • is placing against the lens and the lens stop.

  • Looking inside, I'm gonna take that little bit

  • of tension off and I am going to move my lens around.

  • Just get used to how that feels.

  • Move that lens around.

  • Eventually, what you're gonna wanna do is start practicing

  • getting that lens on center in the cross hairs.

  • You actually want to be going for the center.

  • You wanna split that thinnest center sphere line.

  • You wanna split the thicker center cylinder line.

  • When you have those split, you are on target,

  • and this lens could be marked for finishing work or layout.

  • That's all I want you to do with lens one.

  • Don't get carried away, but don't quit here either.

  • I do want you to go back to this

  • three, four, five times throughout the day,

  • practice bringing that lens in and out of focus,

  • practice bringing it into center,

  • and even start throwin' some dots on there.

  • Clean it off, start over, do it again.

  • That's it for lens one.

  • Next time, we'll get into a spherocylinder lens

  • where everything gets a little bit more complex

  • and we start playing with out axis wheel as well.

- Hello and welcome to part two in our ongoing series

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