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  • [MOTHERBOARD]

  • [BEACON, NEW YORK]

  • My name is David Rees, and I have an artisinal pencil-sharpening business.

  • People pay me to sharpen their pencils.

  • [THE FINER POINTS OF DAVID REES]

  • [IN 2009, DAVID REES QUIT HIS JOB AS AN ACCLAIMED POLITICAL CARTOONIST. IN 2010, HE STARTED A ONE-MAN ARTISINAL PENCIL SHARPENING SERVICE.]

  • [HE CHARGES $15 PER PENCIL AND HAS RECENTLY PUBLISHED A GUIDE TO SHARPENING PENCILS CALLED HOW TO SHARPEN PENCILS.]

  • The oldest way to put a point on a pencil is using a straight blade.

  • Take the straight blade, and apply it to the edge of one of the

  • hexagonal sides of the shaft.

  • Your first couple rotations around the shaft, all you're trying to do is

  • expose the unfinished cedar wood.

  • This is basically a two stage process. The first stage,

  • is to remove enough cedar so that the graphite is exposed.

  • So, here you can see, and this is just really rough,

  • we're not doing this for aesthetics,

  • we're just doing this for functionality.

  • But I've exposed the graphite core in the middle of the pencil,

  • and now for the second stage,

  • we're gonna shape the graphite and create our pencil point.

  • I quit political cartooning and I got a job at the United States Census,

  • in the Spring of 2010, and on the first day of Census training,

  • they had us open our supply kits,

  • and inside there were a few pencils and a pencil sharpener,

  • because you fill out the forms with number 2 pencils,

  • for the Scan Tron machines,

  • and on the first day of staff training, the staff trainer was like,

  • "alright, now everybody sharpen your pencil."

  • So we were all standing around these trash cans, sharpening our pencils

  • with these little pocket sharpeners, and it was so satisfying and fun

  • that I thought, I want to figure out how to get paid to sharpen pencils.

  • So this used to be a paperclip factory, here in Beacon, NY.

  • And as you can tell, we have the ghost image of some paperclips

  • and some old rusted paperclips.

  • There's a lot of abandoned factories and warehouses here in Beacon,

  • and there's a lot of abandoned factories and warehouses

  • all over the country.

  • So there's something very different about an empty warehouse that's

  • been abandoned, as opposed to an empty warehouse that's about to kick into

  • production the next day.

  • The latter is kind of the same thing as unblemished office supplies,

  • there's just a lot of promise and potential

  • in a brand new empty ledger book.

  • Or a brand new, freshly sharpened pencil

  • that hasn't been applied to the page yet.

  • It just makes you think about the past of our country

  • and the future of our country and how we're probably all gonna die.

  • Starving to death and tearing each other apart in some kind of wasteland.

  • Why did you quit political cartooning?

  • I was always going to quit when George W Bush left office,

  • [GET YOUR WAR ON 2001-2009] because it was making me depressed,

  • and also I was getting kind of impatient,

  • I was ready to do different things, like different projects.

  • I remember when all the photos came out from the Abu Ghraib prison scandal

  • that was just kind of depressing and so dark,

  • but I knew that I had to make cartoons about it, and people were e-mailing me

  • saying, "when are you gonna make cartoons about this,"

  • "where are the cartoons about Abu Ghraib?"

  • And part of me was just like, you know what I really want to do, is just like

  • hide under the covers and eat cereal and not think for a couple months.

  • So I had to create kind of a taxonomy of terms

  • to describe different parts of the pencil point.

  • So I describe the pencil point as beginning where the unshaped

  • shaft of the pencil stops, and ending at the tip of the pencil.

  • I call this whole thing the point. The exposed cedar of the point,

  • I call the collar. So the collar bottom is where the unshaped

  • cedar shaft ends, and the exposed cedar cone begins.

  • That's the collar bottom.

  • The collar top is where the cedar ends and the graphite begins.

  • That I call the collar top.

  • So I'm going to read to you a passage from my new book,

  • "How to Sharpen Pencils."

  • Cutting into the shaft of a pencil and removing its point

  • can be an emotionally wrenching experience.

  • After all, as pencil sharpeners, we are taught to perfect and protect

  • the point at all costs,

  • and this amputation may feel perverse and unjust.

  • If the process feels you leaving bereft or ashamed,

  • rest assured your meloncholy will be replaced by satisfaction soon enough,

  • as the predestined arc of the pencil point in conjured anew by your hand.

  • I started my pencil sharpening business as my marriage was ending.

  • And so it's kind of like, I started this project and got obsessed with

  • pencils and pencil sharpeners at a time when I really was kind of adrift

  • in terms of my identity professionally,

  • because I quit cartooning, and then also personally,

  • because I was no longer a husband.

  • This is just rubber plumbing tubing that you can buy at any hardware store

  • and you can see that it fits over a pencil point.

  • So this is the first step of protecting the pencil point,

  • is to actually cut a length of rubber tubing,

  • that's long enough to fit entirely over the pencil point

  • so that it's not left exposed before you put it in the mail.

  • And this tubing is simply placed over the shaft of the pencil,

  • and around the tip of the pencil. So there you go. That's the first step.

  • If I'm sharpening pencils at a party or a convention,

  • and the person plans to use their pencil pretty quickly,

  • then I'll just hand it to them with this sheath, this protective sheath,

  • placed over the pencil point.

  • I kind of like being limited,

  • or having constraints when I'm being creative,

  • I get overwhelmed if you can do whatever you want,

  • I just get overwhelmed and shut down.

  • So, like making comics with clip art, that's a good limitation.

  • because you can't draw anything, so you just have to write around

  • whatever images you find.

  • And I guess the same is true of HTML.

  • Like, HTML is pretty bare-bones. I know maybe 5 different tags.

  • Like, center, bold, italicize, font size, font color.

  • So you just try to have as much fun with it as you can.

  • Like, I built this website for this fake advertising agency

  • called Joey the Midwife.

  • And I made all these online viral ads for Pepsi, and Toyota or whatever,

  • and Duracell batteries. I mean, I wasn't commissioned to make the ads,

  • I just made them for fun.

  • And it was just supposed to be really silly and goofy.

  • And that was all HTML,

  • and I think that made me laugh harder than anything I've ever made.

  • Not many people ever got into it, but for me it was like, really really

  • made me happy.

  • I think most of my clients don't actually use my pencils, they just

  • keep them as art objects,

  • or conversation pieces, or inspirational talismans.

  • So these display tubes work really well. I got a cap on each end,

  • and now you can see that the pencil point is protected twice.

  • First by that rubber sheating, and now by the shatter-proof plastic tube.

  • The pencil tip is unbroken!

  • You would never know that it had been thrown across an empty warehouse.

  • Again, that just speaks to the thoroughness of the research I did

  • when I started my business.

  • One of the appeals of starting the business, was I thought it would

  • be cool to use the internet to send people pencils in the mail.

  • Because pencils are really kind of the opposite of the internet, in many ways

  • so I thought it was cool to combine those two different technologies.

  • Like, a really old method of communication, the pencil,

  • and then a really new method of communication,

  • social networking and the internet.

  • You can see if you look closely

  • that the pencil is moving into the sharpener.

  • And now, the pencil has stopped moving into the sharpener.

  • So we will open the aperture, remove the pencil,

  • and you can see that we've put a lovely long point on this

  • Palomino Blackwing pencil.

  • Again, this is the difference between machine and man.

  • Machines are perfect and men are flawed.

  • Once I got into number 2 wooden pencils again,

  • it really made me kind of despise mechanical pencils

  • and the people who use mechanical pencils.

  • And the people who brag

  • about how their mechanical pencil never needs sharpening.

  • I mean, fuck you. Fuck you, you fucking cocksucker.

  • The shavings are part of the pencil, and so they should be returned

  • to the client along with the pencil.

  • And you can see that this pencil uses high quality red cedar,

  • because the color of the shavings is very nice, it looks like salmon.

  • I'll label these when I get back to the office.

  • It's a real business. Like, it's not a joke.

  • Like, I literally sharpen people's pencils for them.

  • And I do a good job. You know, I've done over 450 pencils,

  • I've never had one returned. I rarely get complaints about my handiwork.

  • I've met a lot of nice people sharpening pencils.

  • I got hired to sharpen pencils on a cruise ship in the Caribbean.

  • That was cool, you know?

  • I literally sharpened a pencil in a Jamaican waterfall.

  • So I guess insofar as it has increased my overall stockpile of happy memories

  • yeah, it has been therapeutic.

  • What I find interesting is how mad some people get about it.

  • When there's an article about it in the newspaper, sometimes the people

  • in the comments section are so furious.

  • And part of me is like, "guys, you don't need to overthink it."

  • It is what it is.

  • Like, people pay me money, and I send them a really sharp pencil.

  • And that's about it.

[MOTHERBOARD]

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