And I hadthis, like, newnewscasterwithmaybelike, Oh, myGod.
Andyoubuy, like, deadpeople's clothes.
And I waslike, Yeah, likewhat?
Andthenwhat's gonnahappen?
Thisyou'regonnawearit?
And I waslike, Yeah, yeah, justfeelanyway, soitremindsmeofthat.
Yeah, I did.
I onlyfoundoutaboutKashmirquiterecently.
Youknow, that's thewardrobe.
But, um, I lovethis.
So I getinhere, yougetintheotherside, I guess, couldsure, formeandformostpeoplethataren't theonesthatarebuyingit, it's stillquitecompellingisyoucanjustviewitlike a workofart.
And I thinkwesawthatyesterdayintheItalian, lookingatthecraftsmanshipthatgoesintocreatingitinthiskindofupholdingancienttechniquesoncelebratingpeoplethatdotheembroiderythathandsewingthatair, creatingfabricsfromnothing.
I mean, it's basicallythepinnacleoffashion, youknow, itis a touristwhen a designerisfreetodowhateverheorshedesiresanditalsoprovides a haloeffect, youknow, tofashion.
Ingeneral, I didn't sparsesomanydifferentpeopleinsomanydifferentthings.