Butthere's a bunchofstuff I wrotebeforethem, whichwasn't thatgreat.
Butatschool, I liketowritepartnering s eyescomposition.
I liked I knowspirituallygoodatart.
So I hadthatcreativekindofsparkoursupplies.
Ah, earlyonthateven, um, I wasbroughtupinthecountryWesternVictoriariseon a soldiersettlementblocfarm, smallfarmthatmygrandparent's ran.
And I canremember a timebeforetelevisiononDuh, becausewenevergotTVatthelittlebetter.
I don't thinkit's aboutknowninCTthreeorsomething, butwhenwegottheblackandwhiteTV, thatcowinsideofbeautifullywiththeBeatlesand I lovemygroup.
Mysister's AlltheSisterswereunderElvisandstuff, buttheBeatlesaremigrantandevenGradetwoinPromiseGirlmadesomeotherkidswouldbesingingbattlesongsformorningTalkshowandtell, andmygrandfatherwas a cleanEmma's a singer.
Encouragemetosing.
Alltherelativessincehavetoldme I I don't have a voiceanywaylikemygrandfather.
Sothat's kindofthem, Yeah, but I remembergoingtopeople's houses, relativesandthathavingsingsongsaroundthepiano, AccordionsandthingsandtinpotBainesthatdancesandstuff.
So I got a bitofthatimport.
AndthenwhentheTVcameintheBeatlesandallthat 60 stuff, andinthe 19 seventies I reallystartedtohearthesingersongwritersthanyouryoungBobDylan's thatJoniMitchell's butalsopeoplenotinthemainstream.
I wasveryinfluencedbyJohnMartinandlighteronGerryRaffertyandof a songwriters, Soit's bettertimewhenwhen I, uh, actuallystartedondrums, I got a littledrunk.
Itwas 10 yearsoldBashDwyanethatusedtoplayalongthesoulsinthewritingonthen I wasabout 13 afford, and I gotholdofmysistersknow a longstringlike a longstringacoustic.
And, um, inabout a fortnight I learnedtoplaythebasicchordsandarestartingtoplaythesongsofthetimesheetmusic, buyingsheetmusicforvariouspopularsongs.
Youknow, there's noreason I wasn't inanychoirmusicgroupofschool.
Itwasnothinglikethat.
We'reonlytookcountryhighschool.
No, I didn't haveit.
I justhadtokindofdoitmyself.
Andandfromtherefromthatplacewhereselftaughtand, youknow, a bitof a multiinstrumentalist, wemightcall, youknow, uh, youknow, Jackup a bitofgrabbingeverythingyoucanget.
Thenyoustartsongwriting.
Yousitwith 75 a littlebitbeforethen.
Where's thetransition?
How's that?
Soyou'velearnedyourlearningLotsofrepertoire.
You'replayinglotsofotherpeople's songs.
Yeah, butsomeonegottoeatschool.
I got I studentshiptoo.
Trainedas a secondaryartandcrafttakesUnitedtwoyearsandvolunteersinMelbournetodothat, causewhichostensiblywe'regonnabeturnedoutas a tryingteachertoteachyoursignatureandcraft.
Um, I wasmeetingotherpeopleofLookthatwe'reintomusicwhoarealsodoinghere.
Youweredoingcoversatthestart, andthenitstarts a collaborativeridingstarts.
We'llhavehadsomeAmericansongsthatthatstyles, but I didn't reallysuitthebandon, and, uh, because I took a walleconomy, itwaseasy.
Oncewehadthelatesinger, umtothenhave a focus, and I thoughtaboutitwritingsongsforhimFor a while, I wasstillseeing a lotofstuffandhewashelping, umthatareinthebackof a model.
Butah, I'm interestedthatinthe 19 ninetiesyou'reincentraldesertsandupnorthandyourwhitefella, likeworkingwithblackfellasandoriginalMob, and I'm thinkingthatthat's stillknew.
Thenthat's stillthisis a newnewterritory.
What's what's thathistoryofthatforyou?
Youknow, itwassomethingthatwasjustalwaysinme.
Ah, growingupinthelane, I hadintuitively, I had a deeploveofthelane.
Decisionsinsomehowthatjustbecome a cooling, thatitwaspickingupStilesinthepaddockandandmyfatherandgrandfatheroccasionallycharmy a stoneandsaying, ThisisblackPalestine, grindstoneexitorsomething, andtheysortofsaid, Youknowthatpeoplejustleaveyoubefore.
What's ittrue?
Wherethosepeoplego?
Oh, theyweregoing.
I'm takingwherethey'regoing.
Sojustkindofsittingprices.
A tryingofwonderingthat I justButsomehow I wasjustdriven.
I wanttofindthesepeopleand I gottheaudit.
They'reallupnorth, whichis a bitof a near a time.
Forexample, ArchieRoachwasonlythreecauseanerrorawayfrommewhenhewas a littlechildthat I wouldneverknowbecause I wasyoungmyself, probablyleaving.
Born.
He's a littlebitallofthemoney, buthewastalking.
Why?
So, yeah, itwasonlyyearslater, I I learnedaboutthehistory, myownarea, anditgottomepeoplefromtravelinghand, communityandstuff.
Soatthetime, I wasjusthellbentongettingtotheNorthernTerritory, weresayingtomethatpeoplehadtheystillhadtheirlanguageandcultureandstuff.
Andso I wasdriventokindofgothereand I washeadingthatway.
Mightbemakingsometripssince 1979.
I wentuptoverymerelyandstaywithDavid.
Blaineaskedyoufor a whilewhowaswhotaughtRolfHarrisdidgeridooandalsotaughtStevenKuneycamemusicians.
Well, I guess I'llpickonethat's sortofcamefromnotfararoundthisarea.
It's calledMileCreek.
Forthoseofyoudon't knowontheideaandthirties, therewas a massacreofmoreCreekuh, it's conflictingreportsabouthowmanyoriginalpeopleweremurdered.
It's lice, dozensanddozens.
Butin 2000 theyhad a reconciliationofain't overthetheotherdidn't everythingaboutMarkRickwasthefirsttimetheyeverhadhunganywhitefellowsforthecrimeofmeasuringoriginalpeople.
Atthetime, I theguysthattheyhome, we'rekindof, youknow, stationhandsandexconvictsandsafefortheactualringleaders.
Squattersgotaway, ofcourse.
Andinthefrontierwarsandstuff, itwas a significant.
Thatwasthefirsttimethat, um, youropinionswerebehindanywhere I many I happenedtobecausethewholesomuchoftheindigenousstruggleandthetruthisbeing a largesingingmywriting.
I just I justcouldn't couldn't ignorethesethesebottletruthsthatarepartofAustraliaandtheirownheritageinlaw.
FromToms, I wasstruckby a documentary I sawaboutthisreconciliationeventwasonly I'd besoyouwon't knowit.
Andtherewas I middleagedindigenouswomaninthemiddleeyes, nonindigenouswoman.
Well, I thinkit's lyricshavetoworkwithyouMaladysonglogisticallywiththesameenergyandprobablythefirstthing I gotinthatsongwasthefeelingforthechorusJoinupallyourhandsyouknow, joinupwithhandsSpreadthisfeelingacrossthelaneThatwasthethingthatwasdrivingAndonceyou'vegotthechorusyoucanprettymuchtrekhowtheversecanlaidintoitAnd, uh, uh, I justhadtheurgethatthemainthingis I hadtheurgeandthedesirewasstrongtohonorthatthatthingaresoaringThatdocumentaryand I had, youknow, itwasgonnabe a ballot e thing.
I couldfeelithadtobe a motivethathadtoreallyspeaktopeople's conscienceAnd, um, justfollowthatfeeling, umso I thinkit's it's importantnottoovercomplicateyourlyrics.
Butyoursongshave I'venoticedthatthey'vechanged a lotsince I wasfirstlistento, say 98 98 99 8 80 roundAboutthattimeinto 2000 yoursonshaveactuallybecome I feel, Ah, a littlebitmoreovert.
Yeah.
DoDoesthishappenaswegetolderandbraver?
Uh, they'reprettyclear, Veryclear.
That's lessofthemetaphor.
Youknow, youyoucallitoneoftheseprettyclearlyLyrically, I findveryDulicdirect.
Yeah, I guess I'm concernedaboutbeingaccuratewithmating.
I don't knowwhatitwas a £0 orsomeonesaidthatparafriesatthefundamentalquestofrottingis, youknow, accuracyofmeaningorsomething.
So I guess I'm havinghadahwrittenpartand I rodeasmuchNever I didhave a lotofinfluencefromhangingaroundpower.
Wetalked a littlebitlasttimeaboutthat, too, andthethechangethathappensin a raita, Um, we'regonnaswitchinto a tonicbitofbusinessaboutcowritingwhatthatisforcollaboration, becausethat's alsobeen a bigpartofwhatyoudoyoudoandhavedoneinyourcareer.
Collaborativeridingorcorunning.
Doyouwanttotalktosomesomeofthat.
Sothethreeorganicapproachesthathappened, theonesthatdon't gethimintheoneofthesituationitwasoftentryingtokaraokewiththefellasoruse a musicalideathat I'vegot.
Oritgotthatwhilethereportwiththesingerwassuchthat I couldhave a guitarofnudespontaneouseruptwith a lyricwhichwasright, youknowwhenthosethingshappen.
Butthere's moreformalcorrodingthatyoudoit.
Forexample, ifyougotinNashvillewhereeveryonereckonsyoushouldguyonceinyourloftandyouhaveCairoNingappointmentstoesurvivemeetingpeopleandyoumadein a roomandandah, it's 50 50.
Whateverhappensinthatroom, I wassojetlaggedwhen I firstgotoverthereintheskies, I said I gotnoideasandthecargotanidea.
So I startedwritingthissonginfrontofme, and I justsatthere, noddedandsaid, Yeah, thatsoundsgood.
I thinktheimportantthingwithCairoring, youhavetoagreebeforehandwiththeotherparty.
Whatyourtermsareand 50 fifty's a goodwaytogobecauseyou'reagreeingtomeet, tocowritewithsootherwisesometimesevadeinputfromsomeoneofoursomeonefor a long, uh, specifically a languagelotofmemberaskingSamiButcherbackforoneofourinsults, andhegaveme a liemore.
Yougot 1/2 anidea, andifyou'vegotsomeoneyoucantakeittoandthen I don't see a waytosolveit's allplayinsolvingtheproblemand, um, offoftenthat I'm prettygood.
Ifsomeone's got 1/2 daysandalreadyorcanyoujustcomeoutwithwisetoPrincefinish, it'llsuggestSoitis a goodactivitiesto, um, todoit.
I mean, there's a greatexampleinAAbook, I readaboutMcCartney.
I thinkthebookschool.
Well, I wasyearsfromnow.
I forgetnobody's talkingabouthowwefirstwroteHi, Jude, andthisisthethinghehadwithwithJohnLennonwasthatsomeofthelotofthesongstheBeatlessongswillprobablywrittenprimarilybyoneoftheother, Butthey'd useeachotheras a soundingboard, youknow.
Sowhenthedaysaregone, whentheyweren't facingeachother, that a yardapartinthehotelroomwiththetires, butonethatwouldbringthisstillwanttobringthesongtheotherpartyandgettheirfeedbackandandpullapparentlyjustfinishedflyingthroughHiJudetoJoanandJohnwasstandingbroughtbehindhisshoulders.
Maybewith a fewlinesthatjustjustinthereisfillerandtome, perhapsimprovethemAndhehadonelineinthesongwasthemovementmovementyouneedisonyourshoulderandheturnedyoudown, said.
I don't aboutthatthatlong.
There's a bitof a model, LaurenandJohnsaidStraightaway, saidyouleavethatlineinthesong, That's a thisdamnlawinthesong, andthat's importanttogetthatfoodback.
AndeversinceMcCartney's writtenthat, hesaidlettersand e mailsfrompeoplesayinghimmuchthatlawimagedfromthemovie, Themovementyouneedisonyourshoulder.
I mean, ifyoufantheotherthingthat I thinkisgoodIfyouahAngelSongWritingespeciallyappliesLizMowithyougoesmusiciansarounditstoperform a songwritinggroupinmateatleastonce a month, andbecause I'vebeeninvolvedinsomeoftheseandyouhavetobring a newsongtothegroup.
So, yeah, I writefrommyownperspectiveinthisinthiscountry, I guess a lotofpeople I coulduse I coulduse a wholerangeofexamplesofmaybe, ah, countrymusiciansinAustraliathat, um, campaignedinNashville.
I got a nationalwouldcomebackwith a 20 inthevoice.
A lotoftrains.
Yeah, I guesspeoplearesayingthebusinesssideofitthinking, Well, it's a globalmarketplaceonpatrollingsanMorewell, likewhatelseisoutthere, butwhichisfineforsome, butfamiliar.
I justbecause I'm stronglystatedinanartistickindoftradition, offreallyfindingmyownvoiceandassuringthatAndwhatthat's whatmatterstome.
Liam.
I finditverydifficulttowritethosekindofgenericsouls, butbecauseitjust I justgetboredby.
Oneofthethingswetalkedabout, umah, was a songwritingtoolthatyoumightuse.
And I canusethissongasanexamplebecause I havequite a fewversusSoyougot a littlethingthatyoudooryouthinkit's a goodtool, whichisyoucouldwriteanotherverse.