Soifyou'rewonderingwhatit's actuallyverydarkisbecausethewidersteppedonthislensisan F 14 whichismanystopsunderexposed, butsowecouldgetitwiththislensisnotreallyanotherlens.
I have.
I candunk a warthatisprettyawesome, butdidactuallyjustcovermyfaith.
Yeah, whenWhen I saidPop, I said, Youknow, tryandgetwithoutcoveryourfacethingsonmymindlikenotdrowning, drowning, reallycontinuingtolive.
I wish I wasfilmingatjustnormalspeedwhen I cameintotheballoonbecause I wentin, I focusedup, but I couldn't seeanything.
And I justsawyoulike a babyin a roomlikethis.
Also, whenitpoppedbecause I hadmylensthroughtheringoftheballoon, theimmediatereleaseofstressontherestofballoonjustmadethewholegirlthatmycamerawaslikelook, so I wasn't expectingthatwhich I shouldhavebeen.
Solet's tryagainyoucompensatemorewithballoonpopping, and I won't covermyidiotface.
Okay, sonowwe'reswitchingto a blueballoonbecausewe'verunoutofclearones, Unfortunately, anditwasalreadykindofdarkintheclearone.
So I thinkbecausetheblueisgonnabefilteringoutallwavelengthsoflightexceptblue, we'regonnahaveevenlesslightthanbefore.
So I'm gonnadoisinsteadofdecreasingtheframeratetoo.
Makeitbrighter.
I'm justgonnaincreasetheshutterspeedfrom a 1 80 degreeto a 360 degree.
I don't usuallydoitbecauseitmakes a loadofmotionblur, butwereallyneedthestopswithoutseeingtheblue.
I waslike, oh, justjokinglytapinguplike, Oh, Yeah, Andthen I endedupgettinginitanddoingitexhaustedmetomylegs, likeshakingbecause I'm just I almostgotcramping, but I waslike, Oh, God, because I'd poptheballoon.
Yeah, It's yourplay, Taylor.
Yeah, that's good.
Oh, hello.
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