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Hi, I’m John Lee Hancock, director of “The Highwaymen.”
In this scene, Frank Hamer, as played
by Kevin Costner, and Maney Gault,
as played by Woody Harrelson, have
come upon the body of Wade McNabb, a convict
that these two guys had paroled in an effort
to follow him and track Bonnie and Clyde.
They found him at his aunt’s house shot and beaten badly
with a baseball bat and dead, and they’re
wondering how complicit they are in this.
This was a Friday night, and it was very late.
And we were all very tired from a long week of work.
And it’s hard when you’re creating rain,
and it’s cold already.
And so in some ways, that inured to our benefit
because this is the low point for Frank and Maney,
and they are tired.
“I never particularly liked the weight of the deciding
who gets to live and who doesn’t.”
If the two of these men together make up one person,
Maney is the conscience.
And he wears his heart on his sleeve.
And ultimately, I think that the movie’s
kind of about the toll it takes on these men’s soul
to have a very terrible gift.
They know how this is going to end,
and it’s going to be violent.
And there will be no cheers.
“It’s never easy.
It’s never pretty.
There’s always blood at the end of the road.
You know that.”
Kevin is very much like Hamer in some ways
in that, in this scene, Hamer is talking about the fame
that Bonnie and Clyde have accumulated
and how it galls him.
And I think in some ways, Kevin
himself is galled by the cult of celebrity, if you will.
And in today’s world, Bonnie and Clyde
would have many, many Instagram followers.
This was one of the last shots, next to last shot,
and I remember we were all kind of sickly.
And I promised Woody that he would only
have to walk one time to the car,
so we timed it out carefully so
that he only had to go once.
And we were at the end of a long day.
And instead of shooting this traditionally,
we got in the backseat, and I just kind of liked
to see the silhouettes and the sides of their faces
and for us to kind of imagine what’s on their faces.
“I had to come.
Though I don’t exactly know why.”
[music]