Subtitles section Play video Print subtitles It's wonderful to have this kind of experience, including this kind of residency, especially in the first year of Jaap. I mean, that meant really a lot. And this is also something that when he says something to one, you can count on him. And this kind of character and principles he has in life and what he is representing, I like this very much. It's fantastic to have this kind of opportunity to come here four times. We started with the Strauss-Schubert, which is, it's an enormous group of orchestra to Schubert and Strauss songs. Demanding, I mean, for the orchestra, for me, for the conductor. And this kind of atmosphere, Jaap is a master in it. He is insisting in the things he wants really to hear and to have, but at the same time also to pick up the quality of an orchestra of single soloist players. The German Requiem, [GERMAN] that was really a great experience. And that belongs really to the fact that the orchestra has not really changed. How Jaap is conducting this in the presence of this fantastic singer and this fabulous choir. This specific kind of situation with "The Wound-Dresser," that was very interesting, also good to do, because this piece is absolutely timeless. What is so frightening, touching is the empathy is in the music and in the text. And there is a short moment where he says, "Some are so young; some suffer so much." And the combination with the melody and the rhythmic construction between the voice and the orchestra, this is a very touching moment. I'm also looking forward to this kind of moment where I do this kind of chamber music concert, which is wonderful to have the players then without the conductor. And that we have this kind of-- especially the Eisler, to introduce to Eisler here to the audience could be very interesting, I think. I like this piece very much. And also to have this wonderful pianist Daniil Trifonov-- to have met someone four years ago like Trifonov is a gift. I mean, over the years we are really friends. I mean, whenever our ways are crossing, even when we do not have to play together, we have lunch and we spent time together. This is really a lucky moment, because you get closer to the players. They're so supportive. And this is quite exceptional to have this fantastic players.
A2 orchestra kind strauss conductor fantastic moment Matthias Goerne Reflects on Final Week as Artist-in-Residence 3 0 林宜悉 posted on 2020/03/25 More Share Save Report Video vocabulary