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  • What do we have here?

  • I have a bone record.

  • Um, what is a bone record?

  • It's an X-ray.

  • It's like an X-ray record that they used for, like,

  • banned music back in the day.

  • You know, it's definitely an X-ray of something,

  • it looks like.

  • It looks like boobs.

  • It's not boobs.

  • Maybe I'm just seeing things.

  • A bone record is, like, a final X-ray

  • that they used to get banned music

  • on back in the '40s and '50s.

  • I'm going to try to sell it for $500.

  • If I get the full $500, I am going

  • to spend the money on recording an album for my band.

  • I am just sort of, like, baffled by it.

  • Where did you get this thing?

  • My grandpa.

  • He gave it to me 'cause I played music.

  • And I can't do anything with it.

  • So I'm assuming it's Russian?

  • Yes.

  • It's from Russia.

  • My family's actually from Russia, so--

  • I've never heard the term "bone record,"

  • but I remember hearing about how the bootleg

  • records in Eastern Europe--

  • they would press records on X-rays

  • because up until the Berlin Wall came down,

  • the Soviet Union at the time didn't like Western culture.

  • They weren't allowed to have Western music.

  • This is how they sort of bootlegged them.

  • This was the Soviet Union.

  • You did what they told you to do.

  • And if you had any contraband, they sent you to the Gulag.

  • You went to a work camp and worked there until you died.

  • That was their system of government.

  • I feel like I'm in a gulag.

  • Not until the Berlin Wall came down

  • in 1989 was Western music allowed in the Soviet Union.

  • It was illegal to own any type of record

  • making device, recorder.

  • It was even illegal to own a printing

  • press or a Xerox machine.

  • So it makes sense that they make music on an X-ray.

  • It's kind of weird, but that's the materials they had,

  • and that's all they could do.

  • So have you ever played their album, or the record?

  • No. No.

  • I've never played it.

  • You had to have, like, a special record player to play it,

  • and I don't--

  • I don't even know where to get one.

  • OK.

  • So I'm assuming you want to sell it.

  • Yes.

  • And how much do you want to sell it for?

  • $500?

  • That seems like a very arbitrary number.

  • Yes.

  • Do you mind if I call in my music guy?

  • Yeah.

  • I'm just completely baffled with it.

  • No. - This is--

  • Go ahead.

  • I mean, for all I know, it could be worth $5,

  • or it could be worth $5,000.

  • So give me a few minutes, OK?

  • Will do.

  • I think it's great that an expert comes in because I

  • know nothing about it.

  • So it'd be interesting to see what he has to say.

  • So this is it.

  • Have you seen these things before?

  • I've heard of them.

  • I've never actually messed with one before.

  • It's made on an X-ray?

  • MAN: Yeah.

  • JESSE AMOROSO: Yeah.

  • It was probably Russian.

  • Western music was illegal.

  • So these guys would bootleg stuff.

  • They made them on whatever material they had.

  • So X-rays were probably pretty regularly available.

  • You know, bone records are kind of collectible, you know?

  • You get these guys that are obsessive about records

  • and the history of it.

  • And they're a neat thing to have in your collection

  • that you show, like, oh, yeah.

  • Well, you got that.

  • Well, I've got one of these, you know, kind of thing.

  • So do you think this thing'll play?

  • It might.

  • I'll put it on here and play it, but it might, like, cut

  • a spiral in it or destroy it.

  • I don't know if it's going to work or not.

  • OK, go.

  • JESSE AMOROSO: All right.

  • Risk is on you guys, man.

  • [MUSIC - THE FOUR LADS, "ISTANBUL

  • (NOT CONSTANTINOPLE)"]

  • It sounds like somebody is killing somebody.

  • JESSE AMOROSO: Yeah, it does kind of.

  • I can understand why the Russians were always so angry.

  • JESSE AMOROSO: You know, it's probably 50 years old,

  • so who knows what it sounded like when they first did it.

  • It might've been pretty decent.

  • What are these things worth?

  • JESSE AMOROSO: Stuff like this kind of falls--

  • it's a copy.

  • It's like saying, well, I got a cassette

  • tape of the Beatles' "White Album," you know what I mean?

  • It's a copy.

  • It's a copy.

  • It is a rarity and stuff like that--

  • I get it.

  • --and there aren't that many of them.

  • But there's people asking $200, $300

  • bucks for 'em, but I don't--

  • I've never seen one sold for that much.

  • They usually sell right around $80 or $100.

  • That's usually what they end up selling for.

  • OK.

  • OK. Well, thanks, man.

  • I just--

  • JESSE AMOROSO: Yeah, no problem, dude.

  • --wanted to get an idea on it.

  • JESSE AMOROSO: Yeah.

  • Hope it helped.

  • All right.

  • Catch you guys later.

  • I think it's kind of a cool buy for Rick

  • just because it's something he's never seen before.

  • You know, it's the first one I've

  • ever actually put my hands on.

  • It's kind of a rare thing.

  • If nothing else, he gets it, right?

  • It's cool for just a conversation piece in the shop.

  • So I'll give you $30.

  • $30?

  • Um, jeez.

  • He said $200, so I--

  • I'd like to start there if anything.

  • Well, no.

  • He said he's seen people ask as much as that.

  • But he's seen them sell for, like, $80 or $100.

  • Right.

  • Like he said, it's an oddity.

  • It's just-- it's one of those weird things.

  • [SIGHS] I'll tell you what.

  • I'll give you $50, and I won't give you a dime more.

  • Um, yeah, that's fine.

  • OK.

  • All right, sweet. - That's good.

  • Good deal. - Thanks, man.

  • I'll meet you right over there, and I'll write you up.

  • Oh, no.

  • As a matter of fact, this guy will write you up.

  • All right. Got it.

  • If I would've got the $500, I would

  • have recorded with my band.

  • But since I'm gettin' $50, I'm just going to go

  • buy an album at the store.

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