Subtitles section Play video
One of the most well-known audio illusions concerns the Shepard tone, an arrangement
of frequencies that seems to increase or decrease forever, getting higher
and higher like the audio version of the barber pole effect. In actuality new frequencies
are sneaking in the lower range and the higher frequencies fade out of audible range so the
average frequency stays the same even though it seems to rise forever
A single shepard tone is a note made of frequencies an octave apart. Our brains perceive this
collection of frequencies as a single note with a particular pitch, but there's no way
for the brain to tell what octave that pitch is in because it contains all of the octaves.
Multiple shepard tones are often heard in harmony together, such as in this dark creepy
minor chord that goes down, down, down, down, down...
Random shepard tones wouldn't create an illusion, but when two are near each other we percieve
a relationship, chunking bits of information over time and across frequencies into one
perceptual unit that usually lives in the flat topology of pitch space with its absolute
higher and lower, but when you loop the notes into a circle of pitch classes you change
the topology.
Or instead of looping every octave we could loop tighter, into an augmented, augmented
ah....
We can use this effect in a less strict way in our music compositions to create an effect
of ever rising, ever rising joy...