I play a double bass with the New York Philharmonic.

E was drawn to the base.

I've always loved the low tones.

Whenever I play piano in college for supplementary piano, I would tend to put things down the oxygen because it felt more at home for me, you know, So I don't know it always.

The voice always spoke to me.

Oh, I mean, they're all fantastic.

They're all great.

And they all have so many varied skills, which is what makes it so beautiful to play in this section.

And also just growing as a section player, you know, learn learning the deeper undertones of what it means to be a section player.

What your role is.

I mean on ork, for it's such a strange it's a it's a being in itself, you know?

It's like a single cell organism with many little bits working together, you know, and can't function without everybody working together.

So it playing in the Phil is, uh, it's It's a very enlightening experience in that sense.

X box.

Uh, Stravinsky.

Definitively Cats.

Oh, no.

Oh, no.

I can't.

I can't choose between those fellows men.

There to there too special.

My first sponsored with the New York film Waas Rite of Spring.

There was a portion where in my part there there's a famous thing where the bass clarinet goes up, up, up, up, up bum.

And then there's supposed to be a grand pause, and then the bases go.

But what happened is I didn't have the grand paws in my part.

And so it goes.

Yep, Up, up, up, up, off.

Alan is up here and does this and then he cues.

And then we went away and I turned red.

And he was, Yeah, it was probably, you know what?

The scariest moment of my life today.