No, not today.

Not today.

I finish with you.

Oh, I Michael B Jordan.

Today we will be looking through some of the iconic movie.

Clearly see, Mrs Evan Ali, that I'm looking at the lighting someone that something different.

This is back in the day.

They had that kind of like in place everything now find a spot lit like the crowd is super lit when you cut to them.

But when you see here are you way shot this film that we had it on green screen hard boxing looks perfect.

I mean, I got a little bit taunting which Israel over exaggerated characters over exaggerated.

He's a little punching behind telegraph and everything is everything's like, overdramatic like super wide punches like over selling everything.

No love Ali now because they made her gloves fatter to help with the contact number.

My wonder behind the scenes of this so many times, Jamie Children.

And this is the story of icon, you know, legend, everything he's meant that was the mental game of the gaps in the chest.

Matches like I need to just hold on for a little bit longer.

Let me bluff my way through this little tired spot until I get my get my feet back.

You don't You don't see a lot of that.

They're goingto boxing matches.

Just strictly all punches, you know, half of fighters, tiny each other without gaining position, trying to get the advantage.

Okay.

You know, those big misses?

Two.

They were just the style of, like, you know, the short that also not wearing, uh, what was.

The thing is you guys want with a touch of the cups in the hole like a pilot got cups with nice transit is, uh I mean, what's interesting?

This is like the first round each other.

Yeah, this is what I'm feeling each other out.

And then Apollo, nothing's in the ring like everything is from outside of a buff again.

Not a definite size approach he has.

He's like, he'll be in close ups of people talking back and forth.

Everything is definitely from the audience perspective, which is really interesting.

Speed rooms.

You definitely took some bids from this was finishes.

And then, like a musical score two with music kind of kicks and was tired.

Starts to shift was playing.

Also, you have these rapid cuts too.

So if you look at the evening like they're really fast and really high, a lot of Mrs it's like more of a broader swath.

Really.

Boxing there's more like backyard broken, you know, because there was no glove.

So you felt like you were hearing the flesh.

And then that way got it.

Eyes a combination of this and raging bull.

If they have that on here, obviously, uh, isn't in my favorite movie of all time 1943 troll and did a good job tracking character, arts and emotions through this, too.

Yeah.

You know, they really stay with you now.

Last last, really cut back.

He's in the camera.

Flashes are way too high cuts as well.

Like if you're trying to, like, long take, you have a camera fresh.

You can always use that.

Very good.

You just buried underneath it looking this slow.

Motion comes up, it's cold.

Oh, my baby.

Right in the mix.

We did a lot of like P O V shots.

A lot of his perspective throughout the entire fight shuts up.

That we did in this movie is straight down.

The barrel is very effective.

Man.

You can feel the aggression before the power behind it.

He'll be shot.

Our fight in the film way similar style with the overhead lighting on notice, that last fight try toe shows definition sound like this soft box over.

Everyone trying to help you.

We need to help your muscles talk like that.

But no, it really does help get it is like the cinematic feel, just mimicking like, you know, older style, you know, colors and stuff.

You just tell the difference from the other films over saturated colors someone.

It's like the old family if you can't see the crowd in the back in a very earnestly first, like 10 15.

But the lighting is really hard for this from the side of flour around.

What gives you that, like a real boxing match?

Build a lot of no underdog story underdog story.

This one had arcs within the fights.

You remember that each round had their own art, which I think you'll like slide created that really like this whole round One is yours around to be Drago Feather on his back and forth, really argument out as much.

And what I dread about this one, too, is the coaching in the corner was very much accurate.

What they were doing in the ring.

Taking notes, showing the chess match between like the corners and stuff taken adjustments and it's a woman.

Boxing.

Yeah, I know it's pretty doing.

Yeah, definitely.

Have too many of those.

Wait.

No, not today.

Not today.

I finish with you.

Oh, I weigh.

Threw the towel bag.

Is that legal?

I don't think that's legal.

Give him that way.

Wait That way.

You know, your body punches you could like.

You know, you could really make contact on that one.

You know, it's easier.

So how did how did flow punches?

You had to take off his body.

Felt those.

I felt every single one of those.

He did a good job with holding him back after a while, I think the first couple of rounds, he was like Like stuff.

He's strong, he's big.

Take the And it was my God ring and felt him like, playfully tapped me.

Brother, I'm gonna do one of these.

It means I hour looking at you.

You let me I have Hey, speaking of dry goals, this is just a slow first wife.

You go.

I go your turn.

My time right and left.

And this is like the rhythm right here.

A slide creates man back and forth with them Who could just take more Take more fun.

Fact about this is that we, uh we use some of this footage in the create film.

And so I got to see, like, the raw, like, uncut stuff, and he sent it over from the studio.

And the way he shot it, he was very specific on what moments he wanted to capture.

So you literally see one or two punches with one taken here, so take a little three seconds.

Four seconds long.

Really?

Like Frankenstein?

Yeah.

Couldn't stitch any together.

Could you have to start editing the whole fight?