At least, that seems to be the recurring trend in some of the best movies ever made. This is “Movie Night”!

*theme song plays*

Hello, and welcome to the season two finale of “Movie Night”! I'm your host, Jonathan Paula.

Today on the show, we'll be once again examining some of the best movies of all time.

Last year, in part one of this series, I highlighted ten movies that I scored a "10" on the Rate-o-Matic: “Air Force One"...

“Apollo 13"...

“Avatar"...

“Braveheart"...

“Raiders Of The Lost Ark"...

“Jurassic Park"...

“Shawshank Redemption"...

“Star Wars"...

“Terminator 2"...

and “The Dark Knight.”

In previous episodes of “Movie Night,” I also scored a "10" to “Rocky"...

“Die Hard”...

and “Back to the Future."

And tonight, I'm going to showcase another 10 of my favorites that we haven't yet reviewed. And later, I'll reveal your list of the top-100 movies of all time.

But before we start, I'd like to quickly explain the Rate-o-Matic, so there's no confusion.

Take this scale here. If it were 1 to 100, the "10" at the top wouldn't represent a flawless film, but rather, any movie that scored above a “91"...

meaning that you can score a movie an "amazing," and it doesn't necessarily mean it's perfect or flawless or necessarily better than its competition.

But they do represent the cream of the crop. But enough explanation- let's review some of my favorite movies, starting off in alphabetical order, with “The Butterfly Effect.”

This 2004 sci-fi thriller stars Ashton Kutcher as a man who discovers he has the ability to travel back in time...

to pivotal movements of his own lifetime and re-live them with varying consequences. The writing is tight and believable here...

really demanding a lot of emotional and intellectual commitment from the viewer, asking the age-old question of: “If you could fix the mistakes of yesteryear..."

"...would you? What if it meant you'd lose your best friend in the process, or end up handicapped?”

Not only do the characters struggle with these decisions and emotions, but the careful direction of the film itself ensures that we are brought along for the roller coaster ride.

I definitely have a soft spot for time-travel films, and “The Butterfly Effect”'s serious approach to the subject is definitely an effective one.

Kutcher plays opposite Amy Smart, both of whom wonderfully bring their characters and their respective temporal variations to life with ease...

resulting in some really tear-jerking moments during the final scenes of the film, as Oasis's, "Stop Crying Your Heart Out" plays beautifully in the background.

At the conclusion of this film, I was struck at how profoundly it moved me. I wasn't able to stop thinking about its characters or the film's message for days.

A modern-day classic in the sci-fi department, “The Butterfly Effect” is an easy "10" for me.

"Emotionally powerful and thought-provoking."

Speaking of modern-day sci-fi classics, my second film is 2006's "Children of Men."

Clive Owen, Julianne Moore, and Michael Caine star in this movie about a dystopian Earth, set in the year 2027, where mankind has been infertile for nearly two decades.

With the extinction of the human race just one lifetime away, Owen and Moore are delighted and burdened with the responsibility...

of escorting the first pregnant women in 18 years to a safe location. The story is breathtaking and boldly original...

beautifully captured in epically long tracking shots that sometimes last five minutes or more.

“Children of Men” is a sometimes disturbing examination of the human condition at its absolute worst...

and what society could be like if no one was able to have children anymore.

These thought-provoking questions are intertwined between scenes of gritty violence and action...

seamlessly captured with special effects so impressive that you forget you are watching a movie at all.

The principal cast is made up of all seasoned veterans who commendably bring their “A”-game to what is easily one of the best films to ever deal with a dystopian future.

“Children of Men”- an “amazingly vivid representation of mankind."

Our third film tonight is easily the oldest we've ever reviewed here on “Movie Night,” 1941's "Citizen Kane."

The masterpiece of cinema produced, directed, written by, and starring Orson Welles when he was just 26 years old, "Citizen Kane"...

quite simply, redefined the very concept of what a motion picture was capable of accomplishing.

Rumored to be loosely based on the life of newspaper tycoon William Randolph Hearst, “Citizen Kane” stars Welles as Charles Kane...

whom we are introduced to on his death bed in the opening scene of the film, as he utters his final word, "rosebud," before dropping a snow globe to the floor.

From the perspective of a reporter investigating what "rosebud" meant, we're then witness to a series of flashbacks that show us glimpses of Kane's life.

The story itself, although interesting and fascinating, is nothing really remarkable, but it's Welles's execution...

in every area that truly makes this film an incredible achievement. Techniques were pioneered and developed for this film that had never been seen before.

Advanced uses of blocking, deep focus, long shots, miniatures, shadows, lighting, sound track, and editing...

exemplify why, 70 years later, this movie is still shown the first day of class to any prospective film student.

Decades ahead of its time, this film not only holds up, it somehow still manages to impress and captivate audiences.

Required viewing for all fans of cinema, “Citizen Kane” is "an absolute masterpiece, textbook classic."

A complete 180 from the meticulously choreographed shots in “Citizen Kane,” my fourth film tonight that I scored a "10" is “Cloverfield.”

Director Matt Reeves literally brings us along for the ride in this edge-of-your seat sci-fi/horror thriller...

about a modern-day Godzilla-type monster that is threatening downtown Manhattan. We're introduced to a no-name cast...

of incredibly likeable and believable characters in scenes from their ordinary life that play out with a certain calm serenity to them that beautifully bookends the film.

When disaster strikes during a party, we follow a small group of survivors through the destruction of New York as they struggle to survive.

Nearly the entire film is shown through the perspective of an actual camera the characters bring with them...

with the audience essentially embodying the first-person point of view of its operator. It's a refreshingly courageous decision by Reeves...

which threatens to give the audience vertigo or motion sickness if not executed correctly. Luckily, though, the cinematography here...

as well as the music, visuals, sound effects, and editing, are all executed surprisingly well, truly transporting the audience into the world of its characters...

resulting in a dreadfully tense 85-minute thrill ride that never disappoints. A delightfully entertaining experience, this movie is a great example of “less is more"...

and where substance prevails over style. The “Cloverfield” monster himself is heard more than seen, harkening back to the dramatic techniques of Spielberg's "Jaws."

“Cloverfield”- an "exhilarating modern-day monster story."

My fifth film tonight is Martin Scorsese's "The Departed."

This 2006 crime thriller is a bit of a remake of the Hong Kong film "Infernal Affairs," which tells two opposing narratives...

one of an undercover cop within a crime family and another of a mole from that same family inside the Boston police department.

The incredibly talented all-star cast includes Leonardo DiCaprio, Matt Damon, Jack Nicholson, Mark Wahlberg, Martin Sheen, Vera Farmiga, and Alec Baldwin.

The Boston accents are thick, the locations real, and the violence bloody and vengeful, just as you'd expect from any self-respecting Scorsese crime drama.

Despite the mammoth “A”-list cast, every character gets a chance to shine, most of whom being fully fleshed-out individuals.

With dialogue that is witty and funny, the script is also fast-paced, engaging, and completely engrossing...

delicately balancing the line of complexity and confusion, resulting in a smart movie that never loses its audience.

The pinnacle of Scorsese's career and a true icon of modern-day crime films, "The Departed" is easily a movie I'll find myself watching again and again.

An "epic drama. Gritty and thrilling."

Transitioning from the modern crime drama to the classic crime drama, my sixth film tonight is "The Godfather, Part II."

Being both a prequel and a sequel to the iconic 1972 “Best Picture” winner, it had an incredibly tough act to follow...

but Francis Ford Coppola once again hit the ball out of the park, scoring another 11 Oscar nominations, including a second “Best Picture” win.

The film is memorably presented in two parallel storylines, one of Al Pacino in the late 1950s as the new Don of the Corelone family...

and the other in the early 20th century following his young father, Vito, played brilliantly by Robert DeNiro in an Oscar-winning role.

Since these two incredibly polished narratives never intersect in any capacity, the film almost plays out like two separate movies altogether...

each one marvelously amazing in its own right. Continuing the precedent set forth in the original, Mario Puzo's adapted screenplay...

bursts onto the screen in every scene, each one as startlingly original and exciting as the last.

Everything here from the beautiful cinematography and the impeccable acting to the haunting soundtrack and moral ambiguity of the characters is handled with perfection.

Robert Duvall, Diane Keaton, Talia Shire, and John Cazale round out the extraordinary cast that truly carries this film from the incredible to the unbelievable.

“The Godfather, Part I” redefined cinema and created a whole new sub-genre of crime films, but “The Godfather, Part II” absolutely perfected that genre.

"Astonishingly captivating, a groundbreaking achievement."

We'll be right back to take a look at my seventh film after this quick commercial break.

A bit more rough around the edges than the “The Godfather,” my next movie is "Independence Day."

This 1996 film from director Roland Emmerich not only reinvigorated the dying disaster genre, it's also a childhood favorite of mine.

Will Smith, Jeff Goldblum, Bill Pullman, and Randy Quaid star as survivors on Earth after a massively devastating attack by a group...

of hostile aliens destroys dozens of populated cities. This band of survivors comes together from around the country to stop the aliens from annihilating the human race completely.

These days, it's not an overly original premise, but, I promise you, “Independence Day” is the one that executed it best.

The 153-minute film introduces us to a slew of characters, both before and after these terrible attacks, as we're witness to the changing landscape of a future in their world.

A true embodiment of the term “blockbuster,” this film is an over-the-top thrill ride that never releases the throttle.

The iconic imagery of the White House and Empire State Building being destroyed have been engrained into the social consciousness...

of our society ever since, which, for better or worse, started a trend of movies obliterating famous landmarks.

The visual effects, to this day, are breathtaking, the soundtrack chilling and memorable, the pacing and mood...

fast and light enough to please all audiences. It may not be intellectually stimulating, but it's damn enjoyable.

“Independence Day”- "Popcorn entertainment at its finest."

Going from a movie where you leave your brain at the door to one where you may need to watch it a second time...

just to figure out what the hell is going on, my eighth film tonight is 1999's "The Matrix."

Written and directed by the Wachowski brothers, this classic sci-fi action film stars Keanu Reeves as a lowly computer programmer...

who discovers his entire existence and that of all mankind is nothing but a simulation in a computer.

The reality within a reality is a concept that had been done before, but never like this. “The Matrix”...

requires absolute attention from its audience, lest you'll be completely lost in a few minutes. With the help of supporting cast members...

Laurence Fishburne and Carrie-Anne-Moss, Reeves discovers that, inside this simulation environment known as The Matrix...

he can control, bend, and manipulate space-time, resulting in some of the most incredibly iconic images to ever grace the silver screen.

Those slow-motion "bullet-time" effects are famous today, but they were groundbreaking and revolutionary when we first saw them 12 years ago.

Although Reeves is notorious for his inability to really convey much emotional range, his character here lends itself well to himself as an actor.

This is a movie that makes you think, makes you gasp, and makes you totally forget where the 136 minutes went after finishing it.

It's no wonder this film spawned two very successful sequels and dozens of copycats.

“The Matrix”- "Visually revolutionary and mind-blowing."

My ninth film that I scored a "10" on the Rate-o-Matic is “The Prestige.”

This 2006 magician-themed mystery thriller is just one of the many masterpieces Christopher Nolan is responsible for.

This film stars Hugh Jackman and Christian Bale as competing magicians at the turn of the 20th Century...

who are constantly trying to one-up each other with rival magic shows. Michael Caine, David Bowie, and the always gorgeous Scarlett Johansson...

round out the incredible cast, all of whom do a magnificent job in the period setting. The battling magician's story...

quickly turns to that of revenge, trickery, and, seemingly, murder. Nolan's script is tight and engaging...

really requiring a taut attention span to follow the brilliantly written dialogue and sequences. Not a film that can easily be explained...

nor one that should be spoiled for those who haven't seen it, "The Prestige" is ultimately about the human condition- to be better than your fellow man...

and at what incredible lengths you'll go to get there. The surprise twists in the final scenes left me absolutely astounded...

staggeringly surprising, yet completely concrete in their development. A film that is truly best explored and experienced first-hand, Nolan certainly doesn't disappoint.

"The Prestige"- a "challengingly rewarding film that impresses."

And last, but certainly not least, my tenth film tonight is the epic final installment of the “Lord of the Rings” trilogy, "Return of the King."

At over four hours in length, this monumental third chapter to the incredibly massive fantasy trilogy based on the works of J.R.R. Tolkien...

is a true sight to behold, bringing together every single element that makes a movie great for one magical film.

Matching a record only held by “Ben-Hur” and “Titanic,” “Return of the King” single-handedly won all 11 Academy Awards...

it was nominated for, including “Best Picture,” in 2003. The visual effects are subtle, yet amazingly well executed.

They represent the awe-inspiring display of Peter Jackson's attention to detail and cinema prowess...

as he faithfully and believably brings the fictitious land of Middle Earth completely to life. All of the characters and stories from the previous two films...

which were equally as impressive in their own right, are neatly resolved here, even if the 45-minute epilogue tends to drag towards the end.

But when you're dealing with a story of this magnitude, brevity isn't always the best solution. Elijah Wood, Ian McKellen...

Sean Astin, Viggo Mortensen, Orlando Bloom, and dozens of others make up the remarkable cast who absolutely became their characters.

The entire “Lord of the Rings” series is as entertaining as it is gigantic, but this third and final movie is easily the best of the bunch.

For fans of fantasy and adventure, this film more than delivered the goods, going above and beyond any normal film, a true example of getting your money's worth.

"Return of the King"- "Definitely epic. An incredible adventure."

Alright, well, that does it for another ten of my favorite films. But now, let's take a look at the movies you rated as the best of all time.

Over 12,000 votes were cast, with nearly 5,000 of them going to the top-100 films alone. But now, without further ado...

I present to you our revised list of the best films of all time, as voted on by the “Movie Night” audience!

Please check the description below if you'd like to see the full list of all 100.

But coming in at number ten, with 134 votes, is 1999's “Fight Club.”

Ninth on the list is “Toy Story,” with 141 votes.