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  • - Today we're looking at the British English accent of Emma Watson, and how she's able

  • to change it from this,

  • - I'm Hermione Granger.

  • - to this.

  • - Hey guys, how sick is Channing Tatum's bod.

  • - All that's coming right up guys, so let's run the intro.

  • Welcome to Eat Sleep Dream

  • English, my name is Tom, and I teach fresh, modern British English, so that you can take

  • your English to the next level and achieve your life goals, whatever they may be. Now

  • I'm sure you know of Emma Watson, she's a hugely successful British actress. She made

  • her name playing Hermione Granger in the Harry Potter series.

  • - It's Leviosa, not Leviosa.

  • - Now let's talk about her British English accent, she speaks in Contemporary RP.

  • - You post something on your Instagram account, and you get instant feedback.

  • - RP stands for received pronunciation. Now this is part two of my series about received

  • pronunciation. In part one, we looked at the Queen's English, very formal, extremely posh.

  • Now as you can guess from the name, Contemporary RP, is a more modern version of the Queen's

  • English. There are certain similarities, but there are also quite a few differences. Contemporary

  • RP is, it's a more relaxed, informal version of the Queen's English. But it still maintains

  • that emphasis on clarity and articulation.

  • - I'm here with BuzzFeed. I'm playing with tiny cute kittens. My day is made.

  • - There's our first word, kittens, kittens. Now, as a lot of you will have gathered by

  • now, the T sound in British English is extremely important, and it's a great indicator of what

  • accent someone has. So just there, for Emma Watson, she said kittens. She used a glottal

  • T, she didn't fully pronounce that T sound. She said kittens, kittens, she kind of stopped

  • just before she pronounced the T. So ki, ens, kittens. That's a glottal T, and that's very

  • normal in many accents in British English, including Contemporary RP.

  • - I'm playing with tiny cute kittens.

  • - In the Queen's English, for example, in part one of this series, the Queen would say

  • that T sound, that true T. She would say kittens. But speakers of Contemporary RP sometimes

  • choose to use the glottal T. Sometimes they will say a true T, sometimes they'll say the

  • glottal T. Now interestingly, Emma Watson, has three different ways of saying the T.

  • She says the glottal T, kittens, she will say with a true T, kittens, and she will also

  • use an Americanized version, which is kittens, kittens, it's a kind of a D sound.

  • - I'm playing with tiny cute kittens. We designed for Belle this ring that would sit on her

  • little finger.

  • - Here we have some interesting intonation. This intonation pattern is something called

  • uptalk. It's where the speaker goes up at the end of the sentence, even though it's

  • not a question, okay? It's an affirmative sentence, but she has gone up, as if it were

  • a question, as if she were asking you for some information, but she's not.

  • - A ring that would sit on her little finger.

  • - That would sit on her little finger, so we're going up at the end. She does this again

  • later on.

  • - I just wanted to make sure that we stayed true.

  • - That we stayed true, going up. Now, the origins of this are debated, linguists are

  • not entirely sure. There is a theory that it came from Australian English, where it's

  • much more common. Now why have we had this influence from Australia? Well, it could be

  • through culture, so television programs, films, things like that. It could be because of movement

  • of young, British people over to Australia, it's a very popular place to go as a young

  • person to travel around. And possibly through those travel experiences, people have picked

  • up that intonation pattern 'cause it's quite catchy, and then brought it back to Britain.

  • This intonation pattern is mostly found in young, Contemporary RP speakers.

  • - I just wanted to make sure that we stayed true. Clearly young girls feel like their

  • voice doesn't matter and what they have to say doesn't really matter.

  • - Ah, amazing. She uses the same word, matter, and she pronounces it differently within two

  • seconds of each other. In the first example, she uses an American style T, sort of with

  • that flap, that matter, matter with a duh sound. Then the second time, she uses a True

  • T, matter.

  • - Clearly young girls feel like their voice doesn't matter, and what they have to say

  • doesn't really matter. And I think I would want her to know that it does.

  • - Now this sound is really important in received pronunciation and Contemporary RP, is does,

  • the ah. Now ah, is a defining sound in RP because in Britain, the northern accents don't

  • have that sound. Whereas the southern accents in RP, generally associated with the South,

  • does have that sound. Now in the Northern accent it'd be does, that uh sound, whereas

  • in RP it's ah. Other words that have that sound are like run, or butter, or Sunday,

  • they all have that ah sound. Here's another example.

  • - Up!

  • - Up, up.

  • - Up. Shut up Harry.

  • - Up, up, now can you imagine if Harry Potter was set in the North of England, let's say

  • Yorkshire. What would it sound like? Up, up, up, very different. So that ah sound is a

  • very distinctive feature of Contemporary RP.

  • - So many times, when people have told me that I can't do something, it's gonna be too

  • hard, or whatever else.

  • - Here's another distinctive feature of Contemporary RP, can't and hard, that aarh sound. Now you

  • find that sound a lot in Contemporary RP on As, so glass, or grass, or bath, or dance.

  • In northern accents you would probably have like dance, bath, glass. In American English,

  • also that same ah sound, so dance, glass, so this aarh sound is particular to Contemporary

  • RP.

  • - When people have told me that I can't do something, it's gonna be too hard, or whatever

  • else.

  • - Guys, before we continue, let's just take a moment to appreciate these kittens.

  • - The rose petals, yeah, the lovely rose petals. I had the sound guys play happy.

  • - Here's a great way to contrast the Queen's English with Contemporary RP, happy. That

  • E sound at the end, the Y, has E, a long sound, E, happy. In the Queen's English, it's a shortened

  • version, it's happy, happy, it's an eh sound. This can be applied to any word with a Y on

  • the end, so very, really, clearly, all those kinds of words. So, in Contemporary RP you

  • have a longer sound, happy.

  • - I had the sound guys play happy. The most surreal thing I've ever seen, everyone in

  • costume in the Beauty and the Beast ballroom.

  • - Okay, are you ready to dive deep into some pronunciation? Because this is really interesting.

  • The words that she said were the Beauty and the Beast ballroom, the Beauty and the Beast

  • ballroom. Clearly she didn't say it like that, she used lots of interesting features. So

  • the first feature is that Americanized T, beauty, beauty. Then she used weak forms on

  • and, and the. She didn't say and thee, she said and the, and the, so Beauty and the Beast

  • ballroom. Now, what's happened there? Now at the end of the word Beast you have a T.

  • Now a T is a plosive. What is a plosive? It's a sound that is made with air being released

  • from your mouth. So ta, you could feel the air on your hands. Now, T is a plosive, and

  • ballroom begins with B, which is also a plosive. Buh, buh, buh, you can feel the air again.

  • When you have two plosives next to each other like that, the first one is not released.

  • So you wouldn't say Beast, ballroom. That would take too long. So, you don't release

  • that first plosive sound, it's Beast ballroom, Beast ballroom. Can you hear that? I'm not

  • releasing that T, Beast ballroom. Okay, so let's hear that again, let's hear her say

  • that again.

  • - Everyone in costume, in the Beauty and the Beast ballroom.

  • - So can you hear those features now? We've got the Americanized T on Beauty, we've got

  • the weak forms on and, and the, and we've got the plosive not being released on Beast.

  • - In the Beauty and the Beast ballroom, in the Beauty and the Beast ballroom.

  • - And this is great for connected speech, if you want to make your sentences sound more

  • fluent, and connected, these are the kind of features you need to be incorporating.

  • Now, just as a general observation about Contemporary RP, you'll notice that there's a real emphasis

  • on clarity. Emma Watson really tries to articulate all the sounds.

  • - I loved it as a shorthand for ideas that I found really difficult to express myself.

  • - Now, just quickly, to show you her versatility and the way that she can change her accent,

  • let's have a look at her doing an American accent.

  • - Hey guys, how sick is Channing Tatum's bod?

  • - As you can see, very different. She has to change the shape of her mouth, extend some

  • of those vowels, completely different. That's not an easy thing to do, I think she does

  • it pretty well. So, yeah respect to Emma Watson. I want you guys to tell me what do you think

  • of Emma Watson's accent, what do you think about Contemporary RP? Is it an accent that

  • you like? Do you like listening to it? Is it one that you speak with? Tell me in the

  • comments below. If you know anyone that would enjoy this video, please share it with them.

  • Thank you so much for joining me guys, this is Tom the Chief Dreamer, saying goodbye.

- Today we're looking at the British English accent of Emma Watson, and how she's able

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