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  • Do do do do, wow, Brad Pitt has a new life!

  • Now, what conversation would I have with him?

  • I mean, I don't have a - I'd love to practice - Hi, James from www.engvid.com . I mean,

  • if I ever met Brad, I'd love to have a conversation because we're like - see how we look alike?

  • No, we don't.

  • This lesson is on what - like, how can you practice conversation when you don't have

  • a partner?

  • It seems, you know, it seems, you might say oxymoron, you know, practicing conversation

  • without a partner when you need to have a partner to have a conversation, okay.

  • But, you know, that's not the word I would use, but it seems, you know, it seems impossible,

  • aright?

  • I'm going to give you four ways today that you'll be able to practice, which will give

  • you the practice of conversation without having a partner.

  • Don't leave just yet, I haven't lost my mind, we're going to go do it, okay?

  • Now, why?

  • Why is this important?

  • Well, number one, if you don't get the practice in, you don't have the fluency, the pronunciation

  • or even the vocabulary to maintain a real conversation if you don't get the practice.

  • But if you don't have partner, you don't get to practice, you're in what we call a Catch-22.

  • You don't have this, and you need this in order to get that.

  • So, in order to have a good conversation, you need practice in a conversation, but if

  • you don't have a partner to have a conversation, you won't get good at conversation.

  • Yeah, it's a problem.

  • So, I want to give you something in a structure, or methods you can take apart that you can

  • practice and notice next time you have a conversation, you're much better and improved so that you

  • can - ah, wait for it - create a relationship so they will have further conversations with

  • you and you'll have a conversation partner.

  • And that's why we're doing this.

  • So, when Brad and I meet, we'll have the perfect conversation.

  • Anyway, moving on.

  • So, before I go on, this video is for Alex, Mom - I'm very sorry I forgot your name - you

  • were such a lovely lady, and baby Matthew.

  • I was at a restaurant with a friend up at Shinobu in Toronto and this Russian family,

  • beautiful little family, came over and said "Hi, are you James from EngVid?" and I was

  • kind of like "Yeah", and they said "We watch in Russia." and I will say Hi, you're probably

  • back in Russia, and baby Matthew probably isn't a baby anymore, he's bigger, but it

  • was brilliant meeting you and this lesson is for you, okay?

  • Anyway, so this is four ways to improve conversation skills when you're alone.

  • I've explained the "why", so let's talk about the "how".

  • What I'm going to use is - well, the "how" is actually right here on the board but I'll

  • go into it.

  • We're going to start trying to use the four methods of learning that we have when you

  • learn a language, which is listening, speaking, or which are-listening, speaking, reading,

  • and writing, but I'm going to be listing them a little bit differently in order to emphasize

  • what parts we want to work on to improve our conversation skills alone, so let's go to

  • the board this way, this way.

  • Okay, so you notice I have input and output, and this include the skills I talked about,

  • like you're repeating yourself, yes, but I'm breaking them down into different segments

  • because each part, there's - in my opinion and from what I've read, there is way of using

  • these things and input is, obviously, inputting, putting stuff inside your head, you could

  • say, put in.

  • And when you input stuff, that's things like reading and listening, okay?

  • You're not producing anything yourself, you're sitting there and just stuff's coming in.

  • Input.

  • Output is like, out, putting out.

  • That's me right now, I'm speaking.

  • I'm speaking to you, that's output.

  • Also, writing is output.

  • It means I'm putting out information or I'm communicating with the world.

  • Input is taking information in to understand the world, output is to put information out,

  • alright?

  • So, let's go.

  • So, that's input and output.

  • The next one I want to do is talk about pacing.

  • Pacing is what I am doing now.

  • I'm walking.

  • But, how fast you walk, how long the strides, what is the pace, the speed?

  • When we talk about pacing in language, at the beginning of this video, you probably

  • noticed that I was speaking very, very fast or very quickly.

  • My pacing was fast.

  • I've slowed it down now.

  • Every language has its own flow and its own pace.

  • For example, "Ni hao mah" in Mandarin is not the same as "Coc de mas verna" in Russian.

  • The pace is different, alright?

  • So, we're going to look at pace and we're going to look at the speed, let's just get

  • rid of this bracket here.

  • The breaks in the language.

  • In English, we have certain breaks just as they do in Japanese.

  • Some breaks are harder, some flow like "Como estas muy?", alright?

  • If you're doing it in Spanish, it follows, right?

  • Less break.

  • We're also going to look at mimicking.

  • Mimicking is not the same as imitation.

  • I made a - immitate, it's delicious, yes, it's nice but it's not delicious, so no "mmm",

  • so im, it means, so I made a mistake, it happens to everyone, alright?

  • So, imitate, sorry.

  • So, imitating or copying is - imitate means to do something similar to.

  • Mimicking is to like, exaggerate and sometimes you do it to make fun of something, alright,

  • or to ridicule, but we're going to use this particular skill of imitating and copying

  • to help enhance your English.

  • Then, we're going to look at some creative practice.

  • A couple of things that you can do, or one thing in particular, to open up your mind

  • so when you get locked into a pattern or a habit, we call it a rut.

  • It's harder for you to learn new things or have new things come in, but if we can break

  • that up a little bit, it gives your brain the opportunity to start fresh or be new,

  • so it can absorb more information.

  • In fact, what I said here was opening the mind, so it can be more responsive and learn

  • more, faster.

  • Let me repeat that again, if we open your mind, we can make it more responsive, it means

  • it can move faster, and it can learn faster.

  • This is important, because what a lot of people forget is when things stop being fun or interesting,

  • you quit.

  • You stop.

  • And it's important to remember, if you've been even watching this video, you've already

  • given me 10 minutes of your life.

  • If you've been studying for a year, you've been studying and giving a year of your life

  • to something.

  • You don't want to quit because it's no longer fun or interesting.

  • To me, that has been a waste of something you worked on that you clearly want, but if

  • we can make it interesting and fun and you can learn faster, you can get more of what

  • you want here and now, we'll make you better at what you want and get the things you want

  • faster.

  • In this case, it can be getting a job, getting a relationship, or just being able to travel.

  • You put the time in, so let's make it worthwhile for you, okay?

  • Anyway.

  • So, these are the four things we're going to practice - or these four methods - in order

  • to help increase or improve our conversation skills when we don't have partner.

  • A lot of people said it couldn't be done, but they weren't me.

  • You ready?

  • See you in a second.

  • We're going to go the board for those lessons.

  • Okay, so we're back.

  • So, what I want to do is take on two of the methods right away, which is input and output.

  • They're like brother and sister.

  • You need one to go with the other and they usually go together.

  • When we're studying in English, if you're doing writing, we always say it's best to

  • read a lot first.

  • And if you're writing a lot, we say read a lot, so they go together.

  • Anyway.

  • I'm going to come here and say a simple statement.

  • Conversation is like a two-way street, okay?

  • A two-way street, you have traffic going this way and traffic going this way.

  • It's not just about you, okay?

  • You need to understand other people as much as you need to be understood.

  • You need to see their perspective if you want to have good communication.

  • And in this case, I'm going to be using input to substitute as your partner, your reading

  • partner.

  • I'm sorry, your reading partner.

  • I'm going to use reading to be your partner.

  • Now, you might say "How does reading substitute as a partner?"

  • Well, it's not just reading, we have to specifically talk about something called fiction, reading

  • fiction, and you might say "What is fiction?"

  • Fiction is a story that is not true.

  • When you think about romance novels, science fiction novels, comic books, they're not real,

  • but they're stories, they're made up stories.

  • Fiction.

  • What they have found, or during studies they have found, is that people who read a lot

  • of fiction tend to understand other people more.

  • They tend to have more empathy.

  • Empathy is they feel and understand others, right?

  • Or they feel the pain or the happiness that other people feel.

  • So, why is this important in our conversation skill when I'm by myself?

  • Well, if I don't have a person to speak to, it doesn't make sense.

  • It just doesn't work.

  • You need to interact with someone, and if I can't react or, you know, work with a real

  • person, the next best thing is a fiction novel, because as the writer writes, they are asking

  • us to get into someone else's head and understand them and understand how they communicate.

  • And even though it's not a one on one real person, it's similar enough that they have

  • found that it improves people's ability to communicate after reading a lot when they

  • meet real people.

  • In fact, they say that in some ways, that people who read a lot of fiction have better

  • communication skills and interact better with people than people who just talk.

  • Because it's the whole thing of seeing things from their perspective, taking your time to

  • understand it, because you can't - they don't allow you to speak, you just take information

  • in - input - and as you're taking it in, you're like "Okay, I got it, I got it", and if you

  • don't get it, you don't understand the story though, it doesn't make sense.

  • But when you do get it, the story comes alive and you're like "Wow, that is so cool!".

  • And what's really cool is that you get to actually say something after, but being understood

  • is great.

  • Letting people know you understand them is sometimes better, because then they give you

  • the opportunity to be understood.

  • And, by the way, when we go up here to the board, I do have a little statement on that,

  • which is I want you to read and read fiction in order to get that perspective from others

  • and that empathy and that, you know, ability to work in social circles.

  • But, I also want you to know that it's not just me saying this.

  • Here is something right here where it says, okay, here's something.

  • I'm saying, "Reading helps people modestly improve understanding and their mental reaction

  • to others in social situations."

  • I took this out of Psychology Today, it was written in 2018 from a research study, okay?

  • That's because they found that, and I found that in my classrooms, the ones that read

  • the most were the ones much more capable of communicating with others, right?

  • And that's all this is saying is that you read, when you're in a social situation which

  • is in a school environment, on a date, or in a business environment, you're the one

  • who can actually speak to other people, because you're listening to them, and that's the important

  • part.

  • So, the reading becomes the partner that you need when you don't have one.

  • Cool?

  • Good.

  • So, now that you've got (muffled) because you want to talk, you're like, I did all this

  • listening, I'm taking all this stuff in, when is it my turn?

  • Let's talk about writing.

  • Now, you might say writing has nothing to do with speaking, but there is a thread that

  • they both have, or something that joins them together, which is thought.

  • One thing about writing is, or speaking, is when I'm speaking to you, I can make a mistake.

  • That mistake is instant.

  • I wouldn't say it's permanent but in a way it's instant and you can be judged on that

  • right way.

  • When I write that same statement on a piece of paper, you don't know what I've written

  • until you get to see it, so I get the opportunity when I write it down to change it and modify

  • it and improve it, look for mistakes in it.

  • In fact, when I do lessons, I do that very same thing.

  • I write all the stuff on the board, then I get a friend to look it over and say, "Look

  • it over!" and he checks for mistakes and I go "Okay, great!" and ok, see if I made a

  • mistake, because sometimes I miss something.

  • And by the time you see it, it looks pretty good and I'm like yeah, well, we correct it.

  • Now, that wouldn't happen if I didn't do that.

  • You might go "Mistake, mistake, mistake, mistake" and you'd be so caught up in my mistakes you

  • wouldn't actually see what I'm trying to say.

  • Writing gives you the opportunity to correct what's going on up here, or to see what's

  • going on up here and get the help you need to fix it.

  • Now, the beautiful thing about writing is you can be creative with it.

  • You can change things around and experiment to see.

  • You can be more forceful or you can be softer, and you can do all of that while doing it,

  • you're actually doing it with repetition and improving the natural flow that will come

  • out of your mouth, because as you fix it, you're not just fixing it for the paper, you're

  • fixing it for your mind so your mind knows the most accurate or the most correct way

  • of expressing what you want to say to people so they can understand you.

  • So, you're writing, you know, a page a day, two pages a day, and I'm not saying go crazy,

  • but I would say yeah, take a day.

  • Write out a page, a paragraph, of expressing yourself.

  • Put it away for about ten minutes, come back to it then read it again, read what you've

  • written, look for mistakes.

  • You'll find them, if you put it away, you'll find them then correct it, put it away again

  • and come back to it, you might even find other ones.

  • We need fresh eyes sometimes, but as you're doing that, each time you're correcting it,

  • you're asking your mind to be more critical and to learn, learn from what you're doing,

  • and by doing that on a regular basis, you'll start noticing that when you speak, you just

  • speak better, alright?

  • So, what I wrote over here, I was saying: Writing does what speaking does not.

  • It gives you time.

  • That's what you want to think about.

  • It gives you time to think about structure, and in this case, I'm talking about structure

  • as in grammar, what is the grammar, what is the syntax?

  • You can't do that when you're speaking, because as you're thinking about getting the words

  • out, you don't have time to go in your head and say "stop, go back, replace, and redo",

  • okay?

  • But writing does that, okay?

  • And because you're doing that, you're able to improve it, modify it, and learn from it,

  • okay.

  • And by the way, that repetition, by repeating it, you create a more natural form of expression.

  • What I mean by that is by through the repetition, I can say "Ni hao ma, Ni hao ma, Ni hao ma",

  • but I've done it for so many years and when I had some students I was teaching, and "Ni

  • hao ma", "ma, mah, muh, muh", or if you're Russian, "Coc de mas verna".

  • It's like, what, where is that coming from?

  • Repetition over months.

  • It's not perfect, it's not supposed to be, but I don't think about it, but I needed to

  • repeat it, and I did that on paper, believe it or not, and then I would speak to people

  • and they'd go "Hey!" and I'd say "Stop, that's all the Russian I know!"

  • Anyway.

  • So, with writing, we get the ability to repeat before we go into public and after we get,

  • you know, we go over it enough and then work on it and perfect it, it will come out much

  • naturally when we actually speak with other people.

  • So, combining these two, input and output, we get the being able to express ourselves

  • fully, being able to change it, that's the modify part that's important, you don't want

  • to repeat the same thing over and over again.

  • I've actually repeated the same information to you about three times in different ways,

  • and you may not have noticed it because I've changed the words to give each person who

  • needs it a different message to take.

  • But then, I want the input because when people are speaking, if I want the conversation to

  • continue, remember I said it's a two-way speech, speech, street, I need to understand what

  • they're saying to me and they need to know that, because when that happens, they feel

  • understood, they will continue and I will actually gain a partner to speak to.

  • Remember, if you don't have anyone to speak to now, every opportunity you get might be

  • the only opportunity and you have to take advantage of that and you only do that by

  • practicing beforehand, like if you know anything about Batman?

  • He's prepared for everything.

  • That's your job now with input and output.

  • Now, I want to go and talk about the other two methods I've given you, right?

  • We'll do that in the section before, so remember this - input, read, but don't just read, read

  • fiction.

  • You can even take some notes on it, but read to get the perspective of others.

  • Output: write, create, modify, learn.

  • You ready?

  • Two more methods to go.

  • Okay, now.

  • I wouldn't be talking to you, "blehblehblehbleh", wow, that pace was very fast.

  • That's pacing.

  • How do you know?

  • Because now I'm going slowly.

  • Pace.

  • I want to talk about pacing and mimicking here.

  • Now, that noise I did at the beginning and then how I slowed it down is to show you that

  • there are different speeds, what is the pace?

  • When you're walking, you can walk slowly or you can walk very quickly.

  • You can have a long walk that's quick or short, it's different pacing.

  • And why is this important?

  • Because every language has its own pace.

  • Spanish tends to flow and it's a little faster than English.

  • English is slower, but it's faster than Japanese.

  • Japanese is like - Oh god, I can't believe I'm doing this - it's like "Hai, hai, hai,

  • hai", it's like "cut, cut" when you say like "Ohayo Gozaimasu", "Ohayo Gozaimasu", you

  • see, chop, chop.

  • In English, you'd say "How are you doing?"

  • It's like, how are you doing, alright?

  • In German, "Sprichst du Deutsch", very, "Sprichst du Deutsch!", I'm going to "Sprichst du Deutsch

  • the pacing is different, how it comes out is different, and every language has its own

  • natural rhythm and speed and you have to learn it.

  • You change "Ohayo Gozaimasu" to [faster] "Ohayo Gozaimasu", Japanese people go "What are you

  • saying?"

  • Well, I said the words, but I changed the pace and it's confusing.

  • The same happens in English, and that's why many people who speak properly but get the

  • pace wrong found that they're not understood.

  • Why am I telling you this?

  • Because I told you in this lesson, we want to work without a partner, or we're forced

  • to work without a partner, but we have to improve.

  • We talked about writing, we talked about reading, remember those four skills, now we're coming

  • into listening.

  • Listening is how you get the pace of a language, and one of the best ways to do it is through

  • music.

  • Because when you get music, you notice when it's a good song, you bounce to the beat,

  • you bounce, you're like, you're talking to your friend at a club, you don't want to,

  • your body starts to move and you get to know what the beat is, you start moving with it

  • and it's almost involuntary.

  • But, it's natural.

  • And when we use language and there's music when people sing, they sing with the same

  • kind of pacing.

  • I had a class one time where I had students listen to a song in English and then we had

  • - it was a Japanese song and we had it with English subtitles and people tried to sing

  • it but they didn't speak Japanese, so they tried to sing it in English and it just sounded

  • horrible and the Japanese people were like "OH!", they couldn't get it.

  • They weren't actually listening to what the pacing of the Japanese language was so they

  • couldn't sing it with the song.

  • I like songs because - and I'm bringing it to pacing - singing is you, hm, how do I say

  • it?

  • There's a natural rhythm with music and we follow it, we don't have to think about it,

  • okay?

  • And when you're working with a language and you've got that natural rhythm, you can pick

  • up on the pace of the words, so we can switch it up and it's not so difficult.

  • In real speech, we tend to focus on the content of what we're saying and the meaning and we

  • go "bap, bap, bap", but I don't know, actually I could challenge you, most of you out there

  • have an English song you like and when you sing it, you don't sound Russian, you don't

  • sound Japanese, you don't sound Indian, you don't sound Chinese, you don't sound Spanish,

  • you sound like you're English, but only for that 30 - 3 minutes and 45 seconds, right?

  • Because you've got the pacing down of the language, you're not trying to think about

  • it, you just let that rhythm flow.

  • So, my suggestion for improving your listening skills as part of a conversation, because

  • when we talked about reading, that's input, but it's not actually working on the auditory,

  • it's getting into the mind, how the brain works.

  • But, to get into how the words actually come out, listening, I would suggest we go for

  • pacing with music.

  • And pacing includes, and let me go here for you, I'm just going to read this out: Every

  • language has a natural speed, I just discussed that with you, and breaks and flow.

  • So, when we talk about pacing, it's also the break in the language.

  • Does it flow and there's no break?

  • That would be Spanish.

  • "Como estas hoy?

  • Como estas" together, it's almost no break.

  • There is, or you wouldn't know the words, but it's very difficult to hear versus "How

  • are you?"

  • Much easier in English, alright?

  • So, there are breaks and the flow.

  • The flow is like, sometimes language is more sing-songy.

  • When you deal with Chinese, it's an Asian language but it's more sing-songy "Ni hao

  • ma" versus as I said, Japanese, "Ohayo Gozaimasu", that's not sing-songy at all, but they're

  • both Asian languages, so there's flow, there's break, and there's a natural speed to it.

  • The Chinese is faster than the Japanese.

  • So, by learning the music, and I don't mean music, singing, you knew I was getting there.

  • Signing and listening to music will help you with the natural flow of how the words should

  • come out of your mouth when you're speaking and some people go "What, I don't see it,

  • I don't get it, I don't...", think about it.

  • I've had students try to sing and they find it extremely difficult, harder than speaking.

  • And I say yes, because when we're doing singing, the singers use the music and their lyrics

  • which are the words they're using for emphasis, to get emotion, to move you and it's very

  • difficult because they might even extend or exaggerate sound, which helps with pronunciation,

  • by the way, and when they're doing all that stuff, it's harder to follow along if it's

  • not your first language, but being able to master that and getting that out than when

  • you're listening to someone speak, it's so much easier, because the words are used like

  • little boxes, the proper way with no exaggeration or form so it's easier for you to get that

  • information in.

  • So, without having a partner, listening to television is good, listen to music.

  • You'll enjoy it because it is fun, there's always a genre, genre is type of music, I

  • don't care if you like death metal "Nah nah nah nah nah", I don't care if you like that,

  • I don't understand it and I speak English, Okay?

  • I'm like "Yeah, yeah, yeah, yeah", that's how I sing it.

  • Or if you like the opera, alright?

  • People love that.

  • They can't change the flow too much or even native speakers don't understand it, regardless

  • of the language, especially in English, so by getting to music, listening to it, and

  • really listening to it, listening to when the breaks are, and you'll find that there

  • are commonalities and common patterns where they have to have a break for the maximum

  • meaning to be taken in, that will help you with your listening skills on your journey

  • to practice without a partner.

  • Cool, right?

  • So, I've got you reading and writing, reading fiction, not boring textbooks, okay?

  • So, you can read something you enjoy as long as it's fiction, I've got you writing, so

  • write out all those nasty little thoughts.

  • Nasty - things you think in your head that you won't say to people like "I want to say

  • this!", alright?

  • Correcting it and then finding a better way of saying it, so we've got that, and now I've

  • got you for your listening part, alright, actually listening to people, listening to

  • music.

  • Here's a little hint, when I did a video on it before, how to learn from YouTube, you

  • can turn up the speed of the music, so it'll go from 1 to 1.5, I won't go into it now but

  • go check through my videos, you'll find one, "How to use YouTube to increase your English"

  • and it'll tell you actually how to use the system to speed up the English so that you

  • can learn like, hear the music faster and then you can slow it down so it's much easier

  • for you to pick up the sounds and you'll notice in natural conversation, you'll hear things

  • clearer and faster.

  • You're welcome!

  • Alright.

  • Now, I've gone from listening, and I want to touch on the fourth skill, which is called

  • mimicking, okay?

  • Oh, sorry, before I go to mimicking, I almost forgot, slang.

  • The cool thing about music especially pop music, pop music, everybody knows, pop music,

  • pop, pop, pop music, they use slang.

  • Slang is like, shortened language, like "c'mon", instead of "come on", "c'mon", right?

  • Cool language, "phat - pretty, hot, and tempting", stuff like that.

  • In popular music, a lot of slang that you will not find in a dictionary will be in music,

  • and because music's coming out every single day, unlike a book, a book comes out now,

  • you've got to wait two years for it to be published again, songs are coming on the radio

  • all the time.

  • It gives you a new opportunity to learn the new cultural words that are coming out that

  • won't be in a dictionary in a year or maybe five years before people go "Oh, this is a

  • new word that we have", alright?

  • There's something we call body hacking or bio-hacking, came in like 2017, it's not a

  • real word, a guy started it named Dave Asprey started doing this stuff and then the whole

  • world was like you can bio-hack by having bullet coffee and taking sleep like this?

  • And it became a new word.

  • You couldn't find it in a dictionary or in a translator, but people were using it.

  • But they were popping it in music, right?

  • Hacking this and hacking that, so it's a good word to catch up on the cultural norms that

  • are going on before they're written down on paper and become "official" language instead

  • of slang.

  • Now, go to go to mimicking, mimicking speaking.

  • Mimicking, mimicking is like copying and like imitating.

  • It's actually both and a bit more.

  • Mimicking is the first thing you did to learn a language as a child and you say, "What do

  • I mean?".

  • Well, when you mimic something, you copy and you use it and usually, you exaggerate it.

  • A lot of times, we exaggerate when we're mimicking to make fun of somebody or something.

  • "I am the biggest and the best and the greatest guy ever!"

  • I'm mimicking somebody, I'm exaggerating, this person doesn't speak like this, but when

  • I do like, the little accordion with the little fingers and I rush like this you go "I know

  • who it is!".

  • If you put the two of us together, I sound like a terrible example, but because of my

  • exaggeration, you can see where it came from and you understand.

  • Now, I get a little better and say, "I'm the best" and then you go "Oh yeah!".

  • The best students I've ever seen when they were speaking, the best time they were ever

  • speaking was when they made fun of me.

  • I would say something and I'd say, "We have to do this now".

  • And they'd go "Teacher, you no speak good English, we don't understand", and I go "What

  • do you mean?" and they go "You have to do this now!" but it was almost perfect like,

  • no accent, perfect cadence, woah, where did you get that from?

  • "Just making fun of you, teacher."

  • In fact, there's a couple of things I say that people make fun of, and when I give it

  • back to them, they always laugh because it's sort of like "Oh, this is what it sounds like

  • it to me" and I exaggerate it.

  • I think for me it's the word "can't" because I say "can't", and people will go "You can't

  • do this, you can't do that".

  • And I go "What, do you want me to say 'cahn't'?"

  • It's terrible.

  • But then they're like "Ooh", because I sound like a real American, I can't do it, but I

  • have to make this funny face to do it, and if you notice me doing that, that's my mimicking,

  • I "cahn't".

  • The importance about mimicking is this: it teaches you motor skills.

  • What are motor skills?

  • In the "cahn't", I notice how I have to raise my mouth on one side, which I don't normally

  • do and I can feel it, and because it's exaggerated and that's why I kept talking about exaggeration,

  • I become aware of what I am doing.

  • Now, once I become aware of it and I copy it and I do this a few times or I keep doing

  • it, it becomes more natural for me to go there and it drops so I can go "cahn't", and I can

  • drop it and get it more and more natural until it becomes my natural form of speaking.

  • So, by using mimicking, you can exaggerate at first and then bring it back and go smaller

  • and smaller until you're accent drops off and you're starting to sound like the native

  • speakers you want to sound like.

  • What's the best way of doing this?

  • Okay, here I'm just talking about it being the first form a child learns for their first

  • language, which is you, but movies.

  • We've got you listening to music, I want you watch movies.

  • I want you to watch TV programs.

  • What?

  • But teacher, we're supposed to study.

  • I'm like, you are studying.

  • Watch them, get a certain part of the movie or the television program, stop it, copy the

  • actor, and it's not just, remember I said motor skills for your mouth, it's also the

  • body.

  • Body language is very important with language.

  • Perfect example: please, Italian people don't get upset, but when I'm talking and I'm feeling

  • Italian, I don't wanna get it go you, you know, I gotta move my hands like this.

  • This is Italian.

  • I've never seen an Italian talk like this, I think there's something wrong, I go, your

  • arms are broken, you know what I'm saying?

  • You gotta move your hands.

  • And when I do that, my voice changes.

  • And when I'm speaking Japanese, I keep my hands very close to my body.

  • Very short movements.

  • So, "Ohayo Gozaimasu.", and I feel more Japanese.

  • But I would never say "Ohayo Gozaimasu!"

  • They would say "He's angry Japanese!".

  • So it's not just the motor skills for how to speak, but taking on the body language

  • helps you get into the language, not just the body language that is in the language,

  • every language has a body language, we know what it looks like to see an American, right?

  • "Hey, I'm an American!" big body language, to see an Asian with a smaller one, and the

  • language kind of flows like that.

  • So, when watching movies, you get to see the whole body as well as how the mouth works.

  • You get more of a flow through your body to make it much more natural.

  • There's nothing worse than seeing someone trying to speak another language with a completely

  • stiff words, you know, like Spanish is like "Hey, como estas, eh?"

  • "Eh, mi amigo!" it's very loose.

  • Try to do that like this "Hey, como estas, mi amigo!"

  • Spanish people would be like "Woah, there's something off with that."

  • And it's true, but by getting that flow through the body and the motor skills through the

  • mouth, you'll find that the language flows out of you more naturally.

  • In fact, I've read a couple of people who speak multiple languages and they say when

  • they switch languages, their body language switches with it.

  • There's one book called "Fluent forever" and they talk about that process of, you know,

  • watching, getting into more than just the words, but by taking on your whole body and

  • mouth and mind into the language itself.

  • So, we talked about how we can do listening with pacing with music, so getting that pace,

  • the flow.

  • We've talking about speaking and mimicry, using, you know, mimicking people, not just

  • how they speak up here but try to get your body into it so you can actually step into

  • that language and perform it in a much more natural way.

  • Alright?

  • I've got one more thing to do before we go because, if you notice, the bonus has been

  • sitting there, and homework.

  • I want to give you a little something to open your mind.

  • Are you ready?

  • See you in a second.

  • Okay.

  • So, in the lesson, I told you I'd give you four techniques that you can use separately

  • but perhaps I hope you will put them together to make a complete lesson for yourself to

  • practice without a partner.

  • I explained what they were and why, as in reading for input to understand someone's

  • perspective, they become your partner.

  • Output, speaking, writing, writing it down to clarify your thoughts, make them clear

  • so that you are clearer when you speak.

  • Pacing, how to get the pace of the language even though you're not speaking to someone,

  • by practicing by singing music, listening to videos and trying to sing along so that

  • you get better at moving your mouth around.

  • And then, we did mimicking for actual speaking, copying with your body as well as your mouth

  • to get the motor skills to sound, you know, proper pronunciation and proper, I guess,

  • cultural, no, slang!

  • I almost forgot, slang, getting the proper cultural references in slang.

  • Now, those are the four I gave you and I said doing those will help you to practice without

  • a partner, so you can improve consistently.

  • I going to give you one more thing, or two little things you can do, but to open your

  • mind, be more creative.

  • Because when you're practicing with a partner - without a partner, it can get boring, and

  • I want to make sure that it's not boring for you, it's interesting, it's fun, and then

  • you are ready for anything that might come up.

  • It's like a utility knife.

  • Utility knife will have like a knife, a screwdriver, many other different things and you never

  • know which one you're going to need.

  • It's very small, you can carry it with you.

  • So, in order to be prepared for anything because luckily, if you're reading enough fiction

  • to get different types of understanding and you're doing enough mimicking from different

  • situations in television, you'll be prepared for most social situations, but to get your

  • ready ultimately, I'm going to give you two different methods.

  • One is the flash cards methods, the other is the envelope method.

  • Now, I'm going to start with the flash cards.

  • Oh wait, because I'm going to give it to you in the bonus section.

  • Dum dum dum dum!

  • So, I'll give you my envelope method.

  • The envelope method is simple.

  • What I want you to do is just take - you've been reading and writing.

  • Take some vocabulary you had difficulty with, write those words on pieces of paper, okay,

  • take those pieces of paper and put them randomly into an envelope, don't seal it, keep it open,

  • and then just go in the envelope, grab out a word, take the word, quickly say a sentence.

  • That's it.

  • Randomly.

  • Make it more challenging, go in the envelope, take out two words, and you have two things

  • you could do.

  • You could either make one sentence using these two random words or make two sentences using

  • one of these words in each sentence.

  • It's up to you.

  • It's to play.

  • It will force your brain to be much more adaptive, so when it comes to an environment, you have

  • all of these words in your brain and you'll be able to bring them out when you need them,

  • alright?

  • You won't always be watching television be a play, but there's nothing worse than having

  • information in your brain trapped that you can't get at.

  • This will force you to take it out when you need it, when you don't expect to take it

  • out, be able to use it and use it properly.

  • And you'll be surprised how you start in the real world, when you talk to someone, and

  • get the opportunity being able to start bringing out new vocabulary you've learned from your

  • listening, reading, writing - listening, reading, and writing, all four.

  • Now, finally, the bonus I wanted to give you - so, you got a bonus bonus - is a new way

  • to do flash cards.

  • Most people do flash cards, they have one word.

  • They'll say, for example "book", you want to learn "book".

  • So, I'm going to take a Hebrew word "sefer", you've never heard "sefer" before, right?

  • Or "sefer, sefer", so this is "sefer", "sefer", okay?

  • Alright?

  • This means "book", but I don't want you just to put book.

  • Sure, you're going to put "book" in there, but I want you to put down on your new one,

  • so you're going to use that, write the meaning "book", write a sentence, I don't have room

  • to write a sentence so we're not going to do that part, but you'd write a sentence,

  • a small sentence, using it like "I like sefer in the morning."

  • Makes no sense, but "I like to read sefer on the bus", okay?

  • Now, the other thing I would want you to do is write it in phonetics, now sefer is like

  • this, it's not "sefer", that's what it looks like in English, so I would say this, I would

  • write this: say-fell, say-fell.

  • They'll go "That's correct!" but they will probably look and go "You go 'sefer'" and

  • I'll go "No, no, it's "say-fell".

  • No, this not correct, you go "say-fell", correct, not correct spelling.

  • I go, "I don't care, this is the phonetics".

  • This is what it sounds like when an English person hears it, so write "say-fell".

  • I know "sefer" means "book".

  • So, now I know how to say it and I know what it means and the last thing I'll do is draw

  • a picture.

  • By drawing that picture, it helps it to stay in my mind, because we're picture creatures.

  • Everything we see is usually an image.

  • I have the image, I have "say-fell", and I go "sefer, book".

  • Quickly turn over, book, sefer, "say-fell".

  • In the old days, flash cards are, you have this and the word.

  • I want you to make yours more juicer, better for communication, helping you with your conversation

  • by adding little pieces of extra information to make it go deeper into you it'll come out

  • in a much more natural form, that's why we're going to do the sentence, which I'm not doing

  • right now, write out a sentence to help you go "Ah ok, yeah, reading sefers will help

  • you with knowledge".

  • Anyway, let me finish this off.

  • So, you've got two little things you can do.

  • I want to give you homework.

  • Your practice is to do this.

  • I want you to take one of the methods I've given you, either the listening, okay let's

  • put it this way, output, input, pacing, or mimicking, take one, spend that day working

  • on that method, okay?

  • So, you're not spending hours, maybe half an hour to an hour if you have it.

  • Do one each day, so that's four days on, take a day off, okay, so take Monday, Tuesday,

  • Wednesday, Thursday, do it, don't do anything Friday, then repeat, Saturday, Sunday, Monday,

  • Tuesday, so you're breaking up, changing the days, and you're giving yourself a break,

  • okay?

  • By doing that on a regular basis, eventually what will happen is that each skill will get

  • better and better and you can combine them until you're actually improving your conversation

  • without a partner, and you'll be so surprised how well you communicate even though you don't

  • have a live partner to work with.

  • Now, I want you to do me a favor.

  • Leave a comment below on which is your favorite method to use, and when do you use it?

  • Anyway, want to say thank you very much for watching this video, I hope you find it very

  • useful.

  • I'm sure you will if you actually put the principles into practice, and I can't wait

  • for you to have your first conversation.

  • Anyway, before I go, there's no quiz to this one, but I still want you to go to EngVid

  • which is www.engvid.com . Go check out myself, other videos I have on conversation and communication,

  • and other teachers.

  • You'll have a brilliant time.

  • Remember, you don't have a partner, so what are you waiting for?

  • Have a good one.

Do do do do, wow, Brad Pitt has a new life!

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