In 2001 therewasenoughdemandfromthehiphopcommunitytomakeanentirealbumofPhilCollinscovers.
Jim, itshouldbeyourstome.
Answerme.
Givemethemictowatch.
Takenwhowould?
DespitehismajorstylisticdifferencesfromCollins, oldDirtyBastardtackles a studiowith a surprisinglysmoothtonewhile I wasthinkingaboutstoppinghisfingeronthetruckandyouknowkidshaveratherthan a straightforwardcover.
O.
D.
B createsanentirelynewrap, whileanothervocalistreinterpretsthechorustofitthetimes.
Thischangedinthechorus, however, whereDursthowledouteveryrepetitionoffaithpainfullywhiletheguitarsgotequallygrimyRockTheaEndingwasparticularlyharshasFredgroanedsoharditsoundedlikehecoughedfromit.
Theirversion, however, hasamassedover 22 millionviewsonYouTube.
Prettygoodfor a counterfeit, thoughitcouldn't soundfartherfromtheoriginaltrack.
NumbersixPrideintheNameofLovebyClaVillasandCole, originallybyYouTubeAftergainingfamethroughpartyhitsLikeGonnaMakeYouSweat, coveringYouTubewasanunexpectedmoveforthebrainsbehind C and C musicfactory.
Creditedtoclawvillasandcoal, theduohadtheaddedchallengeofremixingprideas a technotrackratherthanjustadding a dancebeat.
Thesongstempoandindustrialdrumsgavetheoriginal a futuristicedge, buttheiruseoforiginalvocalmelodiesandguitartracksworkedsurprisinglywell.
Viciousspendsanentireverse, puttingon a voicetomockthenatureofFrankSinatra's originalSitalsomakestonsofsillyfacesandposesduringtheliveversioninTheGreatRock n RollSwindle.
Nowow!
Butwhenthedrumsandguitarskickin, thesongturnsinto a grittypunkrockcoverthatcouldstart a moshpit.
Viciousevenadds a lineaboutkilling a cat, bothparodyingandupdating.
MywaysitsCoveris a lottotakeinAllright, NumberfourAfricabyWeezer, originallybyToto.
Ittook a lotoftweeting, but a 14 yearoldWheezerfanconvincedthebandtocoverToto's hitsongAfrica.