Kickingoffwith a littlehighhatandcomplementedby a filthyriff, halffullglassofwineboastsanundeniableretrovibe, andKevinParker's vocaldeliveryconveys a sly, lackadaisicalfeel.
TheupbeatanddreamysoundofborderlineiscomplementedbyParker's musingsabout a relationshiponthebrinkofcollapseandtheborderlineweallwalkbetweenmiseryandhappiness.
It's anothertrackthatshowcasestameImpala's earforproduction, Shammariguitars, satisfyingsynthbaseandsimpleyeteffectivedrumsWhilefansairstilldigestingtheslowrush, thistrackiscertainly a standout.
It's a fittingtrackfortheoverwhelmingstressweallfeltduring 2020.
Insteadoffocusingonthefutureandwhattroubleswemightface, breathedeeperencouragesustolookinward, appreciatewhatwehaveandfocusonthepositivesasfewastheremaybe, I wasfeeling.
Onthesurface, thistrackseemstobe a storyofunrequitedLoveTheotitlealsoreferenceshowonecanplaytricksonthemselves, placingheavyimportanceondetailsthatperhapsmeannothingatall.
Theomeditativequalitiesofmindmischiefcontrastthesteadygroup, completewith a doseofbeetleslikepsychedeliaasthefollowuptracktoeApocalypseDreams.
NumberfourElefantWithGiventhemetaphoricallyricsandbluesyrips, thistracknaturallybecame a favoriteofmovieandtelevisionexecutives, withParkerwailingonaboutbigegosandfragilepsyches, thethumpingbasscreates a distinctgaragerockfeel, a soundthat's moreevocativeofearlytameImpala.
Waynumberthree, Theless I knowtheBetterWay A Z, thealbum's thirdsingle, ThisTameImpalaproductionisoftencorrelatedwiththemassivelypopularandsurrealisticmusicvideoonitsown, thoughthediscoinspiredtracktoucheson a postbreakupemotionsandhowyou'retypicallybetteroffwalkingaway.
Beforeweunveilournumberonepick, hereare a fewhonorablementions.
Whywon't youmakeupyourmind?
Whywon't theytalktome?
Yeah, Newperson.
Sameoldmistakes.
ShellskeeponlyingLostinyesterday.
I wantmoremojoSoundMojobringsyoumusicfromnewandemergingartistsinallgenresfromacrosstheglobe, frominterviews, theliveshowsanddeepdivesintomusiccultureSoundMojohasyoucovered.