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  • - What's your name?

  • - (mumbles) Teeter.

  • - What's that?

  • - (slowly) Tee-ter.

  • - Did you hear her?

  • - I think she said Peter.

  • Your name Peter?

  • - Do I look like my (gun shot) name is Peter,

  • you skunk haired mother (horse neighs)?

  • - When she showed up,

  • I was just like, "Oh, that's gonna fit right in."

  • (rock music)

  • I was talking to Taylor one day,

  • and he said, "Hey, I've got this idea for this character."

  • And then he said, "Do you wanna see the audition tape?"

  • - Jennifer is so amazing.

  • I saw the tape as well,

  • and I just was like, "I don't...

  • "Aren't you supposed to understand

  • what the actor is saying?"

  • - Ride the hair off a horse, that's for damn sure,

  • but we need someone who can speak English.

  • - And he was like, "Well, no, that's the point."

  • And I'm like, at that point, I was like,

  • "You have lost me.

  • "I have no idea, what are you talking about?"

  • - Where'd you learn to cowboy?

  • - (mumbles) You know I been (beep) pullen and dragging

  • since I could bounce piss off a rug.

  • - That ain't Spanish, she's Texan.

  • - That ain't Texan.

  • That's gibberish.

  • - What is this?

  • - Oh, a little job fair.

  • - Is this a job that you walk up to

  • and you say like, "Here's my resume, look at it,"

  • or is this a thing where you're just like,

  • "Oh, this is what you wanna do.

  • "Hop on a horse and we'll see what you got"?

  • - I think the requirements

  • for our bunkhouse and on the ranch,

  • we assume that you're skilled,

  • but you have to have a certain attitude.

  • Well, you gotta be a character.

  • - I feel like to work at the Yellowstone,

  • you have to stay focused,

  • you have to have a real sense of focus,

  • you probably shouldn't talk to Beth.

  • - Every now and then you say something

  • that makes me think you're smart.

  • And then I look at you,

  • and that thought fades.

  • - You have to be willfully ignorant

  • of a lot of the like (laughs) rampant violence

  • that's occurring around you.

  • (gun shots)

  • I think Jimmy is more ignorant

  • than he is good at ranch work.

  • - Jimmy, quit asking me (bleep) questions.

  • - You gotta be open minded.

  • Just like us on set,

  • you never know who's gonna give you an order.

  • - Jimmy, go get on the quad.

  • - You don't know if it's gonna come from the director

  • or from Cole Hauser or from Forrie J. Smith.

  • - Jimmy, get off the horse.

  • - You gotta be willing to roll with those punches.

  • Yeah, it's not a traditional workplace,

  • but you know, it offers great rewards.

  • - But it's equal opportunity.

  • - Women work twice as hard and eat half as much.

  • - Wow, you're a real renaissance man, you know that?

  • - In New York a lot of jobs cut,

  • like sometimes they're like,

  • "Hey, we're not gonna pay you that much,

  • "and there's no benefits,"

  • but they'll give you a MetroCard.

  • On the Yellowstone, you sometimes get

  • a free train ticket, you know?

  • - Where you taking him?

  • - Said he's gonna take me to the train station.

  • - A lot of your coworkers are cattle, cows.

  • Some of my best friends on this show are cows.

  • - Cause you stuck your hand up one of them, right?

  • Didn't you?

  • So you know them pretty well.

  • Cause you had your whole hand up one.

  • - Exactly.

  • - So he actually is pretty close to a lot of them.

  • - Yeah, that's the free healthcare plan for the cows.

  • (cow moos)

  • - I see the women in this valley

  • have gotten a lot more fashionable.

  • - Yeah?

  • I see Chippendales changed their policy on capped teeth.

  • - What's that?

  • - Josh Holloway's one of the nicest actors I've ever met.

  • I think he's incredible.

  • Those scenes are so fun to watch.

  • - [Denim] Right, yeah.

  • - And seeing the way that it translates from the page,

  • the script, hilarious,

  • and then those actors.

  • - Right, right.

  • - To see Kelly Reilly's comedic chops?

  • - Yeah, a little bit lighter, yeah.

  • - Cause she's so funny too. - Yeah.

  • - [Roarke] Bob Schwartz's girl.

  • - I'm nobody's girl.

  • - You're somebody's girl.

  • - Okay, let's stop speaking in Billy Joel songs,

  • for starters, okay?

  • - She's found someone that she can spar with legitimately.

  • - Yeah!

  • - Yeah, and on an intellectual level.

  • - Yeah, and now you can see that her eyes

  • twinkle a little bit, like,

  • "This is a formidable opponent.

  • "I want to play for a minute."

  • - Which gets her excited.

  • - Have you given any thought at all

  • to the ranchers who live here?

  • What'll happen to them?

  • - What'll happen to them?

  • They won't have to be ranchers anymore

  • cause they're all so (beep) rich.

  • - Good answer.

  • - Beth can get anyone's goat. - Yeah.

  • - So it's so exciting to see her go up against someone

  • who you just can't ruffle.

  • - Okay, my mistake, you (beep) cheese (beep).

  • (Roarke laughs)

  • - Yeah. - You know I mean?

  • He's like a real float like a butterfly,

  • like you can't (beep) ruffle that guy.

  • - He's literally floating around in the water.

  • - Yeah, exactly.

  • - Like what seems to be the problem?

  • - Like he's happy to be here.

  • And he has so much, it's because he has so much power,

  • so much power and status and money.

  • - And backed up by so much power.

  • - Yeah, it's so much harder to get him angry.

  • - [Roarke] Mind the flowers when you leave.

  • (car engine revs)

  • (sighs) I like this girl.

  • (rock music)

  • - She wants to ride up there with us.

  • - Go grab her a horse.

  • - But all the good ones are up at camp.

  • The only thing left here's a bunch

  • of freight trains and monsters.

  • - What the (bleep) is wrong with your horse, Jake?

  • - Well, that's my horse.

  • - Okay, Monica, get on Jake's horse.

  • Go on, we don't have time for this (bleep).

  • - Ladies, I'm home.

  • - Uh oh.

  • - Television's Jake Ream.

  • - Jake Ream. - How you doin', man?

  • - Welcome to Hollywood.

  • - Thank you!

  • - You look great, this is very hip, actually.

  • - Do you think maybe you've gotten a little soft

  • now that you're Hollywood?

  • - You're even walking different.

  • I feel different.

  • - Soft are fighting words.

  • Soft is, soft is not a good word.

  • - Get him, Denim. - No.

  • - How did you go from selling horses

  • to being a TV star?

  • - When I first met Taylor,

  • he actually just got my number off the internet,

  • called me, and I had a horse for sale,

  • and him and his wife come down and tried it out,

  • and they ended up buying it,

  • and then he came down and started riding quite a bit.

  • I didn't know who he was.

  • That went on for about two years.

  • We just kinda become pretty good friends,

  • and the first horse show we went to,

  • the secretary, she says, "How did you meet him?"

  • I says, "Who, that guy?"

  • She goes, "You don't know who he is?"

  • I said, "So you're like some famous guy?"

  • - And then you led cowboy camp.

  • - Yeah.

  • (horse neighs)

  • - Oh, Jesus Christ.

  • - How was that for you?

  • - I still have ulcers.

  • Still, to this day.

  • - Well, no, but seriously, right?

  • Cause you got all these actors

  • that are, for the most part, come from big cities,

  • and now they were all gonna come

  • for this super immersive experience.

  • - Well, to tell you the truth,

  • everything was really good when he told me all about it.

  • Then he says, "These guys,

  • "they're not real 100 percent comfortable

  • "on horses, you know."

  • I was really excited till I met all of you.

  • (everyone laughs)

  • And that's when I was like,

  • Oh, dear God, what did I get myself into?

  • (hooves thumping)

  • - I got him!

  • Early on in the show,

  • we would have these big sort of horse-riding sequences

  • and we needed someone to do it with us,

  • to take care of us.

  • (cow moos)

  • I remember before "Jake" was necessarily a character,

  • Jake Ream was still out there riding alongside us.

  • - Doing all of it, yeah.

  • - Making sure we were safe.

  • I feel like you do about 10 jobs.

  • You, like, protect the riders on the show.

  • You deal with all the cattle.

  • You help organize the horses.

  • You've been doing all these jobs

  • since the very beginning.

  • - It's been a lot of jobs.

  • I'm not sure of my job title.

  • - [Jefferson] (laughs) Yeah.

  • I hope you're getting like six paychecks.

  • - Just do what you get told.

  • That's my job title.

  • Let's go get a horse.

  • - And you were originally cast as Rip, I think, right?

  • - [Denim] Well, he turned it down.

  • - Yeah, you turned it down.

  • - Remember he said he wasn't interested.

  • It wasn't meaty enough.

  • - Cole Hauser doesn't have quite the opportunities,

  • the professional opportunities you have,

  • so he needed the role a little more.

  • - (laughing) Yeah, yeah.

  • I'm not going there.

  • - Yeah, cause Cole Hauser's knocking.

  • - Is that door gonna open?

  • What are you dip (beep) doing?

  • (rock music)

  • Can you hear me?

  • Hello?

  • (buzzer beeps)

  • - Are you comfy out at Thousand Peaks

  • when you have no signal?

  • Sometimes I'm like, "I wanna jump in a van

  • and run back to base."

  • And they're like, "Why?"

  • And I'm like, "I peed my pants.

  • "I need to change them."

  • - Yeah, that's what I'm saying, exactly.

  • - Just to get into, cause base camp has WiFi.

  • But then you get there and you're like,

  • "What am I looking at?"

  • - [Denim] Nothing's happening.

  • Nobody's waiting for you.

  • - What's happening?

  • - God damn it.

  • - I think the hardest thing

  • about being up there with no cell service

  • is it makes it way harder to engage with the fans.

  • The show is airing at the same time,

  • and I was like, "I need to get back to base camp,

  • "so I can like all these comments."

  • - Yeah, that is true, that.

  • - I also Instagram live, the takes.

  • I just like do the monitor while the takes are happening,

  • I just Instagram that live.

  • - [Denim] Oh, that's cool.

  • - Yeah, but when we're at Thousand Peaks,

  • I'm not, I can't--

  • - [Denim] Able to that!

  • - I can't do that.

  • - My Instagram is also chockfull of really primo content.

  • Check it out.

  • @_jeffersonwhite.

  • (crickets chirping)

  • - Dude, I've been following the wrong one.

  • Is that what it is?

  • Shoot.

  • I've been, no wonder why I'm getting

  • these weird photos from this.

  • Do you know how we could fix this problem?

  • If production had that antennae thing

  • that they just--

  • - Or Yellowstone moves to the big city.

  • - It's an inbox.

  • Or what do they call that?

  • And then do-do-do-do-do-do.

  • - Or we just move to a giant city.

  • - Do-do-do-do-do-do.

  • - Do-do-do-do-do-do.

  • - Do-do-do-do-do-do.

  • - Do-do-do-do-do-do.

  • - Do-do-do-do-do-do.

  • - Do-do-do-do-do-do.

  • - We could shoot in LA.

  • - Absolutely. - We should.

  • We could shoot in LA.

  • We did a thing on--

  • - Where?

  • - We did a thing--

  • - Bite your tongue.

  • (sword metal rings)

  • - Bite thy tongue!

  • - Bite thy serpent tongue.

  • - You bite your tongue.

  • - Thou hast done this to thyself.

  • Bite thy tongue!

  • - Any more biscuits?

  • - Yeah, well, I think there's plenty.

  • - We're up at the camp

  • and John starts telling his story.

  • - You know my wife,

  • she used to make two Dutch ovens full of biscuits,

  • one for your father, one for the rest of us.

  • - I think that was kinda one of the first times

  • that we were like around Kevin

  • in that type of space,

  • in that type of intimate setting.

  • - We must have shot that scene,

  • you know, 10 times, 12 times?

  • - At least. - At least, yeah.

  • - And he has the ability to tell that same story

  • over and over again,

  • and the like sort of highs and lows of that story, right?

  • It's such a happy memory for John,

  • and it's also such a sad thing

  • for John to like touch in to that memory of his wife.

  • - Your mom looked at me and she said,

  • "I know.

  • "But if I don't make 'em, I can't watch him eat 'em."

  • - For me as like a young actor,

  • like getting to sort of,

  • not having to say anything myself,

  • just getting to sit there and sort of,

  • as Jimmy learned from John

  • but also as Jeff learned from Kevin,

  • that story like it both actually sincerely

  • made me laugh every time

  • and also like truly was heartbreaking every time.

  • - It's also nice to see

  • Kevin, John, be in that different, kind of vulnerable light.

  • To kind of see those layers and levels,

  • I think, because of that,

  • kind of makes you feel closer.

  • - It's fun to watch, to be in those scenes with them.

  • I'd like to do that more often.

  • - [Denim] Yeah.

  • - They made a lot of biscuits for Tate to eat that night,

  • and so I had some,

  • and I felt like I was young Kayce,

  • and I ate them, and I was hungry,

  • and I was him.

  • And I felt like--

  • - [Denim] Closer to him.

  • - I was more than I normally am.

  • (magic tinkling)

  • It was powerful.

  • - Biscuits are a really powerful thing.

  • (everyone laughs)

  • (rock music)

- What's your name?

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