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Okay, hell yeah, here we go.
Yellow Stone, the show, and the fights, and the explosions.
It's a little bit about the class struggle, you guys.
I was gonna go to this camera,
but maybe this is the camera
where I talk about emotional intimacy.
(beat boxing)
What do you think,
do we need a less psychotic version of that?
(rock music)
Hey guys, what's up?
This is Jefferson Y., I play Jimmy
on the Paramount Network's Yellowstone,
and this is welcome to the Yellowstone, episode two.
We're figuring it out as we go.
I feel like we learned a lot of good stuff, Breia.
(Breia) Yeah? Yeah.
(Breia) It's been good? Yeah.
(Breia) I think we should keep doing it.
They explicitly gave me permission
to talk to Breia now.
(Breia) You did!
They were like dang, Jeff (Breia) Permission granted.
That fifteen-minute monologue
came off as a little insane.
Feel free to talk to a human being, like a person.
So we're doing that now.
Also, we have this new intro music.
It goes like this.
(singing musical tones)
And get used to hearing that
at the beginning of every episode.
Exactly like that.
We'll use that sorta thing that like acapella YouTuber's do,
where we put my face in different boxes
and I sing, you guys know what I'm talking about.
(beat boxing)
Get ready, get ready, get used to that.
They told me, they're signalling they want more acapella.
(Breia) Yellowstone goes Glee?
Yellow Stone goes Glee!
We might have to beep that out.
I don't know if we can say that song, that show.
(Breia) Glee is just a feeling.
Wow, good point, excellent work around Bri.
Breia with that legal mind.
So, today we're gonna talk about
Yellowstone episode 102, Kill the Messenger.
Episode 101, as you may recall, a lot of s### happens.
So let's do a one minute, what happened last time?
All right?
Here we go, begin.
Episode 101, there's four, (groans) oh god.
Okay, check it out.
You got John Dutton, he's got a bunch of kids,
he owns a giant cattle ranch,
there's a nearby Indian reservation,
and there's also land developers in Montana
who are trying to, sort of, bite off pieces
of his giant cattle ranch.
A bunch of cows wander from John Dutton's land
onto the Indian reservation.
John Dutton goes to get those cows back.
That erupts in violence.
John Dutton's youngest son' wife's brother
kills John Dutton's oldest son,
and then John Dutton's youngest son
kills his wife's brother.
And that trauma right there,
is gonna set off what happens in 102, Kill the Messenger.
I've got 15 seconds left.
I can use that to talk about whatever I want,
and what I want to talk about
is Jimmy Hurdstrom and Rip Wheeler.
Rip is John Dutton's number one bada##,
go get 'em, tough cowboy,
and Jimmy Hurdstrom is his number two bada##,
go get 'em, tough cowboy.
It's close, they're close,
it's hard to say which is really tougher, amazing.
Okay great, now let's dig into,
I'm gonna reset a new timer, five minutes.
Begin.
Yellowstone episode 102, Kill the Messenger.
So, from the very beginning of this episode,
we are sort of living in the trauma
of Yellowstone episode 101, the explosive events of 101.
So,
at the very beginning, John Dutton and Rip Wheeler
are trying to break the stallion
that Kayce gave John in episode 101.
It's not going great.
That's a tough, mean horse.
So, you now what you gotta do?
You gotta get a tough mean cowboy to break 'em,
or just a young guy who likely will survive that experience.
So, they tape Jimmy Hurdstrom, this fella,
to that horse in the hope
that they'll wear each other out and they'll sort of,
by the end of that experience
both be a little more broken in.
Okay.
Boom.
Cut to,
Kayce on his house out at the reservation.
He's trying to dig up a stump.
It doesn't work,
so he has to use some explosives.
He blows the s### out of the stump,
and in doing so, uncovers some dinosaur bones.
Remember those dinosaur bones,
that's important to hold on to.
And then, we cut to Jamie,
what's going on in Jamie's world.
He's meeting with the Governor,
because there's evidence that there's
maybe some foul play afoot.
So there was this horrible trauma.
Robert Long killed Lee,
and then Kayce killed Robert Long.
And the Dutton's had their own sort of explanation for it,
that it was self-defense and that they killed each other.
But, upon investigating the scene of this violence,
it's pretty clear that that's not what happened.
There might be a third shooter.
Right, there might be a third person involved
in that killing.
And we all know that that's Kayce Dutton,
but the Dutton's are trying to cover this up
because basically Kayce didn't have,
like Kayce's not a legal entity.
Kayce killing somebody isn't a sort of legal action.
So, it's very important for the Dutton's
that they cover up the fact that Kayce
was involved with this.
And there's some loose ends.
You got some witnesses that are, witnesses at the scene.
And then, you've also got the bodies themselves, right?
And over the course of this episode,
one of the things that we're navigating
is how we're gonna tie up all these loose ends.
So there's a few different ways that we approach that.
John Dutton goes after the witnesses.
So, basically he calls in some favors.
He calls on one of his old school business friends
to lean on their son to say that Kayce wasn't there.
And then he also goes to this pastor
who he sort of gets to preach this sermon
the basic gist of which is hey John Dutton is important
to this community, we gotta protect our flock,
you gotta lie to save his son.
Right, so they handle the witnesses in that way.
And then, you've got this medical examiner
who has seen the bodies, right?
Has seen the bodies and can effectively prove
that there was this third shooter involved,
that Kayce Dutton was involved.
And so, John Dutton sends Rip to take care of that problem,
and as we are, you know, pretty quickly learning,
sending Rip to take care of a problem
generally involves an explosion of some kind.
And in this case that holds out.
Rip kills this medical examiner,
and blows up the office and makes it look like a suicide.
Classic Rip move.
Okay, what else goes on here?
Oh, man.
There's a lot.
So, Kayce and Monica basically are,
they're processing what happened to Monica's brother.
She doesn't know that Kayce's the one that killed him.
And they're driving along the highway,
and then they drive past an explosion, effectively.
It's a meth house that explodes.
And Kayce gets out of the car,
he wants to go see if he can help,
if there's any survivors.
And there's one guy who survived,
but is so badly burned that there's no way he'll survive.
So, Kayce puts him out of his misery by killing him
so he doesn't have to burn to death.
And then tribal police show up, they see what happened here,
and they sort of agree with Kayce
that he did the right thing,
but in order to cover up, the sort of--
it wasn't necessarily,
technically the legal thing to do,
so they help Kayce cover it up
by basically switching gun barrels
between the chief of tribal police's gun and Kayce's gun.
They switch barrels to make it effectively a legal killing.
And then we sort of get Kayce--
Kayce's caught in the middle of this conflict
between his father and the reservation,
and so through, sort of, living on the reservation
and engaging-- oh my god.
It can't be done.
It can't be done.
It was a foolish effort to begin with.
You can't-good TV, you can't summarize in five minutes.
It's too complicated, right?
It's not so cut and dry.
It's not so simple, cause there's a lot of like--
these characters are all very complicated.
Every scene has like deep ramifications.
Nothing's wasted, you know?
So, it can't possibly be done in five minutes.
That is to say, we'll hit the sort of important pieces here.
Basically, the important pieces of episode two
is the cover-up as they sort of work
to try to cover up this violence,
and it's Kayce sort of being torn in two
between his loyalties to the reservation
and his loyalties to his family, right?
And Kayce and Monica, obviously,
big Romeo and Juliet situation here.
Kayce is-Rainwater, the Chief of the reservation
wants to use Kayce as a pawn to take down John Dutton,
but Rainwater also, I think, feels
tremendous sympathy for Kayce.
And Kayce and Rainwater maybe relate
just as much as Kayce relates to his family.
So, this episode, if you ask me,
the episode MVP, Kayce Dutton.
This is a Kayce episode if there ever is one.
It's about, for me, my experience of watching it
is very much about the tension
between Kayce's past and his future.
The tension between Kayce's family,
his biological family, and his chosen family,
Monica and the Broken Rock Reservation.
Kayce really is caught in the middle.
And Kayce's family, Monica too, and Tate
are caught in the middle of this explosive conflict.
And, the terms of that conflict
have really been changed by the violence
that occurs in episode one.
So, episode two is largely about
the Dutton's trying to cover up and protect Kayce,
and it's about Kayce sort of contending
with no matter where he goes,
no matter what steps he takes to try to escape violence,
it feels as though violence is his destiny, right?
Violence erupts he watches his brother in law
kill his brother.
The next day, or you know a little later,
he's driving down the road and a meth house explodes.
Everywhere he goes, violence follows him.
And I think he's starting to contend with that
and starting to ask himself how he can protect his family
and how he can stand for what he wants to stand for
and stand for his code
when violence follows him everywhere he goes.
Tricky stuff.
Episode MVP, Kayce Dutton.
And then my grandma's favorite line of the episode.
My grandma loves all the swearing on the show.
She's really big on the profanity.
It's her favorite part.
And so my grandma's favorite line of the show
is Kayce Dutton in the second scene
while he's working on breaking this horse says,
"F###, god damn it, piece of s###."
That's my grandma's favorite line.
Some Easter eggs for this episode,
some fun little tidbits.
It's the first bunkhouse scene of the TV show.
The bunkhouse will come to be this familiar set
where the wranglers, the Yellowstone cowboys,
spend their time, where they live their lives.
Episode two, first bunkhouse scene,
and it's the first time we see Lloyd
sitting at that table playing cards.
And we learn that Lloyd wears the brand.
So a lot of these early episodes of season one,
we don't know what the brand means.
We don't necessarily understand what it means to wear the brand.
We learn in episode two that Lloyd
wears the brand and Kayce.
We also learn that Kayce wears the brand in this episode,
so we're sort of slowly uncovering what that means.
This is also episode two is where I met
Bobby Roberts for the first time.
Bobby Roberts has been playing Jimmy
as long as I've been playing Jimmy
because the horse duct tape scene
was the first scene of the show that I shot.
So the way that TV like this works
is you do what's called block shooting.
So you shoot a couple episodes at once
to make it more efficient based on location.
And so the first scene of the show
that I, Jefferson White, shot
was Jimmy getting strapped to the bucking bronco.
But thankfully, that wasn't me.
That was Jimmy as played by Bobby Roberts,
who's an incredible real-life cowboy and bronc rider
and who has been playing Jimmy as long as I have.
He rules, and we've been friends ever since.
A little segment I like to call Jeff's favorite guest stars.
Look, I'm a character actor.
I'll be doing this my whole life.
I don't have a Wes Bentley face or a Luke Grimes face,
or Wes Bentley acting chops or Luke Grimes acting chops,
if we're super honest with ourselves.
So I'll spend my whole life sort of coming
in and out of different shows,
being various little guest stars, various parts.
So I love to flag those cool guest stars in every episode.
In this episode, we got John Aylward.
Do you guys know him?
IMDB him, he plays Father Bob.
He's got an incredible career.
He's got 100 credits on IMDB.
You'd recognize him, might not necessarily know his name.
Check him out, he's an amazing actor.
I was so delighted to see him doing this show.
What an incredible treat, as a guy who loves
character actors and loves that world.
What a gift.
And then as long as we're sort of tracking
Jimmy's physical state from episode to episode,
episode 102 Jimmy gets strapped to a bucking horse
and gets beaten up real bad.
Gets kicked around a lot.
Personally, this is about the time in the season,
I think, that I gave up on the idea of the scars
on my b### ever healing.
I would ride for a couple weeks,
and they would open up and be like scabs, really bad.
Really bad situation.
But then I would maybe have a week where I didn't
ride as much and they would heal.
And I'd be like, "Okay, I think there's a future
in which my b### isn't permanently damaged."
This was the point at which I realized
there's no going back.
The show has changed my life in many ways.
One of the ways in which it's changed my life
is that my b### has permanent scars
on the sort of inside cheeks of my b###.
Like a Rorschach test where you see
the sort of symmetrical pattern?
My b###'s like that, but with scars from horse riding.
So as long as we're tracking Jimmy's injuries,
first episode, Jimmy gets tased, branded,
punched at some point probably.
It's safe to assume.
Kicked in the b###, for sure.
Second episode, Jimmy gets strapped to that horse.
I had to throw up from being strapped to the horse
and getting sort of shaken around so much.
And it turns out if you fake
throw up enough times, you'll throw up.
You can only fake it so much.
Your body doesn't really know
the difference at a certain point.
So that's how Jimmy's doing.
In memoriam, episode two, throwing up,
pour on out for the medical examiner
who smoked embalming fluid.
Dang man, hate to see him go out like that.
Pretty f###ed up, Rip.
Dang.
And also pour one out for the meth house guy
whose house exploded.
S###, dark stuff.
Dark stuff.
Breia, let's get some questions from the fans.
(Breia) Sure, all right.
Country living at its best wants to know
what's your favorite part of working on "Yellowstone"?
My favorite part of working on "Yellowstone"
is that every day I get to go to work
and be surrounded by an incredibly talented cast
and an incredibly talented crew
who I feel so lucky to consider my friends after three years.
It is such a gift to go to work with people
that you admire and trust and can learn so much from.
So yeah, that's my favorite part of working on "Yellowstone"
is that every day I get to go to work
and feel like I'm surrounded by 100 of my best friends.
(Breia) Blackroanfarm asks how's the food on set?
It's so good.
There was a day when I ate eight ears of corn,
and it really messed my stomach up for real.
For a week, my stomach was a mess.
You know what I mean, you know what I'm talking about.
Eight ears of corn in a day?
And what happened was it was the first take.
So the way that making a TV show works
is you set up a bunch of cameras
and then you do the scene over and over again
until you get it right,
and you do it from different camera angles
so you can piece it all together later.
But if in the first take, you eat an entire ear of corn,
you're committed to eating an entire ear of corn every take.
And every shot I'd go, "Hey, can you guys still see me?
Am I still in the background of this one?"
And they'd be like, "Yeah, bro."
And I'd be like, "All right,"
And I'd have to eat an entire nother ear of corn.
My stomach wasn't right for most of season two.
(Breia) What about the craft service food?
Oh, the craft service food's incredible.
Gator, our craft services chef,
and Gecko, his assistant, are f###ing amazing.
And our caterers are great.
There's so much food on set.
I gained 25 pounds over the course
of shooting "Yellowstone" season two.
I know, I was almost maybe stress eating
because I was depressed,
but I gained a ton of weight.
The food is so good; it's out of control.
And it's just ubiquitously available.
Yeah, a lot of people put a lot of work
into making sure that we're well fed,
and they're great at it.
They're very, very good at it.
And I'm very good at eating, to give myself some crap.
(Breia) Jeepduncan wants to know
what's the best part about filming in Utah and Montana?
Utah and Montana are incredible and they're beautiful
and they're beautiful in very different ways.
When we shoot in Utah, we shoot in Park City, Utah,
which it's like a postcard.
You're surrounded by mountains.
Utah is a state with incredible biodiversity.
If you drive an hour in Utah,
you feel like you're in an entirely different state.
There's mountains, there's deserts.
It's an incredible place.
So it's amazing to be out there; the hiking,
but the food's also amazing.
There's so much.
I think it's also we have a tendency to reduce
other places to very simple ideas.
We have our idea of what Utah's like
or what Montana's like or what New York is like,
but we've spent so much time in those places now
that I'm like, "Oh yeah, there's everything there."
(Jefferson laughs)
Montana and Utah can't be reduced
to a sort of single experience.
They're beautiful and complex places.
Some of the best coffee I've ever had
in my life I had in Montana.
Shout out to Big Creek Roasters in Hamilton, Montana.
That place rocks.
What's up, Zach?
And I've done some great hiking in both places,
and there's just cool s###.
There's a cool vintage store in Missoula, Montana
that I like a lot.
They're both really beautiful.
I'm not just about coffee and vintage.
I also see nature.
I'm big into nature, too.
I do all sorts of nature stuff.
Nature, love it, birds all the time.
(Breia) Same user, Blackroanfarm,
want to know will we see any romance for Jimmy
or any of the bunkhouse boys in season three?
(Jefferson sniffs)
(Breia laughs)
On that note, I think you should que up some voice mails.
Heck yeah, let's listen to some voice mails.
Amazing, what have we got?
What do we got?
Okay, let's listen to some voice mails.
We set up a voice mail inbox where you can
call in and ask us questions.
I haven't heard these questions before.
We're listening to them for the very first time.
Let's hear them.
(Patrick) My name's Patrick Grimaldo.
My favorite scene was when Jimmy fell off the horse,
and after all the bunkhouse boys were pushing
the cattle forward, he made that split decision
to pick up that calf and carry it back.
It was pretty good moment for his integrity
to show that he belonged there.
And I am 18 years of age
and my Instagram is theinfamousarcoursepig
and phone number is (beep) one.
I would love to be on the show.
Thank you.
Heck yeah, that rules man.
Thank you so much.
That was one of my favorite scenes too.
That's amazing.
If I had any say in it, you're cast, you're in it.
That would rule.
Thanks man, very cool.
I don't have any say in it.
All my friends are unemployed actors.
If I had any say in it there'd be 80 people
in the bunkhouse.
I don't even have a say in my own job.
Can I have a job for season four, please?
I hope, finger's crossed.
Spoiler alerts, we don't know. (laughs)
We don't know.
Okay, let's listen to another voice mail.
(Caller) Hey, Jefferson, my name's Cristan Baker.
What's up man?
(Caller) I live in the Ogden, Utah area.
A big fan of the show and your character.
Saw you guys were out at Antelope Island recently.
Super cool spot, glad you guys are here
and looking forward to season three.
My Instagram handle is @cristandbaker
C-R-I-S-T-A-N-D-B-A-K-E-R.
And side note, you followed my little brother Dylan Baker
and his photography page on Instagram.
His handle is just dylanbakerphotography.
We're both big fans of you and your photography
as well as your acting.
Best of luck filming in season three
or if you guys are already done
we are looking forward to seeing it.
Take care man.
Oh man, that's so cool, that's so nice, thanks so much.
Yeah, went to Antelope Island, it was beautiful.
It's this state park or national park near Salt Lake City.
They got a herd of buffalo out there, it's incredible.
If you're ever around Salt Lake City check it out.
It's amazing.
And yeah Dylan Baker,
so this sounds like Dylan Baker's brother.
Dylan Baker's Instagram account is @dylanbakerphotgraphy.
He's an incredible analog photographer
which is something that I personally love
and it's very fun to follow other photographers
and see what other people are doing
and learn from other people.
So, thanks very much for calling in man, that rocks.
I keep waiting for someone else to do something but it's me.
It's all you. I'm the problem.
I keep thinking like,
"Why, why are they just letting me die out here?"
It's not them, it's me.
Whoa, here we go, here's another one.
(Caller) Hi, this is Jefferson White.
And my Instragram is @_ffersonwhite.
Hey, Jefferson, has your b### ever been the same
after the shooting of Yellowstone season one?
Thanks man, bye.
No, no it hasn't.
(Caller) I loved it when my Jimmy realized
that he had a family at the Yellowstone.
That was the best.
I'm crazy Karen from Instagram.
Love you.
Amazing, thanks Karen.
You're not crazy.
Well we're all a little crazy.
(crew laughs)
Thanks Karen from crazy Jeff.
So, we're gonna do a little phone call.
We're gonna call up Bobby Roberts.
Bobby Robers is the stunt performer
who does all the very difficult, dangerous, amazing
cowboy s### that Jimmy does on Yellowstone.
I met Bobby Roberts during the filming of the first season.
My first day on the show was the bucking sequence
in the first season where Jimmy gets duct-taped to the horse
and that was the first time I met Bobby Roberts.
So, Bobby is a real life bronc rider
and incredible stunt performer.
He's an incredible actor.
He's an incredible guy.
He's taught me so much
over the course of the last three years.
I feel so so lucky to work with him.
He's really been for me what some
of these wranglers are for Jimmy on the show.
He's really been a sort of guiding light
and somebody helps takes care of me,
make sure I'm safe
but then also help me look as cool as possible
at any given moment.
I can't remember, there's like so many times
that I like, I'll ride a horse through a field
and I'll be really proud of myself.
I'll feel like I really pulled off something bada##
and then Bobby will come up to me afterwards
and I'll be like,
"Bobby, how was it man?"
He's nice about it, he goes,
"It's really good Jeff.
You looked really good.
You're going very slowly."
So, he not only is a positive, helpful, amazing mentor,
he also pushes me to try to do my best job,
the best job I can.
And he's been playing Jimmy as long as I have.
So we're gonna talk to Bobby Roberts,
real life cowboy.
Here we go.
(phone chiming)
Hi you've reached the phone (cows mooing)
of Bobby Roberts.
I'm unable to come to the phone right now.
Please leave your name and number
and I'll get back to you as soon as possible.
(Woman) At the tone please record your message.
When you've finished recording you may hang up
or press one for more options.
(phone beeps)
That's pretty cowboy.
Did you hear that in the background
of Bobby's voicemail message?
There's fully cows just fully like baying.
(Crew) Did you hang up?
No, we're leaving a message for Bobby.
Oh okay (laughs)
Bobby that's a bada## voicemail inbox message dude.
s###, and I get it, you're busy.
You're too busy to take my call.
I get it, we're not real friends.
We're only friends on set.
I understand man.
All right, well, you're gonna listen to this message
and it's not gonna make a lot of sense.
Talk to you soon Bobby.
(phone beeps)
Bobby!
(Bobby) Jeff how you doing?
Good man, how you doing?
(Bobby) Good, so I get so many telemarket calls
and I got my phone set on to where
if it's an unknown number it just sends directly
to voicemail but it doesn't show me the number
a lot of times. (laughs)
(laughs) Oh got it.
(Bobby) And it wouldn't allow me to answer.
And we just could've been f###ing anybody.
We could have been somebody trying to sell you some s###.
(Bobby) Hey, believe it or not I did get scammed
by someone in SAG office when I first paid my dues.
It was like 37.50.
They took my credit card information
and went on a shopping spree in New York.
Oh s###, really?
(Bobby) (laughs) Yeah.
And what is your credit card information?
(Bobby) Yeah, I can't give that to you.
(laughs) There you go, hell yeah.
That's the important lesson 'cause I
totally would have I trust you Jeff,
gone on a shopping spree. I trust you but goddang
I know, that's a lot of trust.
How you doing brother?
(Bobby) Good, how you doing?
Pretty good man, where are you in the world right now?
(Bobby) Actually, I'm at home.
I'm in nice sunny California
and J Rod's on his way out here
and we're gonna rope and brand a bunch of calves.
I got about 700 journal.
That's amazing man, you're with J Rod right now?
You guys are working?
(Bobby) Well, he is on his way here.
J Rod's the stunt coordinator of the show.
(Bobby) This weekend, now, this weekend
he will be working for me.
I'm gonna treat him just like he treats us.
(laughing)
That's amazing, man.
Say hi to him for me.
(Bobby) I will.
He told me too, he goes, when he called the other day
I told him that we were gonna do this and he goes,
"You guys better give me a shout out."
He says,
"Jeff always does the Bunkhouse scenes
but he never gives me a shout out," he says.(laughs)
I swear to you, Bobby, I spent like 45 minutes
shouting him out when we shot the Bunkhouse Boys
this year and if it doesn't make it
to the edit that is not my fault.
(Bobby laughs)
J Rod is very good, J Rod's great at his job,
we all love J Rod, J Rod's great,
we're not here to talk about J Rod, Bobby.
He gets enough shout outs.
How are you doing man?
Talk to me about your experience shooting Yellowstone.
Have you done other stunt stuff
or done other film stuff before Yellowstone?
(Bobby) Yeah mostly commercials though.
I never worked on a full show like that.
Everything I ever done before was actually all commercials.
And it mostly involved riding bulls really.
I've done quite few horse stunts with my friends,
with Dill and Bick and Derrick LaCasa
but I never had to do any on film until Yellowstone.
And then it just happened that everybody kind of prepared me
for when something did come
and when it came and I guess it came pretty good.
I mean it feel like we did a good job.
Yeah man. (laughs)
(Bobby) You sure looked great. I mean,
You look great,
(Bobby) Looks just like you.
Yeah, I was telling the folks at home
that we been playing Jimmy for the same amount
of time 'cause my first scene was the scene
where they duct taped us to the horse.
So you been playing Jimmy for three years
just like I have.
(Bobby) Yea, it's been a good run.
It's been a good run, man.
And hopefully, you know, fingers crossed, we get
to keep going for a while.
(Bobby) Right, no I hope so.
It sounds like it.
Yeah, sounds like it's pretty good
and everybody's enjoying it.
So what do you do the rest of the year,
you're a real life cowboy?
Talk to me about your life when you're not on Yellowstone.
(Bobby) The rest of the year I'm a real cowboy.
I ride horses, train horses, take care of a ranch
right here at my house.
Take care of a cattle ranch right here.
And actually I shoe horses too.
I put the shoes on them.
Oh, amazing.
(Bobby) That, then when I'm not, when the weekend comes
we're normally rodeoing,
we go to ropings and rodeos.
Do you still compete then, you still buck?
(Bobby) Yeah, I don't necessarily ride anything
that bucks anymore.
I kind of quit riding bulls.
Actually the last, see I quit riding bulls in 2015
and then first season of Yellowstone,
I played Toby at the bull riding scene
and I rod a bull there that was the last one I got on.
Man, that is wild.
I didn't know that was you in that bull riding scene
in season one.
That s### it crazy.
(Bobby) Yup, yeah that was me.
That's so cool.
Do we get it right on the show?
Do you feel like, when you see the rodeo sequences,
does it feel like real life to you?
(Bobby) Yeah, you know it's,
you know, I think so for the most part.
You got enough guys that know what its all about.
You got, of course you got Jason Rodriguez,
which he's like third generation team roper.
His granddad was a world champion team roper.
And his dad is a world champion team roper, you know,
so they kinda-
just him alone knows how the rodeo set up should be
and then Taylor's familiar with the rodeos and stuff.
You know, I feel like they got a pretty good mindset of it
by the time actually reaches down to us to do.
I'm always amazed at how much of a community it is.
It feels like it's-
every time we go out there and you watch guys ride
there's so many other guys helping him get the rig set,
sort of taking care of each other.
(Bobby) You know, and that's the thing about rodeo
it's just like your average sport, you know.
I mean, you are competing against one another
but it's more or less like a whole nother family, you know,
like we'll go-
we travel all over the rodeos, you know.
You go to Washington for three weeks up there for rodeos
and you stay at friend's house up there
and there's so many other people do the same thing
and then they come down here for the spring rodeos,
they come to my house and stay at my house
and it's just like a whole nother family, you know.
Something-
you break down along the way someone goes
hey, I know somebody up there who will pick your rig up
and get your horses set up, we'll get you fixed up.
No big deal, you know.
And it's actually, you know, a lot of people overlook
the fact of it's more of a family sport
than it is actually an independent sport
cause almost all the guys, all the family guys,
they got a big live in trailer
and they're taking the wife and kids with them
every weekend, every week to all the rodeos, you know.
Yeah, it's amazing to see that.
I feel like every time we do one of those sequences
it's so fun to watch the way-
but they also talk s###, right?
Like I also watch all these-
(Bobby) Oh, yes.
Yes, yes, yeah.
Yeah, I mean, yeah.
They're going to-
they are going to talk crap to you
but they mean it in a good way, you know.
Yeah.
So Bobby, this is your opportunity.
If there is anyone that you want to talk crap to
you've got a national audience right now.
You can say--
you can talk any crap you want right now
and we'll just let you--
they can't talk back.
(Bobby) I mean, I don't--
I feel like I don't want to make any enemies.
(laughing)
That's a good point.
I'll say for you.
(sighs)
Any other cowboy out there,
Bobby Roberts is better than you.
Bobby Roberts is tougher and meaner.
He'll beat your a##.
If you see him out in public, try to fight him.
(Bobby) Just pack a lunch and go along with it.
Yeah.
No, we'd never let that happen, Bobby.
(laughs)
Thanks again, man.
Thank you so much for everything you do on this show.
It really like--
like what you're saying about the community
and the family, I really feel that on this sh--
and I hope you feel the same way.
I really feel that on the show at this point.
(Bobby) Oh, and no doubt, too, you know.
You know it's amazing when I come home and people
are like, you know, people are like
how are the guys to be around?
How are the big time actors?
I say, you know, they're people.
They're normal to us.
And even Dillon Heist.
When Dillon came on the show to do some rodeo scenes
with us over there he was like man, these guys
are all like super nice to hang out with.
Like I have dinner with you sometimes
or Ryan or Luke and, you know, Cole, like--
everybody's nice around us.
It's like rodeoing, you know, it's like family there.
Everyone's nice.
Well, man, I'm so glad to hear that.
(Bobby) Everybody treats you, you know,
everyone treats you the same around there
and that's like, you know, that's the way we grew up,
you know, you treat-
the way I grew up around here you treat people
the way you want to be treated.
And you know, it's super nice, you know.
You get there and you get the gratitude and respect.
And people are just super nice to you
and they love what you do
and when you do it they're excited
because they do a good job and it makes it look nice
and you know, Jason sets it up where it's completely safe
where none of us are going to get killed.
Flets might try and kill us once in a while
but Jason doesn't really let that happen.
(laughs)
Is there anything else you want to shout out
while you're here, while you have America's captive ear?
Is there anyone else you want to shout out?
(Bobby) Nah, I'll tell you what,
I want to give you some credit, Jeff.
From start to where we're at now
you've come a long way
and when my wife, Jamie, told me the other day
that you won the celebrity kite
I was like, I guarantee he did.
And she goes, Jeff?
Out of all of them why do you think that?
And I said because Jeff
has improved the most out of everybody
like Jeff come from New York City,
to scared of a horse,
to be being able to ride a horse by himself,
stop a horse, slide a horse, you know.
Like you've come so far it's amazing.
You've done an awesome job doing it.
And acting as well.
There ain't no way I could do any acting.
I'll stick to the falling off for you
but I can't say lines.
Thanks, Bobby.
That means the world and it's just because any learning
I've done or any progress I've made
is just because of what you're describing.
That family and that community of really talented people
around me who, at every step, you know,
take care of me and teach me
and you guys are so patient with me
and sort of I've really felt the benefits
of that community and that family
so thank you very much for everything from day one.
(Bobby) Not a problem.
No, I've noticed it from about the third episode
that we started together and it was just progressive
and then when we got down to--
when we got down to our last scene
where we were riding bucking horse
how you had to creep up on him
and yeah, you creeped up on him the exact same way I did.
And I mean, shoot, yeah, no one's even going to know
that it was even me.
You did an outstanding job right there.
Ah, thanks, Bobby.
Well, I'll talk to you soon, man.
I hope I see you in a few months.
Soon as we get the green light to go back
and go back to work.
(Bobby) Yes, sir.
Hey, if you get--
I'll take you up the ranch
and you can hang out with us for a day.
I will, brother, I'd love that.
(Bobby) Thanks, take care, Jeff.
See you soon, Bobby.
(Bobby) Bye.
Bye now.
Look, we didn't tell him to say that I had--
that I was good.
He did that all on his own.
He said himself, he's not a very good actor.
If that was fake it wouldn't have sounded that good.
Thanks, Bobby.
And J-Rod-
J-Rod's got this thing where-
God bless him.
J-Rod, every time we do this I shout you out.
I spend hours talking directly to the camera
about how to talented you are.
J-Rod, Jason Rodriguez, he's our stunt coordinator.
Incredible stunt coordinator, incredible writer,
incredible roper.
I spend so much time doing this, J-Rod,
and they just always cut it out.
They always edit it out of the final take.
So it's not me, it's the producers.
They're looking at me right now
and they're telling me we're not going to use any of this.
And that's not on me.
If only I was in control.
If I was in control, believe me.
This show wouldn't even be called
Welcome to the Yellowstone.
It'd be called a ten hour podcast tribute
to Jason Rodriguez,
stunt coordinator, talented writer,
team roper, teacher, mentor, hero,
legend,
myth.
But it's not-
It's staggering how much happens in every episode
of Yellow Stone because this is also the episode
where Beth and Rip go out into the park
and chase the wolves.
It's also an episode where we learn so much more
about Beth and Rip.
Wow.
The show is very good.
There's a lot going on.
There's a lot of very complicated characters
interacting all the time.
And that makes it hard to distill into a summary.
That said this has been
Welcome to the Yellowstone, episode two.
Hope you had a good time.
Thank you so much for your questions,
and your comments, and your kindness,
and your engagement.
That means the world to us.
Never forget, never forget that you have to follow us.
Legally speaking because you watched this
you are legally obligated to follow us
on Twitter, Instagram, Facebook,
and follow and like on YouTube.
No, you're not, but it would be cool if you did.
That'd be fun.
And on TikTok.
(beat boxes)
I'm trying to make them to make a TikTok.
(chuckling)
And this is how you do TikTok.
(beat boxes)
And then they'll have to--
now because I did that they're going to have to pop up
little things that say stuff
and if they don't I'll look like an idiot.
If they just leave me here going like--
I'm going to look so dumb.
They would never do that to me.
They would never betray me in that way.
Right, guys?
(beat boxes)
What if I just do this for a minute and a half?
(beat boxes)
It's like a really long one.
It has a very long-
It was the best of times, it was the worst of times.
Thanks for watching.
See you next time.
(upbeat music)