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- Hello, hello, and welcome back to another year of chaos,
of clownery, and ca-bad alliteration.
Now I'm not very good at doing things in moderation.
And so in 2021, I read 164 books.
You know, some people deal with a breakup
by having a glow up or a ho phase.
Not me. You choose looks, I choose books.
Thank you very much.
So I actually filmed another video where I went
through every single book that I read in 2021
and reviewed them in one sentence each.
But today I wanted to dedicate a whole video
to my absolute favorites, the creme de la creme,
and give them the love and praise and R-E-S-P-E-C-T
that they deserve.
So let's start with some honorable mentions.
These are some absolute bangers that I read this year
that didn't quite make my top top list.
So we have Kafka on the Shore, Convenience Store Woman,
Luster, The Houseguest, Kim Jiyoung, Born 1982,
Gold Dust, Call Me by Your Name, and Exciting Times.
I love these books, my compliments to the chef.
But now, on to the top 12.
In no particular order, because these are all
six out of five stars.
They're all wonderful.
So firstly, we have Hamnet by Maggie O'Farrell.
This won the Women's Prize for Fiction in 2020
and won my heart in 2021.
I'm pretty sure I first heard it recommended on a podcast
and I knew, immediately, just from hearing
a description of it, that it was gonna be my cup of tea.
And it turned out to be my whole damn kettle
'cause I loved it.
It's basically a book about the members
of the Shakespeare family who history often glosses over.
William Shakespeare is there,
but he's never called on by name
and his anonymity allows for the spotlight to instead
be shifted to his wife and his children.
And it's a real vindication of them and a celebration
of what they did and who they were.
And so it's a portrait of messy family dynamics,
as well as loss and grief.
And you get such a fascinating insight
into what life would've been like for them at the time.
But also, as well as all of that,
the prose is just completely and utterly stunning.
This book is bursting at the seams with lyrical writing
and vivid descriptions, which draw on all of your senses.
And I think that detailing mundane experiences
and everyday occurrences in full Technicolor,
like Maggie O'Farrell does, just makes them so palpable,
which means you experience every emotion and sense
that the characters are feeling.
And as a result, when they then go through heartbreak
and heartache, you feel it too.
And, as a result, this book is devastating and winding.
I wish I could witness the world
through Maggie O'Farrell's eyes all the time,
but I'm so grateful that she gave us
this little glimpse into it.
So with each of these books, I'm gonna read you a quote
so that you can get an idea of the writing style.
So here's one of my favorites.
"What is given may be taken away at any time.
Cruelty and devastation wait for you around corners,
inside coffers, behind doors.
They can leap out at you at any time like a thief
or brigand.
The trick is never to let down your guard.
Never think you are safe.
Never take for granted that your children's hearts beat,
that they sup milk, that they draw breath,
that walk and speak and smile and argue and play.
Never for a moment forget they may be gone,
snatched from you, in the blink of an eye,
borne away from you like thistledown."
Imagine. Imagine being able to write like that.
Insanity. I rest my case.
This is the kind of writing that reminds me
why I love literature so much
and also really have it inspired me
with my own writing career and what I want
to write in the future.
So, speaking of careers, actually, now is the perfect time
to talk to you about today's sponsor of this video.
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And so a massive shout-out to Bright Network for,
A, sponsoring this video, but B, just being a great platform
that I have personally used and appreciated.
And actually, speaking on my time at university,
that brings me onto another favorite book
that I read in 2022, which is Loveless by Alice Oseman.
This is such a special book,
which invites you in to learn about asexuality
and being aromantic.
And these were terms that, before reading this book,
were completely new to me.
I was definitely aware of them, but I didn't know much
about what they actually meant.
But then the point is,
nor does the central protagonist of the book.
She is learning the terminology and the definitions
and the nuances at the exact same time
and speed as the reader themselves.
So even if you don't personally identify with those labels,
you still learn so much.
And you can literally see that I was gripping it so tightly
that some of the pages have actually fallen out.
I'm so grateful for reading this
'cause I think it's gonna make me a much better friend
and ally in the future.
And Alice Oseman have just masterfully creates
this really open and warm and safe space to be educated.
And so I think the character's development
where she is being exposed to new experiences
and unlocking words and labels to explain the ways
that she feels makes your understanding
as a reader so much more nuanced.
So I'm really pleased to have read this book
for that reason, but also this book
is set at Durham University,
which is where I did my undergrad degree.
And Alice Oseman lived on the same street as me,
took the same subject as me,
and graduated the year that I arrived.
So I definitely have a very special place in my heart
for this book 'cause it made me feel all types of nostalgic.
And there's something incomparable
about reading a book where you know all the street names
and you can map out the geography of where characters
are moving and visualize everything
that's being described from memory.
And this book addresses a lot of Durham quirks
and traditions and so I just loved it.
But still, anyone could enjoy this book,
especially if you're a university student,
because it's also a study on friendship and coming of age
and human communication, as well as jealousy
and imposter syndrome and misunderstanding
and realizing when you're the one in the wrong.
"In the end, that was the problem with romance.
It was so easy to romanticize romance
because it was everywhere.
It was in music and on TV and in filtered Instagram photos.
It was in the air, crisp and alive with fresh possibility.
It was in falling leaves, crumbling wooden doorways,
scuffed cobblestones, and fields of dandelions.
It was in the touch of hands, scrawled letters,
crumpled sheets, and the golden hour.
A soft yawn, early morning laughter,
shoes lined up together by the door.
Eyes across a dance floor.
I could see it all, all the time, all around,
but when I got closer, I found nothing was there."
So I'd say this definitely comes under the category
of YA, but it's just all about self-acceptance,
so endearing, so empowering, and bloody brilliant.
Okay, the next book is a recent read
and that is Open Water by Caleb Azumah Nelson
because holy moly, this is divine.
The writing just flows so smoothly. I was drinking it up.
Every word in this short little novel is perfectly chosen
and the sentences just dance across the page.
For a debut novel, especially, it is so tender
and vulnerable and it just feels
like it comes directly from the soul.
And so Open Water explores modern masculinity and romance,
but also police brutality, racial profiling,
and the black body in modern Britain.
And also music, specifically rap music,
is a huge motif in this book.
It is literally the soundtrack to the character's existence.
And I loved the way it explores
this really visceral response to art.
And every bit of dialogue and every bit of prose
is just so meticulously pieced together.
I just think it's a masterclass in writing.
It is written in the second person,
which I think some people may find a little bit jarring
at first, but the overall effect it builds
is so immensely powerful.
Such an awesome up-and-coming author.
I will literally read anything he puts out next,
whether that's a shopping list or a novel.
As with a lot of these books,
I underlined so many great quotes,
but I really love this section about reading,
which I think is especially appropriate to this video.
"The rest of the day, a blanket draped over you,
poring over the pages of a novel, Zadie Smith's NW.
'I love her writing,' her mother says.
'She's my favorite writer.
NW is the book I return to most.'
Perhaps that is how we should frame this question forever,
rather than asking, 'What is your favorite work,'
let's ask, 'What continues to pull you back?"
And that quote makes me think of this next book
and that is No One is Talking About This
by Patricia Lockwood.
And the reason that quote reminds me of this book,
specifically, is because I didn't necessarily
love reading this.
I didn't think it was my favorite reading experience.
At times I found it a little bit fractured
and maybe even too niche,
because it's about this very specific time
in 2017 Twitter culture,
but it is a book that just continues to pull me back.
I cannot stop thinking about it.
This book is living in my head rent free,
and the title is no longer even correct.
No One is Talking About This, I can't shut up about it.
It's a book of two halves.
So like I said, the first half
is all about internet culture,
but written from the perspective of someone
who has a real affection for it
and actually genuinely uses these platforms.
And that means that her dissection and criticism
of social media is so much
beyond the surface level criticism that we normally see.
Patricia Lockwood writes about how there
is always a discourse on social media,
how everyone is always trying
to sort of out-nuance each other.
And so it's made up of lots of vignettes
and social media-sized quips.
So you can kind of see how it's structured, right there.
Ooh, and I want to find you a specific section to read.
"Capitalism.
It was important to hate it,
even though it was how you got money.
Slowly, slowly, she found herself moving toward a position
so philosophical even Jesus couldn't have held it:
that she must hate capitalism while at the same time
loving film montages set in department stores.
Politics.
The trouble was that they had a dictator now,
which, according to some people, white,
they'd never had before, and according to other people,
everyone else, they had only ever been having,
constantly, since the beginning of the world."
And then, after that, the second half of the book
is about a family tragedy and the private grief
and suffering that she endures.
And so we have this really fascinating contrast
and juxtaposition between the ultra public sphere
of social media, where there's always a discourse,
and the deeply personal reality that she wakes up
to every day where no one is talking about this.
And when you're so used to being on platforms
where opinions are being fired everywhere,
and people are out-nuancing each other,
it's very disarming to suddenly
be going through something entirely alone.
It's unfathomable to her that there's not someone there
to give her a hot take on the situation and quote, RT.
So as a book to read, I wasn't like,
"Oh my God, I can't put this down, this is so captivating."
But as a piece of art, I think it is phenomenal
and something that keeps pulling me back.
And it's such a product of the moment as well.
So, onto the next book.
This one is Piranesi.
What a strange peculiar and singular book this is.
It's not like anything else I've ever read, like at all.
And so the author, Susanna Clarke, in 2004,
published a book called Jonathan Strange & Mr. Norrell,
which is a fat book, it's a mammoth.
She then didn't release another novel for 16 years
and came back with this tiny little thing.
So it's kinda scary what she's capable of.
And this is a masterpiece.
Piranesi is, essentially, a study in solitude.
It's obscure, but so, so haunting.
There's reference to mythology and Plato
and the Chronicles of Narnia.
It's kind of the style of soft fantasy that I really enjoy.
And this, unlike the previous book,
is one that will make you want to just cancel all
of your plans and just sit and pore over it.
The title Piranesi is an allusion
to an 18th century Italian artist
who was really known for his observational skills.
And this book is all about identity and perception.
And I'm being quite deliberately vague about the plot here,
because I feel like it's something that you just have
to experience.
And I think that the less you know going in, the better.
And I'm really pleased that this won the Women's Prize,
'cause I think it will put this book
into more people's hands.
'Cause it's a tricky one to explain,
especially without ruining it,
so I'm glad that it has the kind of authority and validation
of winning a prize that people do pick this very,
very powerful book up.
And I can't quite express how jealous I am
that some of you get to read this for the first time,
'cause I would sell my soul to the devil
to get to do that again.
So this is intense, but phenomenal.
Okay, this is a book that I would be more likely
to recommend to everyone ever
and that is the Vanishing Half by Brit Bennett.
It's about twin sisters who are black,
but could pass as white, and one chooses
to pass as white and one doesn't.
And from that point, their lives completely diverge.
So we witness how it impacts their lives,
but also the next generation of their children's lives.
And there's twists and turns,
but also really awesome trans representation
and just so much more.
We watch as these characters navigate motherhood, identity,
small town mentality, belonging, and also loneliness.
It's a very nuanced analysis and allegory about colorism.
And I'm always fascinated by books which explore
the same set of events, but from two different perspectives.
So we can see how decisions and mistakes
are perceived by each party because nothing
is ever straightforward.
So Vanishing Half, I'd highly recommend.
Oh, and let me give you a quote.
"A town always looked different once you'd returned,
like a house where all furniture had shifted three inches.
You wouldn't mistake it for a stranger's house
but you'd keep banging your shins on the table corners."
And so another book that I would highly recommend
is this one.
This is Before the Coffee Gets Cold.
The concept is that there's this coffee shop in Tokyo
where, if you sit at a specific seat,
you can travel back in time to have one last conversation
with a loved one.
There's a bunch of complicated rules,
but the basic idea is that you can't change the future
and you can only talk to that person
for as long as your cup of coffee stays warm.
And this is what I mean by soft fantasy that I really enjoy.
Because the premise relies
on some sort of fantastical element,
but, ultimately, the story is just about humanity.
And the elements of fantasy just facilitate
the human analysis that we then get, you know,
by giving them opportunities and scenarios
that wouldn't normally happen in our day-to-day lives.
Kind of like a what would you do situation,
but still tapping into real emotions.
And that's just a personal preference.
I'm just not really into stories about distant planets
and fake battles and overly complex world building
that only really matters within the context of the story.
Yes, I am indirecting Dune.
But I love dissections of human behavior
and the way that we collide in the real world.
So anyway, in here we have such interesting dynamics
between characters, like a mother meeting the daughter
that she never got to know.
We have someone receiving a letter from their husband
just before he was diagnosed with Alzheimer's
and loads more.
I don't wanna spoil too much, but it's simple and minimal
and very kind of whimsical, but also very moving.
And although it's quite slow and character-driven,
there's just so much heart in this book.
"Water flows from high places to low places.
That is the nature of gravity.
Emotions also seem to act according to gravity.
When in the presence of someone with whom you have a bond,
and to whom you have entrusted your feelings,
it is hard to lie and get away with it.
The truth just wants to come flowing out.
This is especially the case when you are trying
to hide your sadness or vulnerability.
It is much easier to conceal sadness from a stranger
or from someone you don't trust."
Next up, we have a Beautiful World, Where Are You
by mummy, sorry, mummy, sorry, Sally Rooney.
I am a proud member of the Sally Rooney defense league.
I would fight (laughs) for this woman.
I think she's brilliant and I've learned so much
about how to craft believable characters from her writing.
So much thought goes into these characters
to make them feel tangible, down to even the fact
that one character has a glitch on his phone
where every time he opens a specific app, his music pauses.
She thinks of everything. It's just so precise.
And I feel like Beautiful World, Where Are You
is a really mature departure from her previous works,
but also still just glimmering
with her characteristic style.
In this book, we have conversations about climate anxiety,
class consciousness, and language.
And I think it's her most natural integration
of big ideas from little, normal characters.
Ultimately, though, it's personal relationships
and love and friendship and sex that drives this novel
and that the characters navigate as they try
to identify the beauty in the big, scary world.
And one of the characters in here, called Alice,
is a young novelist.
And so, as a result, we get to see Sally Rooney's
kind of meditation on her role in the literary landscape.
And so with that, she essentially poses the question,
are books that are just about sex and relationships
and love frivolous and privileged and unnecessary,
or in actual fact has the past year of lockdowns
and social isolation proved that personal human connection
is one of the most important things in our lives?
And since it's so crucial to our existences,
why the hell shouldn't you explore it in art?
So I thought this was profound and dazzling
in its ordinariness?
And just so perceptive.
It also ends in the pandemic,
which gave me goosebumps when I read it.
And my theory, my personal theory, is that Sally Rooney
is going to write the pandemic book,
the definitive novel that ends up in the canon
as the book that describes this crazy world event
that we've all been through,
just like The Waste Land did 100 years ago.
I mean, no pressure to Sally, but we'll see.
Also, you may have noticed that the cover
of this book is usually blue.
Mine is pink and that is because I was very,
very kindly sent an advanced copy of it.
And this is my prized possession, to be honest with you.
If my house was burning down,
I think I'd save this and the dog, (laughs)
although not necessarily in that order.
So let's read a little quote, shall we?
"Maybe we're just born to love and worry
about the people we know, and to go on loving and worrying
even when there were more important things
we should be doing.
And if that means the human species is going to die out,
isn't it in a way a nice reason to die out,
the nicest reason that you can imagine?
Because when we should've been recognizing the distribution
of the world's resources and transitioning collectively
to a sustainable economic model,
we were worrying about sex and friendship instead.
Because we loved each other too much
and found each other too interesting.
And I love that about humanity, and in fact it's the very
reason I root for us to survive
because we are so stupid about each other."
So thank you, Sally Rooney, for that treasure.
The next book is The Song of Achilles,
which (laughs) I just can't find my copy of anywhere.
But I read this book and the first week of 2021,
and I haven't stopped talking about it since,
to be honest with you.
It's called The Song of Achilles
because I have been singing its praises this whole time.
So it's a Greek mythology retelling
which just shattered my heart into tiny pieces.
And I feel like a lot of people are intimidated
by this book because of the subject area
being Greek mythology.
But every single person and god and creature
is introduced in the novel as a self-contained character.
So they're fully explained and it's not snobby or assuming
that you already have prior knowledge.
It's very accessible.
And overall it's a book about love and friendship
and battle and legacy.
But just be prepared for the final few pages of your copy
of the novel to be water damaged from your tears.
Honestly, did I finish that book or did it finish me?
I don't even know.
And I wrote down one of my favorite quotes on my laptop,
so I'll read that to you.
"Perhaps it is the greater grief, after all,
to be left on earth when another is gone."
And the whole book is just as beautiful
and exquisite as that.
So definitely read it. it's worth the hype.
Right, do you want another one,
another one that will rip your heart out,
stamp on it, run it over with a car,
and then crash into it with a meteor from space?
'Cause that's what, that's what this is.
This is A Little Life.
This is a book that I think that you should
definitely approach with caution
because if you were to write a list
of trigger warnings for this book,
it would probably be longer than the book itself.
And she's chunky, to be fair.
But basically, Hanya Yanagihara introduces you
to these four people who you build such an affection for
and then she just destroys them.
And everyone I know who has read this
has had such a strong, emotional response to it.
When they feel joy, you feel that euphoria as well.
But when things go wrong, holy hell.
You feel every ounce of that crushing sadness
alongside the characters too.
And it's well-documented on this channel
that I usually have big book fear,
but I couldn't get enough of this.
And I actually think that the length of this book
is part of what makes it so special
because you really get to spend time with these people.
And that allows for a really complex character study.
And I think this takes place over about 60 years,
but, crucially, there's no cultural or historical landmarks.
So, the only way you see time passing is by Thanksgivings,
birthdays, Christmases.
And that really helps with the pacing because,
by not having to explain how the world
is changing over those 60 years,
you just really get to focus on the characters.
But also it makes the book evergreen.
It feels like it's happening right now.
So it's an emotional decathlon laced
with pain and suffering and profoundly sad.
And just so vividly written that you forget
that there's even a page with writing on between you
and the characters 'cause they feel so real.
It feels like their lives are unfolding
right in front of your eyes.
I have seen some people refer to this
as torture porn or things like that,
but I think that's quite reductive
to people who do go through intense amounts of trauma
and do endure a life of extreme tragedy.
So I just thought this was great.
So to give you an example from one of the many pages
that I've underlined.
"Why wasn't friendship as good as a relationship?
Why wasn't it even better?
It was two people who remained together, day after day,
bound not by sex or physical attraction or money or children
or property, but only by the shared agreement
to keep going, the mutual dedication to a union
that could never be codified."
And there's lots of other great quotes just like that one.
So check it out, if you dare.
Right, we're almost there.
This is The Seven Husbands of Evelyn Hugo.
She is an icon, she's a legend, and she is the moment.
Taylor Jenkins Reid had me in the palm of her hand
in 2021 because I swear she laces the pages
of her books with crack.
Basically about a Hollywood starlet
who's been keeping gossip magazines in business
throughout her whole career, but she's, in later years,
been very, very private.
That is until a young journalist is given the call up,
having been personally invited by this superstar,
Evelyn Hugo, to help her write her memoir of her life
and finally come clean about all of the scandals
and the misunderstandings that have occurred in her career.
The book is very heartwarming, fast paced,
completely vibrant, and there's a huge twist
that made my jaw drop so much,
that I swear I could taste the carpet.
Truly this wrecked me.
It's a book that gets so much hype,
but it deserves all of it and it completely lives up
to expectation and then some.
So I would highly recommend that everyone
picks up a copy of this book.
"Sometimes reality comes crashing down on you.
Other times, reality simply waits, patiently,
for you to run out of the energy it takes to deny it."
And, finally, in my favorite books that I read in 2021,
last, but definitely not least,
The Housekeeper and The Professor by Yoko Ogawa.
I really enjoyed reading quite a lot
of translated Japanese fiction this year,
specifically because I love
the microscopic character studies that they do.
And this was such a standout. It's completely spellbinding.
By the way, as you can probably tell,
I'm very much a characters over plot kinda guy.
No plot, just vibes, is great for me.
But The Housekeeper and The Professor is about a man
who has an 80-minute memory
and he used to be a math professor.
And though his memories are very hazy,
the one thing that he has completely hung onto
is his knowledge of maths.
And the way that numbers are described in this book
is so illuminating and exciting to the point where,
even for me, as someone who doesn't care about maths at all,
I found it really endearing and engaging.
And so I highly recommend allowing yourself
to slip into the warmth of this book for a little bit
and letting it just embrace you.
"The Professor never really seemed to care
whether we figured out the right answer to a problem.
He preferred our wild, desperate guesses to silence,
and he was even more delighted when those guesses led
to new problems that took us beyond the original one.
He had a special feeling for what he called
the 'correct miscalculation,' for he believed the mistakes
were often as revealing as the right answers."
I thoroughly enjoyed the curiosity of this book
and the passion for learning.
It's infectious, in a good way.
Probably the only time you'll hear me talk
about something being infectious in a good way in 2022.
But I thought this was great.
So those are the top books
that I just completely adored in 2021.
I would absolutely love it if you could comment down below
letting me know what your favorite book of the year was
so that I can get started on that 2022 TBR.
And I've already read some brilliant things this year,
so it's gonna be a good year for reading, at least.
It's gonna be a good year for reading.
So thank you so, so much for watching this video.
A massive shout out, of course,
to Bright Network for sponsoring it
and the link is down below.
Make sure you sign up to open doors for yourself
and your career.
Make sure you press subscribe if you're new around here.
I'd love to have you in 2022.
And I'll be back very, very soon with a brand new video.
So, all the best stay in touch,
have a wonderful day
(blows kiss)
and good bye.