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  • Tokyo so often described as α concrete jungle

  • I think would come to surprise people

  • by the variety of green spaces it has

  • and those are propped up by the number of museums you can discover

  • so the topic of this video is going to explore

  • The Tokyo National Museum

  • You can explore around that museum as well

  • if you ever have a chance to get out to this region

  • And it's beautiful, calm and peaceful

  • And there are 101different historical buildings

  • displays, and interesting things to take note of

  • Should you be so lucky,

  • Asakusa actually even has a Onsen

  • a legit hot spring you can go and visit

  • And if you're craving for an energy beforehand

  • there are absolutely beautiful hotels which include

  • some wonderful traditional Japanese dining

  • I'm not the one usually for fish in the morning,

  • but if it's prepared very well,

  • as often you can find it,

  • if you find these special places, in Asakusa

  • Then you're treating yourself well before you go out for the day

  • Lean, mean and prepared to take in all the arts

  • I highly recommend checking out something like this

  • because this is the sort of even burning fuel,

  • that is not just going to keep you awake,

  • but actually a part of cultural experience

  • when you come to Japan when you can find it

  • Here today at the Tokyo National Museum

  • And they're putting on the Japan Cultural Expo

  • Here you can see 5 of Japan's important Traditional Performing Arts

  • Now for a lot of you it's going to be difficult to come and see this in person

  • and that's why we're creating this digital production

  • The museum was an incredible experience to be hold

  • The image you see are all taken from all installations at the exhibit

  • Not in order of style,

  • This was my exposure of performing arts of Japan

  • and I can say with confidence, I'm impressed by not one particular style

  • although each of them is impressive in it's own right,

  • but more by the fact that they've each so influence each other over the years to they've grown

  • What I've learned that if you follow they line of their inception,

  • there was a root style

  • Gagaku

  • It takes it's influence from China and Korea

  • I was struck once understandings that,

  • how you could see the influences of the respective countries

  • both the colors and styles of the contributing countries

  • Shapes and palettes I would usually associate with China,

  • correspondingly Korea,

  • were present in the so many garments and tools of the art

  • A first sight of just how these are inter mingled are with the rest of the world,

  • if you look just far enough in their history

  • On that detail,

  • it's notable that each of these performing arts within Japan

  • one specific location where they originate

  • instead,

  • many different areas of Japan has contributed to their own style

  • Within the museum there are 5 performing arts on display

  • Kabuki, perhaps the one most well known,

  • Bunraku, a kind of advanced puppetry similar to that you see in North America,

  • but a Japanese iteration performed by black cloaked figures,

  • Noh and Kyoden famously telling their stories from beautifull minimalistic stage

  • Gagaku, as mentioned previously,

  • The oldest tradition, most sporing from other cultures,

  • and finally Kumiodori, a style which owes it origin to Okinawa Japan

  • Each has influenced the other,

  • and each provides from fascinating different forms of Japanese fine art

  • Kabuki, the most well known has taken their tradition from Edo Period of Japan

  • and was performed by men and women taking on roles opposite that their gender

  • Dance is an enthusiastic focus of the art,

  • and the beautiful costumes associated with the dances

  • stand out as the center piece of what makes it so special to observe as the audience

  • Historical location such as Nanzenji Temple in Kyoto

  • feature in this story that are conveyed through this style of performance

  • Bunraku is a skillful manipulation of puppets

  • it too takes its origin from Osaka as well,

  • from the Edo Period of 1603 to 1868

  • but also grew in popularity,

  • through the Meiji Period of 1868 to 1912

  • The performance in this case is done to a musical recitative performance of

  • Gidayu Bushi

  • The extremely famous instrument of Shamisen,

  • is used to create the melodic backdrop to what it's sung

  • By mid 18th century it became common practice,

  • for 3 puppeteers to operate the show

  • Innovative and ingenious mechanisms were incorporated to the heads of the puppet by this time

  • which unlocked the potential for far more elaborate expressions,

  • to further engage with the audience

  • of the skills of those who would put on the displays of this unique art

  • Noh and Kyoden are together referred as Nogaku

  • They were initially referred to as a pair

  • called Surugaku

  • While at first this art form was exclusively an act done at religious rights,

  • temples and shrines,

  • and limited entertainment only at those events

  • It would embark from the sacred only

  • to be included as well

  • an artistically dramatic performances

  • all accross Japan

  • at a variety of events and locations

  • The two forms play at each other as well

  • While Noh is considered quite solemn,

  • Kyogen has the more laughter and playful associated with

  • The guidebook provided by the museum,

  • perhaps best describes them when it reads,

  • Noh and Kyogen are like siblings

  • branched out from Sarugaku,

  • to compliment each other for tension and relief

  • It's quite easy to get lost in the historicity of these art forms

  • In the brief time I have dedicated to understand them a little better

  • I fully admit to becoming entangled at times

  • in the many historical dates and symbolism each seek to convey

  • What I'm reminded though is that history is important,

  • what carries them into the present day and future

  • is that intangible element

  • not written down or spoken of

  • That enabling experience that comes with the enjoyment

  • and participating in and absorbing a skilled art

  • While clothes, tools and stages make comprise what we literally see,

  • they are in the end something more

  • A portal in which we are all invited to experience something new

  • I hope exposure to them will inspire others to beyond the costumes and sounds

  • to the world which exists

  • not outside, but inside all of us

  • when we experience intangible cultural expression

  • but we do in fact have another way to experience this

  • This is the Virtual Japan Cultural Expo

  • And this is the main area you have access to when you go into it

  • Now from the main map,

  • you can select a number of locations you can visit

  • VR Expo App is available both on Android and Apple

  • All you need to do is download, install, brief sign in, registration and

  • then you have access to this particular Metaverse

  • From its main part you can access many different parts you would see at the exhibition

  • Here we're at the Wood Art Theater

  • It is here that we can see some of the performing arts

  • that Japan has at the exhibition

  • Inside the theater clickable links allow you to see them

  • And there are a variety because they have 5 different arts on display

  • There is more as well than the 5 traditional performing arts for you to learn about in this metaverse

  • and you can explore through a variety of different locations

  • each of which with ease set of location

  • and experience you can have

  • For me the most fascinating point of interest in the wood theater,

  • where they had macro pictures

  • where you can zoom into on a incredible level of detail

  • I don't remember the last time that I've seen images of this kind of resolution

  • that would allow you to do that

  • This was a lot of fun,

  • and there is a ton of cool information to explore

Tokyo so often described as α concrete jungle

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