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  • Hi, everyone. I'm Sawako Fujima.

  • I'm both an actress and a traditional Japanese dance (Nihon Buyo) performer.

  • Today, I'll show you how I put on stage makeup for my dance performances.

  • Let's begin.

  • I'll start with cleansing.

  • I use this solid soap by Muse to wash my face

  • as I've been told that solid soap is a better choice.

  • I'll wash my face now.

  • Okay, I'm done with cleansing.

  • Usually, the next step is moisturization.

  • But...

  • I'm not doing that.

  • I'll put on the "Habutae" cloth.

  • It looks like this.

  • I'd cover my tied-up hair with this before putting on the wig.

  • Let me show you how to wear this.

  • Wearing this hair net first.

  • Okay.

  • Here we go.

  • Pull these drawstrings behind like this to tighten it.

  • That's all for the "Habutae" cloth.

  • Next, I'll work on my face.

  • In "Nihon Buyo" dance,

  • putting on makeup is also putting on our "expressions."

  • I'm going to "erase" my brows.

  • "Mayutsubushi" paste.

  • It kind of looks like clay.

  • Yes.

  • The shape reminds me of a crayon or chalk.

  • I'll melt it.

  • [Eyebrow Erasing]

  • Apply it and use your finger to spread it in line with your brow hair.

  • If you put on too much, it'd appear thick.

  • So when you think it's too much,

  • you can use your nails to scratch the excess off.

  • Try it.

  • The hair at the start of our brows tends to face upward.

  • That'd mean it'd pop out.

  • So I'm going to apply more in that area.

  • For those who find it difficult to use your fingers to do it,

  • use the tip of a brush.

  • It actually makes it easier to smooth it down like this.

  • Good.

  • All right.

  • Moving on to makeup base.

  • This is the base.

  • It's what I use.

  • I'd fully cover my neck, back, collarbone area,

  • and my whole face with it.

  • Remember I skipped moisturizing?

  • There's no need to because I'll be applying pomade.

  • Pick up a small chunk

  • and put it on your palm like this.

  • I'll use the warmth of my hands to melt it and spread it on.

  • Try to use your palms as much as possible when applying it.

  • Use this part and here to spread it.

  • I'll start with my neck.

  • For today,

  • I'm not going to cover this area.

  • For an actual performance, I'd cover both front and back.

  • Done.

  • Next up.

  • "Shironuri" makeup.

  • This is the white powder.

  • Yes.

  • Next...

  • I'll dip this brush in water

  • and pick some up.

  • Like this.

  • Let's do this.

  • [White Makeup]

  • Using this MITSUYOSHI sponge.

  • Looks good.

  • You can apply just one layer, but I'll do two.

  • I'd add more water to the brush for the second time to make it less thick.

  • By applying a watered-down layer after the first time,

  • it'd give the look a glow.

  • So I alter the second layer's thickness.

  • I press my face with the sponge instead of hitting with it.

  • Then dry it.

  • But if there's unevenness, you'll need to tap it out.

  • Done.

  • All white.

  • Moving on.

  • This is face powder.

  • It helps to calm the skin

  • and removes excess water.

  • Okay.

  • For the white powder on my lashes,

  • I'll use a gauze towel to remove it.

  • Okay, next.

  • I'll glam up my eyes now.

  • This is rouge for stage makeup by Shiseido.

  • This is what it looks like inside.

  • Use a plate such as this and press the stick against it.

  • Use your brush

  • to soften it and pick up some color.

  • Left eye first.

  • Hmm.

  • I'm going for it.

  • [Eye Makeup]

  • Use the tip of the brush

  • to spread the color here to the eye bag area.

  • Like this.

  • Depending on the role I play, I can make my eyes appear like slits

  • or make them round and cute.

  • I'd adjust my eye makeup according to the character I play.

  • It depends on the theater.

  • There are customers seated in front, at the back,

  • on the left, and on the right.

  • As I'm being looked at from all sides,

  • I bear that in mind when I do my makeup.

  • I'll add a little color to my eye's inner corner in line with its shape.

  • Yes.

  • Looks great.

  • I'm going to draw my eyebrows next.

  • The most nerve-racking part.

  • I'll do a rough sketch with red first.

  • I'll be drawing the "sasa mayu," brows shaped like bamboo grass.

  • Okay, next step.

  • I can do black,

  • but I'd prefer to use this dark brown shade in the middle.

  • This is oil-based.

  • I'll apply it on top of the red.

  • Doing it now.

  • Good.

  • I'll follow up with the black shade meant for brows.

  • This black shade.

  • If this is a brow, I'll be drawing a black line on top.

  • Then I'll smudge it downward.

  • I'll mix it with the red and brown to create a gradation of colors.

  • That way, the brows will look natural.

  • There.

  • Next, I'll apply rouge to my lips.

  • Make sure that you draw it smaller than your actual lips.

  • I have the habit of pursing my lips when I dance.

  • So I need to paint it right to keep the color on the upper lip intact.

  • Okay, done!

  • Let's move on to blush.

  • This is Cheek Color #01 by MITSUYOSHI.

  • I'm using this.

  • Grab some of it like this.

  • Rub it on the lid to blend it.

  • Swipe it on in a shape of a "C" like this.

  • By putting on this blush,

  • the pink stands out very nicely when I stand on a fully lit stage.

  • It creates a very lady-like and sweet image.

  • So blush is a must.

  • Adding this pink makes the look more beautiful.

  • Yes.

  • Next step.

  • Not sure what the brush is called.

  • Looks like this.

  • Use this

  • to grab some powder.

  • I'm going to contour my nose.

  • Add some pink here.

  • [Nose Contouring]

  • Nice.

  • Lastly, I'll use this small brush with the same powder.

  • One stroke down from here.

  • And one stroke here.

  • Yes.

  • And this is my final step.

  • Eyeliner.

  • Rubotan LINE LIQUID.

  • The black shade.

  • I think this is specially made for stage makeup.

  • I'm going to draw along my eyelids.

  • After putting on eyeliner,

  • never ever open your eyes wide immediately.

  • Use a fan

  • to dry them before opening your eyes.

  • There.

  • The lines are dry.

  • That wraps up the face makeup.

  • After makeup, I'd wear my kimono, wig, and headpiece.

  • And that completes the look.

  • Something like this.

  • Yes.

  • This "yukata" robe that I'm wearing today

  • was designed by me with advice from others.

  • When a performance is over and everything's packed,

  • it's vital to properly remove the makeup and moisturize.

  • These things are not good for the skin, so it's important to moisturize it.

  • This is what I use.

  • I love using Curél products.

  • This is Moisture Facial Lotion II.

  • When I feel that my skin's dry, I'd use Melvita's Face and Body Oil.

  • If I put this on first followed by lotion and facial milk,

  • it makes my skin very moisturized and bouncy.

  • I love fragrances too.

  • These are scented sachets.

  • When I move, they emit a nice smell

  • and that calms my heart.

  • I highly recommend them.

  • This is my makeup routine before a performance.

  • When I do my makeup, I'd make sure my heart is calm.

  • It's a precious time that I use to face myself in the mirror.

  • Thank you for watching this video.

  • If you're interested, do come and watch my performances.

  • It'd be great to see you.

  • Thank you and see you again!

Hi, everyone. I'm Sawako Fujima.

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