Placeholder Image

Subtitles section Play video

  • Arguments are extraordinary things.

  • Painful things sometimes,

  • but fantastic ways of clarifying thought.

  • That could be arguing with your partner, arguing with a friend,

  • arguing in the law court, arguing in parliament.

  • But for me, at least, all these types of arguments

  • show where the truth is going wrong, helps you to think more clearly,

  • and in my case, helps me to change my mind.

  • A successful argument basically starts

  • with a really good grasp of the subject.

  • You need to choose your subject well.

  • Secondly, structure.

  • It needs a very clear beginning, middle and end.

  • Thirdly, the content of it, the words, the phrases,

  • the metaphors, the jokes, the things that give it life.

  • And finally, emotion.

  • And the way in which that's carried out, not just in the words,

  • but in your voice and in the way that you move your body.

  • When I'm making a speech or I'm about to go into a formal public argument,

  • I firstly work out very clearly what the structure is.

  • What are the two points or five points that I'm trying to land?

  • Then I think very carefully about memorising the first line

  • and the last line, so that I can finish on a strong point.

  • And then I walk and practise.

  • Speak and practise. Speak and practise.

  • And sometimes it just flows. Sometimes it's magical.

  • And sometimes you find

  • that something you thought was going to be magical

  • has become all kind of tortured and contorted and too complicated.

  • And it's not really working.

  • Arguments go wrong in many, many different ways.

  • One of the main ways in which we go wrong

  • is that we just lose control of our words

  • and we lose control of our emotions.

  • Emotion is very, very dangerous in an argument.

  • It can really put people's backs up.

  • And really upset them.

  • And we feel, at a sort of animal level,

  • somebody's emotion coming at us

  • and it can make us sort of shut down and no longer listen to the words.

  • But at the same time, emotion done properly

  • is really the only way to win an argument,

  • because nobody's just going to listen to words.

  • So the master in argument

  • is somebody who can perfectly calibrate

  • when to hold back and when to go for it.

  • The best argument I've probably ever won

  • was in the first leadership debate

  • when I was running against the other candidates

  • to be leader of the Conservative Party,

  • to be prime minister of Britain.

  • And I suddenly found, about halfway through the debate,

  • that I had the right type of comparison to use.

  • I suddenly remembered that I'd been trying to put three bin bags

  • into the rubbish bin at home.

  • And my wife said,

  • "You're never going to get these three huge bags of rubbish in."

  • And I was tempted, like Michael and like Dom to say "Believe in the bin",

  • "Believe in Britain" right? It's nonsense!

  • They're not going to get a different deal out of Europe,

  • we all know that.

  • They know it themselves.

  • I produced it and I won the audience round and I won the debate.

  • The worst argument I had in my life

  • was the second big TV debate I did

  • when I was running to be leader of the Conservative Party,

  • this was my big chance to prove that I could be prime minister.

  • And I thought I had the most killer argument.

  • And I was just going to say to Boris Johnson,

  • how are you going to get Brexit done by the 31st of October?

  • And I kept asking the question and nobody would answer.

  • And I got more and more wound up with myself.

  • And my whole body language kind of cramped up.

  • My voice became very contorted.

  • I took off my tie, very bizarrely, in the middle of this debate,

  • and I felt within about two paragraphs

  • I had managed to lose my entire vision for Britain.

  • Tonight you were a bit lacklustre, weren't you?

  • I didn't find that format really worked for me,

  • and I'm going to have to learn how I flourish

  • in the strange format of alternative reality.

  • One of the great changes in the history of argument is, of course,

  • the arrival of television, because suddenly it's possible for people

  • to view politicians in particular in action.

  • And the great moment where this really came into prominence

  • was the TV debate between Kennedy and Nixon

  • about who was going to be president, and famously, Nixon won on radio.

  • His arguments were much more serious, much more thoughtful.

  • But Kennedy just glowed on television,

  • and that's what really won him the presidency.

  • I love arguing on Twitter.

  • There's something very, very satisfying

  • about the discipline of that word limit.

  • You get to put out your argument

  • and then somebody comes back and then you come back at them.

  • And I love the clarity of that.

  • It's a beautiful way of arguing,

  • which wasn't available to us until Twitter was around.

  • One of the things that's very difficult about argument

  • is that in the modern world,

  • we often see it as a very, very bad thing, arguing.

  • Sometimes it's seen as a very male thing, a very aggressive thing,

  • something that makes people unhappy.

  • It's almost a form of bullying.

  • But if you don't argue, it is very, very difficult to get to the truth.

  • If you just let everything slide, if nothing gets challenged,

  • if you don't try to really pin down what somebody's saying,

  • you get a very lazy form of thought.

  • And a lazy form of thought, in the end, is a version of lying.

Arguments are extraordinary things.

Subtitles and vocabulary

Click the word to look it up Click the word to find further inforamtion about it