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  • - You notice in this shot,

  • steam is coming off the back of the table,

  • so they actually could just have a steamer somewhere below

  • that gives the illusion of a nice, hot fresh pizza.

  • It could also be a tampon soaked in hot water

  • that's just laying behind the pizza and steaming up.

  • Hi, I'm Lish Steiling.

  • I'm a chef, food stylist and culinary producer.

  • I've worked on all kinds of food styling gigs

  • from commercials to television shows and print.

  • Today, we'll be breaking down food styling

  • and TV commercials.

  • This commercial is from Pizza Hut.

  • - [Narrator] Pizza Hut, baby.

  • Detroit-style pizza.

  • With the cheese all the way to the crispy edges.

  • Savory sauce poured right on top.

  • Go ahead, get yourself some Detroit Style.

  • The Detroit-style pizza.

  • - Look at that cheese pulls [laughs].

  • Typically, you wanna be able

  • to use the right kind of cheese.

  • Mozzerella is the stringiest, pulliest kind of cheese

  • that you can use.

  • If you're buying the pre-shredded

  • any kind of cheese, really,

  • normally it has an anti-caking agent on it

  • so it doesn't always give you the best melt.

  • So really, the best thing to do is to shred it yourself

  • off of a block.

  • The cheese has to be at the right temperature.

  • This can't just be out comes the pizza

  • and you do it, because then the cheese is too hot

  • and it's gonna slide off the sauce.

  • If the cheese is too cold,

  • it's just gonna break and snap.

  • It has to be that perfect moment.

  • That slomo shot.

  • Bow-chicka-bow-wow, just perfect.

  • Once you start the cheese pull, you're committed.

  • Though it's all slow and steady.

  • Up and away, slow and steady, up and away.

  • So you're gonna get one pull per pizza, each try.

  • And if you don't nail it, in comes the next pizza.

  • The assistant in back is just cranking through pizzas

  • trying to get these right.

  • A little secret to the magic

  • is we actually pre-cut the crust or the slice

  • before you actually build it.

  • Then you put your sauce on.

  • You might even put a little bit of paper towel in between

  • so that the sauce doesn't seep out.

  • Then you cover it and load it with the mozzarella cheese.

  • Now you have the ability to pull up that mozzarella cheese

  • and get that pull

  • without actually cutting through the cheese

  • and losing the pull.

  • So it gives you that amplified stretch

  • that you want in the commercial.

  • To get those crispy edges around the outside,

  • you have to make sure that you have

  • a decent amount of cheese on those edges.

  • So you might actually stick pieces of cheese vertically

  • so that you have that crispy wall that forms

  • instead of just sprinkling it around.

  • That was not one of these actions.

  • That was a this action.

  • So this is where oil comes in.

  • I like to call it lube

  • because literally, that's what you're doing.

  • You're taking canola oil

  • and you're brushing it on very gently with a paintbrush

  • over the top that makes it look hot and fresh.

  • You want something that has that glisten

  • that says, come take a bite of me.

  • This is my favorite paintbrush that I have.

  • This guy I like because it can take a lot of oil

  • and I don't have to keep going back in.

  • It's great for just stabbing as well.

  • That's why I like this guy.

  • You definitely have to consider the camera angle

  • when you're a stylist.

  • When you're looking at something this way,

  • you're looking at the texture.

  • You're looking at the pepperoni,

  • how it sticks up and curls up.

  • If you're thinking about overhead,

  • you're not caring so much about all of that movement.

  • The tomato sauce is very glisteny.

  • You just have to think about the texture as a stylist

  • to make sure that it spoons on nicely.

  • So this is the Kunz spoon.

  • It was designed by Chef Gray Kunz.

  • May he rest in peace.

  • He passed away recently.

  • And it is thought to be the perfect spoon

  • for spooning things.

  • The depth of the bowl is deep enough, but not too deep

  • and it comes to a nice point here

  • so that as you're spooning or pouring this way,

  • it comes off in a nice, steady stream.

  • Just a little tip about a spoon.

  • Hold it like you do a pencil

  • 'cause you have more dexterity this way

  • versus holding it like this.

  • Then you're just kind of awkward and cumbersome.

  • The more you know [laughs].

  • This is a commercial for McDonald's.

  • - [Narrator] How can you make McDonald's

  • hot, deliciously juicy quarter pounder even more delicious?

  • One word, bacon.

  • The new fresh beef quarter pounder, bacon or deluxe.

  • - Why do people think that bouncing food is more attractive?

  • For some reason, a lot of commercials have bouncing food.

  • Something to think about on this burger

  • is with McDonald's, typically it's done on a flat top,

  • right, so it's one side, one side.

  • With this guy, you can tell that it was specifically

  • rolled on its edge to get some of those brown crispy bits

  • coming off the edge.

  • That's what you want because the angle

  • is going into the burger.

  • It's not straight on top of it

  • so you need that golden brown all around.

  • You can also use a torch or heat gun

  • to actually get a little bit of that sizzle on there.

  • This is a little specific gun

  • that gives you a very specific point of heat.

  • It's literally called a MAG torch.

  • It has something to do with construction and carpentry.

  • Might be a welding tool.

  • So, the amount of lube on that burger

  • actually leads me to believe that it might actually

  • be stored in canola oil.

  • So, often at the beginning of a shoot,

  • we'll sear off a bunch of burgers

  • and then slide them in a bath of canola oil

  • and when you bring them out and you just

  • kind of pat them dry a little bit,

  • use the heat gun if you need to bring them back to life,

  • and voila, you have a fresh, sizzly burger

  • that's been sitting for 12 hours.

  • Here's the thing with getting the cheese

  • in the right place on the bun.

  • You're never seeing the back side of that sandwich.

  • 'Cause you're looking into the food

  • which is good, it's attractive,

  • but that means you can actually play with the cheese.

  • So it can actually come forward a little bit more.

  • You get sexy drape, you cheat the meat a little bit forward.

  • It's right at the edge of the bun.

  • It looks like it's a full sandwich

  • that you just wanna take a bite out of.

  • So there's definitely tricks that you can do now

  • to get that wavy looking bacon.

  • There are pans that you can buy

  • that actually allow it to drape in that way.

  • Old school, we used to actually make a aluminum foil

  • kind of situation

  • that would allow you to kind of get that waviness

  • which is the way to achieve that.

  • Baking just gives you a much more even heat source.

  • Listen, I love fried bacon like the best of 'em,

  • but in baking it, you get a more even appearance.

  • In order to find the perfect bun,

  • they might have to sent flats and flats

  • of beef burger buns

  • for the stylist to be able to pick it up,

  • do you see enough sesame seeds along the edge?

  • Is it brown enough far enough down?

  • Is there any kind of nubbing falling off?

  • Right, sometimes that ribbony effect

  • that happens on a bun.

  • Very sharp kitchen shears

  • so that if you ever get that ruffle

  • on the edge of a hamburger bun,

  • you can simply snip them off.

  • For the soda in this shot,

  • it looks like they probably used fake ice cubes

  • because there's a lot of 'em in there

  • and they all still look like

  • they're pretty perfectly intact.

  • Also, the outside of the glass looks nice and frosty

  • but you can get that illusion with a spritz bottle [laughs].

  • It's also good if you're trying to fresh up the pickles.

  • It's great if you're working with lettuce

  • to keep things looking crisp and fresh.

  • This is a commercial for Olive Garden.

  • It's snowing

  • The wind is blowing

  • Bouncing food [laughs] ♪ But I can't weather

  • The stormHello, lover.

  • What do I care how much it may storm

  • There is so much happening in this commercial [laughs].

  • This had to be a multiple day shoot.

  • Almost every single take in this commercial is a challenge.

  • From the time-lapsing of the ziti

  • to the stirring of the soup

  • and having the dribble come down.

  • The culinary team in and of itself

  • would probably have four people on it.

  • So there's the lead food stylist

  • and two or three assistants even

  • or a PA that might help with them as well.

  • I applause Olive Garden because

  • there's a lot of details here.

  • With a slice of lasagna

  • where it's into the food

  • and you're seeing all the layers,

  • you need something to absorb any excess liquid

  • so maybe there's some paper towel in there.

  • Maybe there's a little light days panty liner action

  • to absorb some of the extra.

  • Something that's gonna stop it from oozing too much.

  • It just gives you longevity.

  • It looks dreamy, doesn't it?

  • I'd eat that piece of lasagna.

  • To get that bubbly action that's happening

  • even on the slice,

  • there's gotta be some kind of heat source

  • very close by.

  • A heat gun right on top.

  • They take it right out of the oven and blast it

  • and then put it right out in front.

  • Microwaves work too.

  • But it's probably some kind of heat source on the set

  • that's keeping it nice and hot like that.

  • In reality, with this breadstick in particular,

  • it's probably one person brushing

  • and another person coming by and throwing it on.

  • It's definitely a group effort

  • between the cameraperson on the pan,

  • the lighting guy who has the perfect light

  • coming from the back so it's like oh, it's sunset

  • and we're just dusting our breadsticks.

  • It takes a village.

  • The pouring of the cheese sauce

  • is all about the consistency of the cheese sauce.

  • Maybe you have to thin it out a little bit.

  • Maybe you have to thicken it a little bit.

  • Maybe you don't have to heat it up

  • because it pours better when it's cold.

  • This might be being poured out of a pitcher

  • because then you get that consistent stream

  • and you have plenty of sauce in there

  • to nappee the beautifully browned chicken

  • that's resting carelessly on top of the pasta.

  • I mean, it's a whole symphony of white and brown food

  • that you've never wanted to dive into more, right [laughs].

  • This is a commercial for Burger King.

  • [lively orchestral music]

  • What a difference a day makes

  • So my first initial thoughts at this commercial

  • is A, it kinda pulls back the curtain on food styling,

  • which is great, and B, molding can be beautiful.

  • Until it's not [laughs].

  • You wouldn't necessarily

  • have the marks on the side of the burger

  • so it looks like those were actually darkened

  • by the food stylist

  • so you can either use a charcoal starter

  • that will give you that charred golden brown edge

  • all the way around the sides,

  • or you can paint a little something on.

  • Shoe polish would work

  • or a concoction of kitchen bouquet and bitters

  • and ivory soap to help it stick on.

  • Kitchen bouquet is old school.

  • It's basically a coloring when you're making gravy

  • to make your gravy darker [laughs].

  • This is actually a good example of how,

  • with a food stylist, you don't want to see

  • light coming through things,

  • so as the commercial goes on,

  • you see the adjustments happening.

  • A change in the onion, nestling in more lettuce,

  • just to make that perfect illusion

  • of the outside of the burger.

  • This food stylist is using a piping bag

  • instead of a pipette or a squeeze bottle.

  • You can see that the dollop of ketchup

  • actually has that rounded dome to it

  • so it hasn't been smashed and it hasn't been agitated.

  • Ugh, beautiful lettuce.

  • Don't you just love that?

  • It's like a skirt.

  • So the perfect piece of lettuce.

  • Clean them really well, soak them in cold water,

  • dry 'em really well and find those ones

  • that have that perfect edge.

  • Working with smaller pieces

  • tends to be better in this case,

  • so that kinda gives you more control

  • of the ripple effect when working with a piece of lettuce.

  • So once the lettuce goes on,

  • often, I'll use a toothpick to secure

  • the burger at that point

  • and insert that right down the center

  • and then that'll kind of hold everything in place.

  • I would say finishing touches for a burger

  • would typically be the condiments.

  • At this moment, the food stylist is using the cue tip

  • because it looks like the ketchup may have bled a little bit

  • up onto the onion.

  • You wanna see that clean line of the white onion, right,

  • so a little cue tip, very specific, gets it right off.

  • I mean, it's a good lookin6g burger.

  • This next commercial is for Dairy Queen.

  • - [Narrator] When we're serving you Blizzard treats

  • like M&Ms, cookie dough, and new Oreo fudge brownie,

  • all made with our world-famous vanilla soft serve.

  • Thanks for being our fans for all these years.

  • - Oh, ice-cream's a bitch [laughs].

  • Let's be honest.

  • Especially with something like this

  • 'cause it's soft serve.

  • Like you need it to be the right texture

  • and there's no way of faking it.

  • When you're talking about real ice-cream,

  • you can actually use things

  • like cans of frosting and 10X

  • and incorporate more powdered sugar

  • into your cans of frosting

  • until you have the right texture and consistency

  • of like a scoop of ice-cream.

  • But with soft serve, soft serve has its own unique texture.

  • With ice-cream, you kind of want a couple of things on set.

  • One would be like dry ice

  • or something that's nearby

  • that you can get things back to the right temperature ASAP.

  • A blast freezer wouldn't be bad.

  • Something that just chills something down very rapidly.

  • It just gives it a shock to the system.

  • You definitely don't wanna get trapped in one.

  • Some food stylists might wanna work with liquid nitrogen

  • or something like that.

  • With Dairy Queen, I'm pretty sure that their soft serve

  • is just a tapper.

  • They might even have brought

  • all that kind of stuff to set

  • that you just constantly keep making 'em

  • and keep making 'em and keep making 'em.

  • For a commercial like this,

  • you might be working on a refrigerated set.

  • Not quite working in a walk-in freezer

  • but it's definitely below

  • what you would think of as room temperature.

  • The perfectly cut Reece's Pieces.

  • They're cut so precisely so that you see the chunks.

  • The M&Ms are mostly whole but some of them are halved

  • so that you can see into it.

  • Looking real dreamy, Dairy Queen [laughs].

  • When you see the Blizzard, the vessel is opaque.

  • You can't see into it.

  • So for all we know,

  • it could be like a false bottom cup, right.

  • The whole bottom of the cup could be empty.

  • They just tap in some soft serve,

  • smudge it around a little bit

  • and then put all the toppings on top

  • so that you can actually tell what it is.

  • So this could be more of a fudge of hey,

  • it's soft serve with stuff on top

  • and that way, slow motion bow-chicka-bow-wow M&Ms, hey,

  • go in and that's what you're seeing there.

  • The commercial did its job.

  • I definitely wanted a Blizzard [laughs].

  • This is a commercial for Subway.

  • - [Narrator] Subway has so much new,

  • it didn't fit in the last ad.

  • Like the new Deli-style oven-roasted turkey

  • and new Hickory-smoked bacon.

  • It's the Eat Fresh Refresh at Subway.

  • There's so much new.

  • Oh, and there's smashed avocado too.

  • - This one has all the special effects.

  • It's spinning salad, it's bouncing meat.

  • I'm really not sure why the ingredients

  • have to be flying into the sandwich

  • because I don't know about you,

  • but when I'm home, I don't stand back and like,

  • lob my ham at my sandwich,

  • but I mean, I guess it's just this like

  • carefree, fun way of building a sandwich.

  • So the right height to drop these items

  • is actually just out of camera.

  • There's no dropping from up here,

  • dropping from down here.

  • It's like okay, here's your frame.

  • Am I in, yep, you can see my hand.

  • Can you still see my hand?

  • Can you still see my hand?

  • Nope, okay, drop.

  • Subway does have a very specific way

  • of laying cheese.

  • That is not it.

  • Normally, it's very specifically shingled on itself.

  • In a perfect paper football kind of situation going on

  • and it's not as exciting to see somebody lay out cheeses.

  • I mean, we've all seen it happen.

  • All of the vegetables in this

  • are misted lightly with moisture [laughs]

  • and that ha to do with giving the illusion of freshness.

  • You're like oh, it's freshly washed,

  • picked out of the garden, taken to the sink,

  • rinsed off and now it's ready for my sandwich.

  • What I actually love about building sandwiches.

  • Sandwich has so much movement

  • and I think that that is what makes it appealing

  • to style a sandwich like this.

  • You're not just putting meat, meat, meat,

  • cheese, cheese, cheese, right?

  • It's ribbons of meat.

  • Cheese is placed just so

  • so it drapes off the side.

  • Little pieces of shredded lettuce

  • that have a tussled man bun look in the sandwich.

  • There are all these little elements to it

  • that makes you wanna squoosh it and take a bite.

  • This is a commercial for Frito-Lay.

  • - Twas the night before.

  • Hold up, let's take this up a notch.

  • Montana and Rice relive their old glory

  • while adding Doritos to their Superbowl story.

  • Bradshaw and Bennett cause a snack table to shatter.

  • Forget the Doritos.

  • - Poor food stylist.

  • - Don't forget the chips.

  • - How many bags of chips they had to go through

  • to find that many perfect chips [laughs].

  • That food stylist must have had

  • at least four or five people

  • searching through bags of chips.

  • I am guessing that Frito-Lays

  • had very specific standards for their perfect chip.

  • For example with Lays,

  • it had to be a certain size.

  • Sometimes Lays are very large or small.

  • Maybe one curl or one ribbon in it.

  • Same thing with the Tostitos.

  • Probably a certain number of waves.

  • The Doritos, are there discolorations?

  • Are they evenly coated?

  • I'm sure that Frito-Lays did not hold back

  • on letting them know what the perfect chip should be

  • and they're probably right.

  • The entire crew, I can guarantee you,

  • went home with bags and bags of broken chips.

  • I want to assume that the chip bags

  • definitely came from the factory,

  • but the only thing is is that you don't see

  • the stamped price on anything

  • or the Best By date on any of them

  • which are normally in that top-right corner.

  • I buy chips.

  • I want to assume that that was

  • specifically sent from the manufacturer that way.

  • You can see often that they're not really like

  • grabbing a chip, right?

  • It's held between two fingers, very daintily

  • about to be consumed

  • or it's being used as a football

  • and again, only one finger is touching it

  • so you see the entire chip

  • in its full, beautiful potential.

  • And the poor food stylist

  • with the whole collapsing table scene.

  • Whew, what's a mess!

  • You know, it's picking it up

  • and redoing everything, replating everything

  • and it does take a village,

  • so definitely the art department,

  • even a special effects team,

  • to get that perfect bounce off the table.

  • But yeah, that's one of those scenes that you just go,

  • oh, the clean up,

  • and the amount of perfect chips

  • that it took to fill those bowls

  • and that it'll take to fill the other ones

  • that are gonna replace 'em.

  • I hope they got that in one take.

  • This is a commercial for Campbell's.

  • - [Press] Beck, that touchdown, how do you do it?

  • People say talent runs in the family.

  • - Really?

  • - [Both] That's what I've heard.

  • - Who let my brothers in here?

  • - Or is it 'cause we feed you chunky soup?

  • - [Narrator] Campbell's Chunky.

  • Packed with heart meat and veggies.

  • - So it's the one shot of the bowl of soup in this.

  • The beautiful thing is is that

  • the spoon is already out of the bowl

  • so you can actually build the perfect spoonful

  • before the person even grabs the spoon.

  • The other nice part is is that

  • as soon as they pull that spoon out of frame,

  • the bowl is still full.

  • When it comes to this, opening a lot of cans

  • and finding the perfect noodles,

  • the perfect pieces of chicken.

  • Sometimes you might be able to poach some chicken

  • so that you get better pieces,

  • but ideally, you're using their product.

  • So in this case, you don't have to worry

  • about anything sinking

  • because it is such a shallow bowl.

  • The noodles, the carrots, the celery, the chicken.

  • It's all sitting on the bottom of the bowl

  • and there's just enough broth to give the illusion

  • that it's swimming in the soup.

  • It's all right there in front of you

  • so it's smart styling.

  • I hope that people take away from today

  • just the simple understanding of enjoying a commercial

  • for what it is.

  • That there's a lot more effort

  • that goes in behind the scenes

  • that we often think about.

  • If you can watch a commercial and go wow,

  • that looked really good,

  • then we've all done our job.

  • So I'm Lish, thank you and goodnight [laughs].

  • [upbeat music]

- You notice in this shot,

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